愤怒地

Memories of John Kerry in 2004 came flooding back, of how he tended to describe his feelings rather than experience them, of how he suddenly -and unconvincingly - started to say he was "angry" about this or that when his consultants told him that Howard Dean's anger about the war in Iraq was hitting home with voters.

约翰克里在2004年的记忆像洪水般涌现了出来，像如何描述并非他亲身经历的感受，像他如何忽然间和难以使人信服地开始，说明了他对诸如此类的事情感到很气愤，当他的顾问告诉他霍华德院长的愤怒是伊拉克战争对选民家乡的袭击。

The unfeeling feel/With the dry vehemence of the unreal,/So I, in the Idea of your arms,unwon,/Am as the realin the unreal undone.

吾得其人不得其心空洞的灵魂愤怒着/麻木的感觉已感知/伴之而来却空虚幻，/所以/我/在你/在你臂膀里的里，没有获胜，/只是真实地存在一个不真实的、失败

There was indignation in his hoarse bass voice but also a wheedling note .

在他沙哑低沉的声音里既有愤怒也有哄骗的调子，斯卡利特一边调皮地用舌头敲打着牙齿，一边伸手把他的领带拉整齐。

He crawled forward on his stomach, still trying to escape the horrible voices shrieking in pain and anger.

他向前爬着，仍然想要逃离这些恐怖的声音，那些声音充满了痛苦和愤怒，在他的周围不断地尖叫着。

It suggests therefore that people should follow their instinct and"man-as-consumer considers the experience of pleasure an obligation, like an enterprise of pleasure and satisfaction; one is obliged to be happy, to be in love, to be adulating/adulated, seducing/seduced, participating, euphoric, and dynamic"Baudrillard believes that the ideology of consumption is"presented under the guise of gratification, of a facilitated access to affluence, of a hedonistic mentality, and of'freedom from the old taboos of thrift" The Titan is Dreiser's representation and encouragement of hedonism and consumerism Here, women become a subject consuming as well as an object being consumed In The Financier, we see what is promised for Cowperwood is"a world of mansions, carriages, jewels, beauty, a vast metropolis outraged by the power of one man, a great State seething with indignation over a force it could not control, vast halls of priceless pictures, a palace unrivaled for its magnificence, a whole world reading with wonder, at times, of a given name"Throughout The Trilogy, Cowperwood indulges in his pursuit of women, mansions and art objects I think Dreiser's representation of the hero's pursuit of women, mansions, objects of art indicates the inherent ideology--consumerism.

消费文化旨在诱导或鼓励人们摆阔性的挥霍浪费。这种文化所倡导的道德标准是，有钱建豪宅，买昂贵服装，吸引和占有最美的女人在道德上就是正确，有价值的。这时的物品就象鲍德里拉所说的那样已经成为地位的象征，而不是仅仅满足基本的需要。因此，人们应该听从本能的驱使，&作为消费者的人将享乐看成是自己的义务，享乐和满足就象是一种事业&。鲍德里拉指出消费意识形态的欺骗性在于其&倡导的满足、富裕、享乐和'冲破节检的旧樊篱'&。德莱塞在《巨人》中正是表现了这种消费意识形态。妇女、服装和豪宅已成为地位和权力的象征。《金融家》所预示给柯帕乌的是&公寓、四轮马车、珠宝和美物；整个大都会都要被一个人的权力所激怒；一个伟大的国家也要因为一种不能控制的力量而愤怒填膺；充满了无价珍宝的大厅；无与伦比的豪华宫殿；整个世界都惊叹地阅读着一个熟悉的名字&。当然，在整部小说里我们很少发现柯帕乌有抽烟饮酒的嗜好，但他却始终沉溺于性乱交之中。

The chestnut mare cantered briskly through the lane, and Miss Audley was out of sight before those two big bright tears that stood in her eyes for one moment, before her pride sent them back again, rose from her angry heart.

栗色母马活泼地慢步穿过小巷，奥德利小姐便消失不见了；其后，两滴又大又亮的眼泪出现在她的眼睛里，滞留片刻，便让从愤怒的心底里升起来的自尊自傲之情给挡回去了。

They pant for anopportunity of revenging that humiliation; and if a contest, endingin a victory on their part, should ensue, elating them in theirturn, and leaving its cursed legacy of hatred and rage behind tous, there is no end to the so-called glory and shame, and to thealternations of successful and unsuccessful murder, in which twohigh-spirited nations might engage.

如果战后的胜利站在他们那边，他们成了得意的一方，把可怕的仇恨和愤怒留给我们，两个不甘示弱的国家就会没完没了地斗下去，光荣与耻辱，成功与失败，互相消长，没有终止。

To Sue's chagrin and my anger, John took to haunting her apartment; when at last she exorcised him I sighed in relief--until it dawned on me how serious our relationship was getting !

使秀烦恼而我愤怒的是约翰开始经常去她的住处纠缠，她终于对他下了逐客令，我放心地舒了一口气---直到我明白我们的关系已发展到何等严肃的地步！

Too often I have made the mistake of sending an irritable response, which will have festered and angered the other end much more than a difficult telephone exchange.

我曾太过频繁地犯过一个错误，就是发送一封攻击性的回信远比一个电话更让人愤怒。

The jovial mood was ruined as one of the men fell over screaming, a large carmine gash running across his back, revealing a tall Argonian warrior standing behind him, garbed in black armor, a now bloody halberd in hand, fiery red eyes staring back at them with burning fury.

愉快的气氛被他们中的一人扑倒在地继而响起的惨叫声破坏了，一个巨大的深红色的伤口穿过他的后背，一个高大的亚龙人勇士出现在他的背后，身穿黑色盔甲，手上端着把血淋淋的战戟，回过头用一双凶残的红色双眼盯着他们，伴随着即将爆发的愤怒。

In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

。但是，在否定句或疑问句里，这种带有"do"的方法表达的效果却没有什么强调的意思。

Go down on one's knees;kneel down

屈膝跪下。。。下跪祈祷