感觉到

They felt nothing but a dull ache in their backs. They saw nothing but a dim grayness, or was it blackness?

他们只感觉到背部的钝痛，只看得到暗淡的灰色，亦或许是黑色？

I always feel so strong and as if I can bear a great deal

我总是感觉到自己很坚强，似乎能容忍很多的事

Maybe for a while, things are going well and you feel like you're making progress – but then something happens and things grind to a halt.

或许一段时间内，一切顺利进行，你也感觉到自己正在进步——但由于随后发生的一些事情而慢慢停了下来。

I didn't feel it. Oh, probably because of all the grinding.

我也没感觉到啊哦可能是动作太大了

Ding Lei expresses, he breeds experience through the agriculture of comparative and advanced country and China, feel China farming the way that animal husbandry must take dimensions to change, example study Japan is certain and contemporary the experience of the farm, not only should raise a pig centrally, ground of special still lay off will cultivate pig feed,"To reduce pollution, still can train a pig one case even ' on toilet '."

丁磊表示，他通过对比先进国家和中国的农业养殖经验，感觉到中国的农牧业必须走规模化的道路，比方学习日本某些现代农场的经验，不但要集中养猪，还专门划出地来种植猪饲料，"为了减少污染，甚至还可以训练猪一起'上厕所'。"

"When I tried to throw the pitch I could feel tightness," said Wang, who remained in the game, walking Jamie Burke and feeding Yuniesky Betancourt an inning-ending double play grounder.

我在投那球的时候可以感觉到紧绷」王说，他在之后继续留在场上，保送了Burke然后餵了Betancourt一记双杀结束该局。

But before I could have done anything about it I felt the thick barrel of a gun tickling my ribs.

但是在我能找到什么对付之策之前，我感觉到了有一把枪管肥厚的手枪在胳肢着我的肋骨。

Now I don't drink, and have never felt forced to at GW.

我不喝酒，从来没有感觉到在乔治华盛顿大学不舒服。

And in Aomaha, I felt a kind halcyon.

而在奥马哈，我感觉到了一种宁静。

If you feel that you have a position in life, then half of the problem about content is solved

如果感觉到自己在生活中有了一个位置，满足的问题就解决了一半。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。