感觉上的

Melody, the tone will be on the down-grade 3, 5 and 7 semitones, people have a bittersweet, Duochoushangan feeling impact.

旋律中，将主调上的第3、5、7级音降半音，使人有着苦乐参半、多愁善感的感觉冲击。

Loosening his bow tie, Rémy unbuttoned his high, starched, wing-tipped collar and felt as if he could breathe for the first time in years.

雷米松开衣领上的蝴蝶结，解开了高而浆硬的翼状领，感觉仿佛多年来第一次能够如此自由地呼吸。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族&血性&的传承方面。

Consumption in the real estate market is the turnip cabbage markets for different consumers feel differently.

其实这种消费现象不只仅存于房地产市场，就是菜市上的萝卜白菜，对于不同的消费者感觉也不一样。

Because their own how much traffic each day, at a glance how much income, self-comparison is also fixed.

因为自已每天有多大的流量，收入多少一目了然，自我感觉上也是比较固定的。

The result is Apple's products the most frequently used functions (such as the iPod's scroll wheel) makes sense of nature itself.

结果是苹果公司产品最经常使用的功能（例如iPod 上的滚轮）让人感觉浑然天成。

Cause girl I've never been more sure (that baby, it's you) This ring here represents my heart And everything that you've been waiting for (just say "I do") Yeah, because I can see us holding hands Walking on the beach, our toes in the sand I can see us on the countryside Sitting on the grass, laying side by side You could be my baby, let me make you my lady Girl, you amaze me Ain't gotta do nothing crazy See, all I want you to do is be my love (So don't give away) My love (So don't give away) My love (So don't give away) Ain't another woman that can take your spot, my love (So don't give away) My love (So don't give away) My love (So don't give away) Ain't another woman that can take your spot, my love Ooooh, girl My love My love Shorty, cool as a fan On the new once again Still has fan from Peru to Japan Listen baby, I don't wanna ruin your plan If you got a man, try to lose him if you can Cause your girls real wild through your hands up high Wanna come kick it wit a stand up guy You don't really wanna let the chance go by Because you ain't been seen wit a man so fly Friend so fly i can go fly Private, cause I handle mine Call me candle guy, simply because I am on fire I hate to have to cancel my vacation so you can't deny I'm patient, but I ain't gonna try You don't come, I ain't gonna die Hold up, what you mean, you can't go why?

我和你男朋友我们不不是领带当我不是的时候，你说你 wanna 踢它如此高度好吧，宝贝我不是你的家伙是明显的不是 gon'谎言，我感觉你的空间但是忘记你的脸，我发誓我意志相同的标志，无论何处的相同子弹我寒冷仅仅带给机智我双，我意志我能看见我们把持手海滩上的步行，沙子的我们足趾我能在乡下地方之上看见我们草上的就坐，并排放置你可能是我的宝贝，让我使你成为我的淑女少女，你使吃惊我不是必须什麽也不做发狂的看见，我想要你做的全部是我的爱我的爱我的爱不是能带你的地点，我的爱另外的一个女人我的爱我的爱不是能带你的地点，我的爱另外的一个女人 Ooooh，少女我的爱我的爱

Minefield can of course be interpreted as an area of land throughout which explosive mines have been laid.

感觉上是指你从事的领域或正在进行的活动如履薄冰，不小心就会违法

But it does take the determination that you're going to put your thoughts upon something that does feel good.

但是这确实是你要下定决心把你的思想放在那些确实让你感觉良好的事情上。

The goal is to help students feel good about themselves and their behavior in the classroom.

我们的目标是帮助学生感觉自己和他们在课堂上的行为良好。

The labia have now been sutured together almost completely.The drains and the Foley catheter come out at the top.

此刻阴唇已经几乎完全的缝在一起了，排除多余淤血体液的管子和Foley导管从顶端冒出来。

To get the business done, I suggest we split the difference in price.

为了做成这笔生意，我建议我们在价格上大家各让一半。