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与 感觉上 相关的网络例句 [注:此内容来源于网络,仅供参考]

I discuss the possibility of applying Carnap's (1928) project of constructing quality classes from sense-data, and H. Field's (1980) nominalist program of nominalizing the scientific theory, to an account of predication.

我将讨论卡纳普(1928)从感觉与料建构性质集的计划,与费尔德(1980)惟名论化科学理论的计划,将之应用在处理表述问题上的可能性。

It is chiefly in this sense that Berkeley denies matter; that is to say, he does not deny that the sense-data which we commonly take as signs of the existence of the table are really signs of the existence of something independent of us, but he does deny that this something is nonmental, that it is neither mind nor ideas entertained by some mind.

贝克莱主要是在这种意义上否定物质的;那就是说,他并不否认通常我们以为是桌子存在的标志的那些感觉材料是某种独立于我们之外的东西的存在标志,但是他确乎不认为这个某种东西可以是"非心灵"的,也就是说,可以既不是心灵,也不是某个心灵所具备的观念。

In the network JY played a year, I to have always been and then have no to feel the interpersonal exchanges, because I am not a Chinese, I is 1 the year ago go to when traveling China buy to the game card of 1 network JY, return to Seoul's home the empress, and I packed to ascend the gamed, but computer and the manifestation of the nonsupport Chinese language, therefore I please friend who study abroad in China purchased a Taichung country computer, computer 托 that produce the 运 go to Seoul is already octobered, and pack the game to behind see to see to new- break throughed Fuzhou to stand, I and incognizant Chinese characters, literally choose and then enter, pass by donkey years of grope for, and I understand the game, and feel the Chinese to think the elephant dint very abundant, the Mr. JY novel also write of very stick, I do not understand the Chinese language, therefore I play the network JY resemble at play the single game, many people to request to chat with me, I see to not understand, therefore can't with everybody exchanges.

在网络JY中玩了1年,我从来就没有感觉到过人与人之间的交流,因为我并不是中国人,我是1年前去中国旅游时买到了1张网络JY的游戏卡片,回到汉城的家里后,我装上了游戏,但是电脑并不支持汉语的显示,所以我拜托在中国留学的朋友购买了一台中国生产的电脑,电脑托运到汉城时已经是10月了,装了游戏后看到看到新开通的福州站,但是我并不认识汉字,随便选了就进入,经过很久的摸索,我了解了游戏,觉得中国人的想象力很丰富,JY先生的小说也写的很棒,但是因为我不懂汉语,所以我玩网络JY就像在玩单人游戏,很多人要求和我聊天,但是我看不懂,所以就无法和大家交流。

Take your pens and notebooks with you.

带上你的钢笔和笔记本电脑与你在一起时的感觉。

Sam:I hit not in the room to centre artefact to class, I see that there are whatever symbols in my nous kept wandering!

山姆:"在课堂上我都没办法专心听课,我感觉到有一些符号在我脑海里不停的徘徊!"

But when it rains, I like go up to my roofdeck and get in touch with my inner nudist.

但每次下雨时,我喜欢跑到我的房顶上享受我内心的裸体感觉。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的"表现"观念的历史考察着手,归纳出西方现代"表现"观念的核心内涵,以此为基点来逐步分析西方现代造型艺术史,进而将西方现代造型艺术的产生与发展归结为在"表现"观念驱动下不断递进的历史进程:印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口;野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉,并在艺术中反抗物象对表现的压迫;德国表现主义与超现实主义以不彻底的"否定性物象"来张扬表现反抗物象;至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型,在造型的范围内实现彻底的表现;二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制;经由抽象表现主义、最低限艺术,表现逐步摆脱了纯粹造型,寻求造型之外的新的表现可能。

She felt the thing in her head as the closeness of some high-thrumming power, and in the recesses of her mind she saw its two blood ocher eyes open in a profane corona behind the assassin's head and settle on her.

她在她的头中感觉事物如一些指弹高度的力量接近,而且在她的心休会中她见到它的二血阿眼睛在她上的在暗杀者的头和长椅后面的一个不敬的电晕中打开。

The only case in which the higher ground has been taken on principle and maintained with consistency, by any but an individual here and there, is that of religious belief: a case instructive in many ways, and not least so as forming a most striking instance of the fallibility of what is called the moral sense: for the odium theologicum, in a sincere bigot, is one of the most unequivocal cases of moral feeling.

只在一宗情事上,也只是随处有个别的人采取了有原则的较高的立场,并且一贯地维持下去,那就是在宗教信仰方面。这事在许多方面都有启发指示的意义,而就所谓道德感觉之不能无误这一点说来,尤不失为一个最显明的例证;如神学家之相仇,就一个真诚的执迷者说来,确是道德情绪的最明白的事例之一。

In the fruit fly Drosophila, not all olfactory sensory neurons express a seven transmembrane odorant receptor, suggesting that other types of odorant receptors might exist.

在果蝇的细胞上,并不是所有的气味感觉神经元基因都能表达7-TM气味受体,这就意味着可能存在有另一类型的气味受体。

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Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

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