感情的

Xie He Hospital Dr Wang Yi PengZhao YuLiXiang Excellent service Very little waiting time Drs to help and make me less ancious Diagnose afteryears of not knowing accomplishing what others failed to do Treated me properly Quick action on the tests and results in a timely mannor Found a better solution Fair cost for services English Consultations to keep me in the loop James and LiBo Vallen To the staff of the Xie He Hospital; I write this letter in the hope that I can properly express my feelings for the wonderful treatment that was extended to me during my most recent stay in your hospitalThe courtesy and speedy treatment you gave me made my stay a most bearable experience and one that I will long rememberThe minimal waiting time and the friendly treatment I received made the anxiety and nerviness normally associated with a surgical visit to any facilitymade this one a refreshing experienceYour quality of service and superior medicinal knowledge solved a problem that no other hospital has been able to properly diagnose over the last eight yearsYour involving me in the consultation procedure both in the use of my native English and your concerns for my feelings is another demonstration of the progressive nature of your hospital Once again may I say thank you one and all for making a welcome visitor to your most wonderful hospital and having saved me both the pain and expense of an operation due to your superior knowledge and positive treatment policy Yours trulyJames E Vallen

急求英语高手帮忙翻译！解荷医院博士汪伊PengZhao YuLiXiang 优质的服务很少轮候时间博士帮助，使我少ancious 诊断afteryears不完成别人做不到知道正确对待我快速行动的考验，结果及时mannor 找到了一个更好的解决方案服务费用的公平英国协商，保持我在循环詹姆斯和波瓦伦对谢和医院的工作人员；我写这篇文章，希望我能正确地表达了美好的治疗，期间给予我的是最近留在你hospitalThe礼貌和迅速处理我你给我留了我一个最惬意的经历，我将我的感情的信长期rememberThe最小的轮候时间和友好的对待我收到了正常的焦虑和手术访问的任何facilitymade这一个清新experienceYour的服务质量和优质的医药知识解决了问题，没有其他医院已能正确诊断相关nerviness在过去八年中，涉及无论是在我的母语为英语的使用和您所关心我的感受，我yearsYour协商程序是另一个您的先进性示范医院我再次感谢你一说，并作出访客，欢迎您的最美妙的医院，并具有一切都救了我的痛苦和行动由于您出色的知识和政策，积极治疗费用你trulyJames首页瓦伦

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

Jay Chou and the feelings of composite birthday this matter now appears is a speculation, and on network television yesterday PP exposure birthday of Jay Chou and the feelings of complex things, the Chou and the birthday of the agent to the press to clarify the feelings of both of them there is no recovery, and all this only left traces of the past, only some of the media will be any bad faith on these topics just to show up.

周杰伦和蔡依林感情复合这件事现在看起来又是一个炒作了，就在昨天 PP网络电视曝光了周杰伦和蔡依林感情复合的事情之后，周杰伦和蔡依林的经纪人都向记者澄清，他们两个人的感情并没有恢复，而这一切只是过去留下的痕迹而已，有些存心不良的媒体将这些话题重新拿出来炒作罢了。

Visual body or astral body teleportation, or visual object teleportation but before we can master teleportation we must first learn the art of Telekinesis/Psychokinesis and Clairsentience and the higher state of consciousness the seventh sense.

想象身体或星光体心灵运输，或想象物体心灵运输但是在我们能精通心灵运输前我们必须首先学会心灵致动/意志力感知他人感情，生心灵致意志力和感知他人感情感知他人感情，心灵死感和更高状态意识第七感觉的艺术。

He found that the newspaper storiette should never be tragic, should never end unhappily, and should never contain beauty of language, subtlety of thought, nor real delicacy of sentiment.

他发现报纸小故事不能是悲剧，必须有大团圆结局；语言不必美，思想不必细致，感情也不必微妙，但一定要有感情，而且要丰富，要纯洁高贵，要是他少年时在剧院廉价座位上为之大喝其彩的那种感情——那种"为了上帝、祖国和国王"的感情，"穷归穷，要穷得志气"的感情。

He found that the newspaper storiette should never be tragic, should never end unhappily, and should never contain beauty of language, subtlety of thought, nor real delicacy of sentiment. Sentiment it must contain, plenty of it, pure and noble, of the sort that in his own early youth had brought his applause from "nigger heaven"- the "For-God-my- country-and-the-Czar" and "I-may-be-poor-but-I-am-honest" brand of sentiment.

他发现报纸小故事不能是悲剧，必须有大团圆结局；语言不必美，思想不必细致，感情也不必微妙，但一定要有感情，而且要丰富，要纯洁高贵，要是他少年时在剧院廉价座位上为之大喝其彩的那种感情--那种"为了上帝、祖国和国王"的感情，"穷归穷，要穷得志气"的感情。

Include: Of history of civilization of baleful and misinterpret China, China and historical historical fact; Baleful and misinterpret his country the history, do not respect what civilization and custom are used to human civilization, his country; Derogate in cold blood, evil of figure of the anybody in doing famous book of character of revolutionary cacique, hero, important history character, China and foreign countries and famous work; Ill will derogates people army, armed police, public security and judicatory figure; Have mistreat captive, inquisition by torture to extort a confession of the clue such as convict or guilty suspect; Expression violates guilty aggressive arrogance, specific reveal criminality detail, reveal special investigation shift, expose what ought to be protected to inform against the figure such as person, witness, audio; Advertise religious ultraism, instigate between each religion, denomination, the contradiction between be religious and masses of lack of faith and conflict, harm masses emotive; Advocate sees photograph, fortune-telling, see ghost of geomantic, augur, drive treat a disease those who wait for feudal superstition activity; With evil do means to depict heavy nature calamity, contingency, horrible incident, war to wait for catastrophic occasion; Specific show licentious, rape, incestuous, love cadaver, walk the street, go whoring, of the clue such as sexual allergy, masturbation; Of the detail such as means of process of expression or obscure performance sexual behavior, sex, sex and as associated as this overmuch body contact; Show intentionally, be masked with limbs only or cover position of human body privacy with very small pall; Contain sexual suggestion, sex to tease those who wait to make the person produces a gender to associate easily; Advocate extramarital love, much horn is loved, one-night standing, sex is mistreated and change wife wait for insalubrious content; In order to grow up the film, affection lubricious film, 3 class piece, pat secretly, expose one's body, dew point reachs all sorts of flirtation to sexual written language or picture regard video program as caption or be classified; Have intense of the clue such as excitant homicide, bloody, violent, suicide, kidnap, drug taking, gamble, clever different; Have picture of excessive fright bloodcurdling, caption, background music and sound effect; Specific show animal of cause sb's death by maltreating him, catch kill, edible country protects kind of animal; Contain those who encroach individual privacy content; With affirmative, favorable fundamental key or fetching me-too means expression fights other people of affray, shame, corrupt of character bawdry; The philosophy with inactive, decadent advocate, world outlook and viewpoint of value, unwisdom of sedulous apply colours to a drawing, exaggerated nation lags behind or of social the seamy side; The cutout of the program of movie and TV that total bureau of TV of national broadcast film prohibits travelling and film, teleplay reduces part; Violate relevant law, statute of spirit.

包括：恶意曲解中华文明、中国历史和历史史实的；恶意曲解他国历史，不尊重人类文明、他国文明和风俗习惯的；蓄意贬损、恶搞革命领袖、英雄人物、重要历史人物、中外名著及名著中重要人物形象的；恶意贬损人民军队、武装警察、公安和司法形象的；有虐待俘虏、刑讯逼供罪犯或犯罪嫌疑人等情节的；表现违法犯罪嚣张气焰，具体展示犯罪行为细节，暴露特殊侦查手段，暴露应当受到保护的举报人、证人等形象、声音的；鼓吹宗教极端主义，挑起各宗教、教派之间，信教与不信教群众之间的矛盾和冲突，伤害群众感情的；宣扬看相、算命、看风水、占卜、驱鬼治病等封建迷信活动的；以恶搞方式描绘重大自然灾害、意外事故、恐怖事件、战争等灾难场面的；具体展现淫乱、强奸、乱伦、恋尸、卖淫、嫖娼、性变态、自慰等情节的；表现或隐晦表现性行为、性过程、性方式及与此关联的过多肉体接触等细节的；故意展现、仅用肢体掩盖或用很小的遮盖物掩盖人体隐私部位的；带有性暗示、性挑逗等易使人产生性联想的；宣扬婚外恋、多角恋、一夜情、性虐待和换妻等不健康内容的；以成人电影、情色电影、三级片、偷拍、走光、露点及各种挑逗性文字或图片作为视频节目标题或分类的；有强烈刺激性的凶杀、血腥、暴力、自杀、绑架、吸毒、赌博、灵异等情节的；有过度惊吓恐怖的画面、字幕、背景音乐及声音效果的；具体展示虐杀动物，捕杀、食用国家保护类动物的；带有侵犯个人隐私内容的；以肯定、赞许的基调或引人模仿的方式表现打架斗殴、羞辱他人、污言秽语的；宣扬消极、颓废的人生观、世界观和价值观，刻意渲染、夸大民族愚昧落后或社会阴暗面的；国家广播电影电视总局禁止传播的影视节目以及电影、电视剧的删减片段；违反相关法律、法规精神的。

Small town hearts of the New Year Brought down by gravity, crystal clear City fog and brave dialogue converge on the frontier Make haste, I feel your heartbeat With new taste for speed, out on the street Find a road to a humble abode where both of our routes meet The silver sound is all around and the colors fall like snow The feeling of letting go, I guess we'll never know Cheer up and dry your damp eyes and tell me when it rains And I'll blend up that rainbow above you and shoot it through your veins Cuz your heart has a lack of color and we should've known That we'd grow up sooner or later cuz we wasted all our free time alone Your nerves gather with the altitude Exhale the stress so you don't come unglued Somewhere there is a happy affair, a ghost of a good mood Wide eyed, panic on the getaway The high tide could take me so far away VCR's and motorcars unite on the Seventh Day A popular gauge will measure the rage of the new Post-Modern Age Cuz somewhere along the line all the decades align We were the crashing whitecaps On the ocean And what lovely seaside holiday, away A palm tree in Christmas lights My emotion Struck a sparkling tone like a xylophone As we spent the day alone Cheer up and dry your damp eyes and tell me when it rains And I'll blend up that rainbow above you and shoot it through your veins Cuz your heart has a lack of color and we should've known That we'd grow up sooner or later cuz we wasted all our free time alone

小城镇心中的新年被击落的严重性，清澈市雾和勇敢的对话汇聚边界快点，我觉得你的心跳随着新口味的速度，在街道上进行查找道路谦虚居留权都在我们的路线满足银色的声音和周围的颜色属于如雪感情的放手，我想我们永远不会知道振作起来并擦干潮湿的眼睛，告诉我什么时候下雨我会结合这一彩虹，你和你的拍摄是通过静脉 Cuz你的心已经缺乏色彩，我们应该都知道我们希望长大迟早cuz我们浪费了所有的空闲时间仅你的神经的高度聚集梦醒时分的压力，让您不来脱胶某处有一个幸福的事，鬼的好心情广泛眼，恐慌的假期高潮可以采取我那么远录像机和汽车团结的安息日人气指数衡量的仇恨，这种新的后现代时代 Cuz某处线沿线所有的几十年里保持一致我们是崩溃白浪海洋和可爱的假日，离开棕榈树在圣诞装饰灯我的情感了一个闪闪发光的色调像木琴正如我们仅花了一天振作起来并擦干潮湿的眼睛，告诉我什么时候下雨我会结合这一彩虹，你和你的拍摄是通过静脉 Cuz你的心已经缺乏色彩，我们应该都知道我们希望长大迟早cuz我们浪费了所有的空闲时间

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族&血性&的传承方面。

school education, make people the center, undertake the main strength-form master of this heavy responsibility, is a class work of the organizer, class be collective construction of instructor, student health of guide, is communication parent and school of bridge, what we face be living and have blood to have meat to have affection of innocent lovely of kid, the kid's mind be clean and pure, beauty but again weak, we only pour into our unselfish benevolences and patience, then can be real to open the window of their minds.

学校教育，以人为本，承担这一重任的主要力量——班主任，是班级工作的组织者、班集体建设的指导者、学生健康的引领者，是沟通家长和学校的桥梁，我们面对的是活生生、有血有肉有感情的天真可爱的孩子，孩子的心灵是纯洁、美丽而又脆弱的，我们只有倾注我们无私的爱心和耐心，才能真正打开他们的心灵之窗。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。