感性

From logocentrism to "Vernunft transversale" through aesthetic intermedium;Ⅲ. from cultural differentiation to cross-cultural dialogism through aesthetic integration;Ⅳ. from social Utopia to a new aesthetic-rational road of society through aesthetic agency.

这种现代性的&全面性&，就体现在&以审美中和主体性&、&以审美中介纵向理性&、&以审美平衡文化分化&、&以审美规划社会尺度&，从而走向一种&主体间性的交往原则&、&横向理性－感性的图景&、&文化间性的对话主义&和&新感性－理性社会&的通途。

And the Vocalise is included.Chapter Three:The terms to bring forth thymogeny and features in Rakhmaninov "Vocalise" This part discusses the terms to bring forth thymogeny in "Vocalise" from two aspects that are the external terms such as the political environment,music culture position and music aesthetics condition and the interior terms such as Rakhmaninov's own music style and emotion.

第三部分：拉赫玛尼诺夫《练声曲》情感性产生的条件及表现该部分先从拉赫玛尼诺夫《练声曲》产生时的政治环境、音乐文化状况、音乐美学环境等外部条件和拉赫玛尼诺夫的个人音乐风格、音乐情怀这一内部条件两方面论述了《练声曲》产生情感性的条件。

In contrast to the theory of human nature of German Classical Philosophy, which totally rationalizes human beings, Nietzsche puts forward a theory of physicalization.

这一理论假说的意义在于强调了感性事物自身的实在性、能动性和价值性，为人们从世界观上消除对超感性世界的信仰奠定了一个坚实的基础；其局限性在于还原主义的狭隘性使其忽略了事物质的多样性以及事物之间的依赖性。

It's an experimental creation period from "Boatman's Elegy" to "Sirius" during which the performance of poetry's perception and the knowing are not mature/Under the influence of the west modernism art, his poetry has been experienced from the new moon romantic to the modernism. It's his mature period from "Lotus's Association" to"Separates the Water Goddess of Mercy". During this time his poetry's intellectuality and sensibility tends to be mature. Through the reconsidering of the westernization, the poet starts to inaugurate a new sky, and the poetry displays a bright neoclassic principle characteristic, then penetrates into the traditional nationality culture;and the "Bestows on from Cercis chinensis" is the deepened time until now which the poet displays for all kinds of practical styles, which includes multiplex characteristic.In his poetry, the intellectuality blends with sensibility, the sensation combined with logos.

从《舟子的悲歌》到《天狼星》是诗人创作的实验期，这一时期诗歌的感性和知性的表现还不成熟，其间由于受西方现代主义艺术的影响，其诗歌经历了从新月浪漫派到现代主义的变化；从《莲的联想》到《隔水观音》是诗人创作的成熟期，这一时期诗歌的感性和知性表现趋于成熟，诗人通过对西化的反思开始&浪子回头&，诗歌表现出鲜明的新古典主义特征，进而深入到民族传统文化之中；而自《紫荆赋》至今是诗人创作的深化期，表现为兼容并蓄的写实风格，并具有多元取向的特征。

The phase conversion process has been discussed on the basis of three working ways of inductance loading in TEM-Ⅱtransmitter, and then several problems have been put forward.

分析了IGBT全桥变换电路实现功率变换时感性负载上电压、电流的瞬态变化规律及无功功率的释放回路，对TEM-Ⅱ型瞬变电磁法发射机阻感性负载三种工作方式的换相过程作了深入全面的讨论，进而提出几点注意事项。

It discusses Nietzsches esthetic metaphases to save specifically. The bodily perceptionsurvival is the Nietzsche early time esthetic thought, emphasizes one perception is real, onekind is alive candid condition, through shades open wide completely, the return life is innate.

身体感性生存是尼采早期的审美思想，强调一种感性真实，一种在世的本真状态，如同海德格尔的&在&的状态，通过去蔽而完全敞开，回归生命本然。

It it designs modernisms to be not rational too aesthetic temperament and interests in after revise at among the perceptual tender feelings of modernisms, Incline the intuitions of perception show, but ...

现代主义设计过于理性的审美情趣在后现代主义的感性温情中得到修正，更倾向于感性的直觉表现，而非逻辑推理，这应合了现代观看者的心理。

It it designs modernisms to be not rational too aesthetic temperament and interests in after revise at among the perceptual tender feelings of modernisms, Incline the intuitions of perception show, but not reasoning from logic, this shut modern the psychologies of person who watches.

现代主义设计过于理性的审美情趣在后现代主义的感性温情中得到修正，更倾向于感性的直觉表现，而非逻辑推理，这应合了现代观看者的心理。

The paper further analyzes and explores the ontological origins of "The world becomes an image" and "Man turns intoasubject", which is of determining meaning to the basic process of modern history, and points out, it is the western two-value logical nature and the abstract subjective principle of "objective thinking", while grasping "the being" as an entitative "object", that cancels the actual historical nature, excludes and overshadows the whole sensible richness of man and man"s sensible existent area which can not be objectified so that the freedom to use reason turns into rigidified rational external coercive power, resulting in the loss of meaning world as "the root of human life.

论文进而分析探讨了对于现代历史的基本进程具有决定性意义的&世界成为图像&和&人成为主体&的存在论根源，从而试图指出：正是西方&对象性思维&的二值逻辑本性和抽象主体性原则，在其将&存在&把握成实体性的&对象&时，也就取消了本真的历史性，排除和遮蔽了不能被对象化的人类感性的全部丰富性和人的感性存在领域；致使运用理性的自由转变成僵化之理性的外部强权统治，进而导致作为人类生命之&根&的意义世界的失落。

Painting carries out a static expression through describing objects and things in perceptual space. A kind of definite perceptual space gives up its dynamic state and converts a static state, starting to use a scene chosen by a painter in painstaking to do painting activity. That makes the eternal movement world in static, in the static state it lets people unfold infinite thinking space to understand and comprehend the worldly kaleidoscope.

绘画就是通过感性空间中所描绘的物体和事物来进行静止的表述，一种确定的感性空间，放弃了它的运动状态而转入静止，开始用一个画家苦心孤诣地做出了选择的场面来进行着绘画的活动，以至使本来永恒地运动着的世界静止了，这种静止的状态中，让人们去展开无限的思维空间，去理解和感悟这人间百态。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。