感动

At such a critical time,kumur,our hero,who is the master dancing the Ring of Fire ,makes his great effort flowing from the encirclement.the profound feelings between the two brothers moving the people present,Rao and Aidan waves to the brothers who regains free.having found their mother,they go back to their animal world,the original beauty of the jungle belongs to them, and they continue to be this beautiful part ......

两只老虎之间深厚的感情感动了人们，拉奥和艾丹向这两只重获自由的虎兄弟挥手道别，古玛和桑哈找到了母亲，又重新回到属于自己的动物王国，原始丛林的美丽属于他们，他们也继续成为这份美丽的一部分

Mr. John Dashwood had not the strong feelings of the rest of the family; but he was affected by a recommendation of such a nature at such a time.

约翰·达希伍德先生对家庭的其他成员没有什么强烈的感情，但他被这样一种时刻提出的这样一种性质的劝说所感动。

Your dauntless spirit of the people was moved , in order to allow your sister to successful learning achievements, you give up ....

你大无畏的精神让人很感动，为了让你姐姐能学业有成，你放弃了本该属于你的。。。。

Sensitive and able to see the decency in everyone, he has touched me and changed me.

他敏感细腻，能够看到每个人的优点。他感动了我，并且改变了我。

I cherish what touches me in life, and I do not like to be intentionally decorative.

我很珍重生活中让我感动的事情，不喜欢刻意修饰自己。

His selfless and dedicatory internationalism will touch the Chinese people for ever. If people in the world, especially politicians and leaders, will view and deal with problems on a international position instead of a narrow-minded nationalism, then we will have a better world.

白求恩无私奉献的国际主义精神永远感动着中国人民，如果这个世界上的人们特别是家和领导者都能以世界的立场而不是狭隘的民族主义的立场看待和解决问题，那么这个世界将会非常的美好。

I know the story of the play well, still I was deeply moved by the denouement of the play.

我熟悉这出戏的故事情节，但是戏的结局仍然使我深受感动。

It's impossible to visit this unspoilt Derbyshire village and not be moved by the tragic events that took place here almost 350 years ago.

我相信每一个访问过这个没被污染的伊玛小村庄的人，都会被350年前发生在这里的悲烈故事所感动。

The 'arrival' of Sisyphus means that he has to employ 'pathetic fallacy' to personify the stone as signifying man's desire and mental burden – the stone lying at the roadside has been changed and elevated to a symbolic level, which incorporates the myth with heroic spirit and becomes the objective equivalent to that of desire, anxiety, and pressure. In essence, the physical features are drowned and from between to express the natural physical features or the ideas, he chooses the latter. This means that there is disjoint between what originally moved him and what he would like to express, but he is acutely aware of it – the 'danger of illustration'. We can see that these series of paintings are finally presented to us, the physical features of the objects still remains and are expressed to some extent. Among them some directly depict the stones in their own part about their pleats and points, desolateness and heaviness; at the meantime, nobody appears in the pictures.

西西弗斯的"到来"，意味着他不得不采用感情误置的方式，将石头进行拟人化的处理，用以指称人的欲望和精神负担——那块路边的石头已经不复它本来的面目，它被提升到一个象征的位置上，与神话和英雄的精神题旨迅速结合在一起，成为人性之中欲望、焦虑、压力等情感的客观对应物，从本质上来说，物自身的特性被淹没了，在表现物的自然特性和表现理念这两者之间，他选择了后者，这意味着，在感动他的最初事实与他要表现的事实之间就有了一种脱节，但他敏感地意识到了这种脱节，这种"图解的危险"，我们可以看到，当这组画最终呈现在我们面前的时候，物的自然特性得到了很大程度的挽留和表现，其中有一些画作直接描绘了岩石本身，它本身的褶皱和棱角、苍凉和沉重，同时，并没有人出现在这样的画面上。

But despite the room's beauty, it's time to get moving.

但是，尽管房间的美丽，它的时间去感动。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。