感伤地

As there lack a long-time forming course as in western countries, a solid foundation, and the cultural cultivation of the mass, I am worried that such a kind of liveliness and prosperity will not be necessarily able to develop healthily and persistently. Lots of my good friends are the backbones of "Star Art Exhibitions" and "85 Fine Arts New Tide Movement". When they woke up from their ridiculous nightmares, they vented themselves in various manners, and the manner they used most was to mock. They mocked what they hated acridly. The other manners were anger, mourning, puzzling and sadness.

它没有一个像西方漫长的形成过程，没有坚实的基础，更没有对受众的文化培养，因此我担忧这种热闹、繁荣未必能健康持久地发展，我有许多好朋友都是星星美展、八五新潮里的骨干，当他们从荒诞的噩梦里醒来时，便以多种样式去发泄自我，其中最多的是嘲弄，对憎恶的东西进行刻薄的嘲弄，再就是愤怒、痛惜、迷茫、感伤。

However, women still had not replaced men in the mission of glorifying the family. The mother was still a sacrificer and tender caregiver of the family while the image of father was a strong, tough man.

然而女性仍未取代男性，挑起光耀门楣的使命，而母亲形象则仍是为家庭悉心奉献、温情的身心照护者，相对地，父亲形象则为坚强、不感伤。

Be listening the most sentimental song, Go the same way down finally clearly, Only when you are really my love.

听最感伤性的歌，最后清楚地把相同的方法去下来，只有当你真的是我的爱的时候。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。