感

It is necessary to the development of conscience in children and to the avoidance of antisocial behavior.

童年时代良知的发展，以及反社会行为的防阻，都必须有此错失感。

The antitrade sentiment in Congress lurked over the meeting, and certainly was felt by the Chinese.

国会中的反贸易情绪跨洋过海弥漫到了北京的会议桌上，中国人无疑是感受到了。

Antoinette de Mauban?'I asked carelessly,trying not to show my interest.

"安·德·莫班？"我满不在乎地问，试图装着不感兴趣的样子。

You knew that if Anton heard about your interest in the system, then he would become interested in it.

你知道如果Anton听说你对这个星系有兴趣的话，他就会跟着感兴趣。

You must except, nevertheless, Marcus Antonius, the half partner of the empire of Rome, and Appius Claudius, the decemvir and lawgiver; whereof the former was indeed a voluptuous man, and inordinate; but the latter was an austere and wise man: and therefore it seems that love can find entrance, not only into an open heart, but also into a heart well fortified, if watch be not well kept.

你可以看到，一切真正伟大的人物（无论是古人、今人，只要是其英名永铭于人类记忆中的），没有一个是因爱情而发狂的人：因为伟大的事业抑制了这种软弱的感憎。只有罗马的安东尼和克劳底亚是例外。前者本性就好色荒淫，然而后者却是严肃多谋的人。

At the moment, this is what everybody in the business community is interested in, says Mr Antonov.

这正是眼下商界所有人都感兴趣的话题。

You can choose any one you're interested in.

你可以选择任何一本你感兴趣的书。

People just pay attention to AOI when they abstract remote subjects.

人们在对遥感专题信息提取中，往往仅对图像中的某些部分感兴趣。

Thus,literary ecocentrism champions the radical aesthetics of relinquishment,that is,giving up the centrality and subjectiveness of man,and the illusion of mental and bodily apartness from one's environment,and ascribing the subjectiveness to the nonhuman world.

为此，其力荐生态文学中激进的"放弃的美学"，即放弃人的中心性、主体性，放弃人在精神上和肉体上与自然的疏离感，赋予非人类世界主体性，这预示着未来人类以生态为中心的生存状态的可能性。

The apathetic look on his face shows that he's not interested.

他脸上冷漠的表情显示他不感兴趣。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。