愚昧

I'm trying to show you that everything can happen to us any time, so absolute expectation is a foolish thing to have.

我是想让你知道，事事时时会发生，所以绝对的期待是一件愚昧的事情。

People's hobby or avocation, aggrandize is, Is it human's babyism or animal's progress?

生活，把它夸大，真不知是人类的愚昧还是动物的进步？

But, when it comes to the all-important Truth,they are foolish.

但面对极其重要的真理，他们却是愚昧的。

For happiness without ignorance is like applesauce without apples.

无愚昧的欢愉就如无苹果的苹果酱。

And I said in my heart, As it happens to the fool, so also will it happen to me.

2：15 我就心里说，愚昧人所遭遇的，我也必遭遇。

I am a primary school teacher whom have already worked about six years,I am a youth be born in the eighty-second year,my experience include in sweet and bitterness,happiness and adversity,wisdom and ignorance,but I was made unremitting efforts to improve myself,and I am a girl whom be good at understanding the people's mind,in spite of,so much deficiency with me,but I believe that I must be matured as quick as thought in order of the ideal,leading my heart to fight for happiness,freedom and love!

我是一名已经工作了将近六年的小学老师，我是82年出生的青年，我的经历中有甜美也有困苦，有快乐也有不幸，有智慧也有愚昧，我是一个自强不息的人，一个善解人意的女孩，尽管我还存在很多不如人意的地方，但我相信自己一定会在理想的指引下尽快成熟起来，带领自己的心灵去争取幸福、自由和爱！

A wise man will hold his peace till he see opportunity: but a babbler, and a fool, will regard no time.

明智人缄口不言，直等相宜的时候；自夸和愚昧的人，却不看时机。

Please forgive me, I am conservative, my ignorance and backwardness.

请你原谅我的保守，愚昧和落后。

Its on the oriental stage that a series of oncoming and dormant Oedipus tragedies-incest tragedies, with which the westerners are so familiar regardless of performance on the somewhere strange stage, are highlights, so that the western spectators not only can enjoy the different exotic cultural charms, but from the commanding perspective fell the superiority of their own culture in this fabricated cultural context featured with backward, isolation and far from the reality. In addition, Zhang prefers to the method of time lagging in the film text formation, so that the textual times usually drag back to the past on purpose such as 1930s, 1940s, per-anti-Japanese war period as well as 1960s and 1970s; apart from this, the far-off areas far from the cultural center are chosen as the film space, all which get together to set up a static, stagnate and hiding Chinese traditional cultural context symbolized by backward, barbarousness and ignorantness to satisfy the male desire.

为了营造这个虚拟舞台，张艺谋影片中的采用了时间的滞后性策略，影片中的故事本文时间均选择了过去：十九世纪三十、四十年代，抗战前期，六七十年代；影片中的本文空间均选择了远离文化中心的边缘地带，通过时间的滞后策略和空间的边缘策略来满足一个停滞的、凝固的、静止的落后而由愚昧野蛮的中国传统文化语境；将处于社会边缘的女性放置在其中，利用观众位置的双重性认同结构，巧妙利用女性这一表层可见视觉中心和读解影片时意义渐隐的策略来遮掩和移位其真正的作者意识形态：即重复再一次对女性的观看，满足东西方男性的窥视欲望。

This war, Ms. Barham to which we Americans are so insensitive, is the result of 2,000 years of European greed, barbarism, superstition, and stupidity.

这场战争，巴尔翰小姐，我们对之如此孤陋寡闻的战争，是两千年来欧洲贪婪、野蛮、迷信和愚昧的产物。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失