意象

At Saturday morning, our class get ready to field trip from Barcley Park.

星期六早上，我们班在巴克礼公园入口意象集合完毕并出发。

The transparent image of 4 different finishings of transparent material can be composed of 2 factors such as "clear－fuzzy" and "natural－contrived".

透明材料之4种不同表面处理之透明意象可由「清新的－混沌的」、「自然的－造作的」两大要因所构成。

The transparent image of mobile drive with different finishings can be composed of 3 factors such as "expensive－cheap","free－binding" and "emotional－rational".

不同表面处理之随身碟之透明意象可由「高贵的－廉价的」、「自由的－束缚的」、「情感的－理智的」三大要因所构成。

As for the evaluation of "liking", the 4 finishings are liked by the respondents; besides, the "liked" finishing must have the images of "soft","shining","cool" and "technological".

在「喜欢的」评价上，4种表面处理均获受测者喜好，且受到「喜欢的」之表面处理必须具有「柔和的」「亮丽的」、「凉爽的」、「科技的」之意象。

The education in the institution and campus brings a misapprehension, that is, it says that the e xpression of the design through a certain pattern and some imago is the whole course of design. And there come many published books, such as the so-called functional analysis based on behavior relation, the notion explanation relies on a certain philosophy school, or folk residential building study according to the traditional life pattern, although all of which realize the illustration of the mold or pattern.

院校教育常带给我们这样一种误解，认为以某种模式通过图的意象阐释出来即完成了设计过程，於是出版许多依据行为关系的设计，依附某种哲学思想的设计或依据传统生活模式的&设计&，实际上这些达到了模式的图解。

The unconventional strange language pours the vigorous life into the language and brings a complete new experience and feeling for readers.And each well-considered image is jumping in his works which freshes peoples mind and appeals to them.

超常规的陌生化语言为语言文字灌注了蓬勃的生命，给读者带来耳目一新的体验和感觉；而作品中到处跳动着的一个个独具匠心的意象，则令人倍感新鲜、别有情趣。

This paper mainly consists of five parts. The Introduction mainly defines the scope and relative concepts, and covers the present situation of research about it. The first chapter traces the Seeing-off-poetry's cultural origin, classifies its emotion contents and artistic achievements, and differentiates the flows from the base of comprehensive reorganization of the Seeing-off-poetry from pre-Qin to latter-Han Dynasty. The second chapter studies its variations about styles, artistic expressions, and gentries' spirit features. And in this part we also discuss the reasons of Four-word-see-off-poetry's booming and its peculiarities in Jin Dynasty. The third chapter demonstrates the influence on Seeing-off-poetry in the Early and Glorious Ages of Tang Dynasty such as the construction ways, poetry images and emotion styles. The Appendix enumerates all the 465 Seeing-off poems' tittles, authors, their birth and dead time, writing time and sources of quotation one by one, so that all of them can be checked to prepare the investigation.

论文主要有五个部分：&绪论&重在界定魏晋南北朝送别诗的研究范围和相关概念，并对其研究现状作一全面回顾；第一章&送别诗溯源&，在全面整理先秦两汉送别诗的基础上，对《诗经》以来送别诗的文化渊源、情感內容和艺术成就分类概说，辨明其源流；第二章&魏晋南北朝送别诗研究&，从诗体、艺术表达、士人精神风貌三个角度研究这一时期送别诗的演变，并探讨两晋时期四言送别诗的繁盛原因及其特点；第三章&对唐代送别诗影响&，从建构方式、诗歌意象、情感风格三个方面论证魏晋南北朝送别诗对初盛唐送别诗的影响；&附录&部分列出魏晋南北朝送别诗系年一览表，分朝代逐条列举魏晋南北朝465首送别诗的诗题、作者、生卒年、创作时间及其出处，以备查考。

Idylls by the second chapter, and children are living away from poetry, Love Shengtang peoms Boudoir, tends Wing epic four themes,Image examples specifically address water rich in emotional content of the Shengtang poems.

第二章按山水田园诗、离别羁旅诗、闺阁爱情诗、感怀咏史诗四类题材，结合实例具体论述盛唐诗中水意象丰富的情感内涵。

Based in London, the Imagists were drawn from Great Britain, Ireland and the United States.

总部设在伦敦的意象来自英国，爱尔兰和美国。

Somewhat unusually for the time, the Imagists featured a number of women writers among their major figures.

有些不寻常的时间，意象精选了一些女作家之间的主要数据。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。