意象

Gradually in the works such as Dug Rivers, Flurry, the Period of Freezing, the Scenery in the fall, the past images are disintegrated by the free and strong scrapes, the sharp diagonals and wiry beelines segment, unite the space of them.

逐渐地，在《开江》、《小雪》、《冰冻时期》、《秋日风景》等作品中，以往的意象被直率、劲力的刮痕瓦解，锐利的斜线、尖细的直线分割并统一着空间，光、线、色、形都以更加主观的内在化运动，在其刮刀下展现出丰富的张力与美感。

However, the same symbol of school architecture is used for a different purpose in Taiwan: Torii is the image regarded as the entrance to the sacred space. Placing Torii around schools became a metaphor showing that "schools" are as sacred as "temples." In fact, during the occupation of Chin Dynasty, schools in Taiwan are derived from "temples." Going to school in temples had been a stereotype deep in people's mind. Although this symbol was similar to the way how European school buildings symbolized campanili of churches, the symbol of "colonizing" was emphasized.

但是，类似的学校建筑元素被放在台湾却有著不同意义：把代表神圣空间入口意象的「鸟居」，放在校园的外围旁，这同时也隐喻著「学校」也等同於「寺院」的神圣地位；事实上，在清朝据台时期，学校英文音译的发展就是从「寺庙」里产出：去寺庙就学的既定印象已深植民心，这种作法虽然略同於欧洲学校原型的教堂的钟塔宗教性象徵，但背后的「殖民」象徵却很清楚的被突显出来。

Chapter Three studies Donnes unique approach to love in technique in his Songs and Sonets.

第二章从邓恩在运用意象方面考察他独特的爱情表达方式。

The images in Donnes love poetry show a kind of anti-tradition trend, having a surprising effect.

多恩爱情诗中的意象往往反映出一种反传统的特点，显示出语出惊人的艺术效果。4。

Secondly, western essayists, basing on the distinctive life-appreciation, display their thoughts and emotion through the form of imagery, atmosphere and figure.

其次，西部散文家以获取的独特生命体验为基点，通过直观可感的意象、氛围、人物等艺术形式将生命感悟与思绪呈现出来。

The second part mainly analyzes the vital characteristics of western essays though the view of nature: Firstly, this paper, using the form of natural vital imagery, analyzes the focus and apprehension of nature glorified by western essayists.

第二部分主要运用天人合一的自然观来分析西部散文精神内蕴中所呈现出的生命特质，具体如下：第一，通过探悉作品中常用的自然生命意象形式，来分析西部散文家对自然生命的关注、理解以及对强劲鲜活生命力的赞赏与呼唤。

The different types of imagination determines the different modes and extents of the reproduction of the original images in translation.

译者想象的不同类型决定了原作意象的再造方式和程度。

In some ways, the image of a 'steel frame' can also apply to the ministry of external affairs.

在某种程度上，&钢骨架&的意象也是外交部的写照。

At Saturday morning, our class get ready to field trip from Barcley Park.

在星期六早上，我们班在巴克礼公园入口意象集合完毕并出发。

In the Saturday morning, our class got ready to have a field trip from Barcley Park.

在星期六早上，我们班在巴克礼公园入口意象集合完毕并出发。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。