意象

Let me choose five images that will give an idea of what the awaking of this new life means.

我选择5个意象来描画这一新生活之复苏意味着什么。

Let me choose five image that will give an idea of what the awaking of this new life means.

我选择五个意象来描述这一新生活之复苏意味着什么。

S disparate imagery collates to convey a transient sense of time and space that is both theatrical and strangely insular .

画廊-大卫n oo nan s不相干的意象整理传达一个短暂的意识，时间和空间是两个戏剧和奇怪的岛屿。

George Thomas Staunton's legend China experiences is one of British overseas colonizes exploration representative personages in 19th century initial period, this thesis penetrates to the description of his biography key activities, besides the supplement formerly Chinese scholar's insufficiency which studied about him, the author hoped take him as an example, further contacted some more important fields, like Europeans outside the territory exploration, philosophical history, the British free trade ideological trend and East India Company, the British views on China after Macartney Embassy, the Orientalism, the anthropology research, the China and the West culture impact and so on questions, hoped could evoke more discussions.

斯当东传奇性的中国经历是19世纪初期英国海外殖民探险的代表人物之一，本论文透过对其生平重要活动的描绘，除补遗先前中文学界对此人研究的缺漏外，笔者希望以其为例，进一步触及较重要的层面，如欧人域外探险、「历史哲学」史观、英国自由贸易思潮与东印度公司、马戛尔尼使团后英人的中国意象、东方主义、人类学研究、中西文化冲击等问题，希能引发学界更多的讨论。

During sessions involving others seeking help, Seth discusses: the reasons why some children die young; severe illness and mental attitudes; the effect of positive thoughts; Karma; comas;"time" as it relates to reincarnation, i.e., if all time exists at once how can reincarnational lives be before or after one another; the use of mental exercises to dissolve images projected; how many physical existences we live; and that In the materialization of personality through various reincarnations, only the ego and the layers of personal subconscious adopt new characteristics.

在有其他人寻求帮助而参加的会期中，赛斯讨论了：为什么一些儿童会夭折；重病与心理态度；积极思想的影响；羯磨；昏迷；与再生相关的&时间&，例如，如果全部时间同时存在，轮回生命如何能前后相续；运用心理训练消除投射的意象；我们经历多少物质存在的生命；以及通过不同轮回的人格的物化，只有自我和个人的潜意识层面采用新的性格。

In consideration of the complexity and deeper meaning of the prototype, and the main highlights of Lawrence works itself, this thesis mainly chooses the female character prototype of the Bible, the imago prototype of the Bible and the scene prototype of the Bible in his three representative novels mentioned above to analyze thoroughly, by adducing and contradistinguishing the Lawrence text from the Bible text, explores the connotative meaning of Lawrence\'s novels from the new point of view, digs religion culture connotation and history origin for inditing of Lawrence\'s novel, and unveils the inheriting of Lawrence to the Bible culture and the occidental literature history.

考虑到原型模式的复杂意义与深广内涵，以及劳伦斯作品本身的特点，本论文主要选择上述劳伦斯三部代表性小说中的《圣经》女性人物原型、《圣经》意象原型、《圣经》场景原型进行深入分析，通过对劳伦斯的小说文本和《圣经》文本的引证与对照，从而以新的角度探寻劳伦斯小说的深层意义，挖掘劳伦斯小说创作的宗教文化内涵和历史渊源，揭示劳伦斯对《圣经》文学和西方文学史的继承性。

Yeats has achieved suggestive patterns of meaning by a careful counterpointing of contrasting ideas or images.

叶芝还实现了意义的深邃暗含，因为他将反差极大的意象对应起来。

Chapter two presents the colonial mapping of Irish patriarchal literary tradition from bardic poetry to nationalist poetic works, which dehumanizes womanhood into national symbols or into literary muses.

第二章则是阐述爱尔兰父权文学传统，从吟唱文学历史到民族主义文学传统，将女性诗人的意象物化以及扭曲为象徵国家、文学缪思或装饰诗的符号，沦为殖民霸权，绘制了一个排除女性诗人的文学殖民版图。

Although the perpetual objects of Ri Guang Liu Nian, Shou Huo, Ding Zhuang Meng is different, the concrete writing patterns is similar. Imaginary abstraction as narrative premise, desalinizes diseases'pathological meanings, provide a valid condition for novelistic telling; as narrative strategy, plots absurdity completes to rewrite and reconstruct the history and the reality, which makes narrative behavior develop freely; as narrative purpose, solemn and inevitable ending makes the word have fatal colors, ultimate meanings can be showed.

虽然《日光流年》、《受活》、《丁庄梦》的关注对象不同，但在具体的写作中呈现出共同的叙事模式，即以意象的抽象化作为叙事前提，淡化疾病的病理学含义，为小说的讲述提供有效条件；以情节的荒诞化极端化作为叙事策略，完成对历史和现实的改写与重构，使叙事行为能够自由发展；以结局的悲壮和必然作为叙事旨归，为文本染上宿命的色彩，残病叙事的终极意义得以彰显。

She deliberately obscures the pathway between signifier and signified and disconcerts the reader by taking old images and using them in a new context.

她有意模糊象征符号和象征本体之间的内在关联，令读者对其所用的&旧意象，新语境&感到费解。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。