意象

One could please oneself by many more images; such as the white garment of feathers that the younghis golden wine.

我们还可以想象出更多自己喜欢的意象，比如春天里小天鹅生长起的洁白羽毛；向着给自己注入金色琼浆的太阳开放的花蕾。

One couid please oneself by many more images, such as the white garment of feathers the young swans put on in the spring;the young flowers opening out their cups to the Sun that fills them with his golden wine.

我们还可以想象出更多自己喜欢的意象，比如春天里小天鹅长起的洁白羽毛；向着给自己注入金色琼浆的太阳开放的花蕾。

One could please oneself by many more images; such as thewhitegarment of feathers that the young swans put on in the spring:theyoung flowers opening out their cups to the Sun that fillsthemwith his golden wine.

我们还可以想象出更多自己喜欢的意象，比如春天里小天鹅生长起的洁白羽毛；向着给自己注入金色琼浆的太阳开放的花蕾。

Of course, because some people abuse the child's body and parade from stem to stern in the geegaws who will be very easy to find in the table in front of a motel in groups that semen stains on his religious imagery ...

当然，因为有人滥用这个孩子的尸体从干到船尾和游行中的geegaws谁将会很容易地找到表中的一个汽车旅馆精液污渍成群结队面前说他的宗教意象。。。。

Among them, four images are particularly obvious: the Appreciation of natural scenery to enjoy fishing fun, in the name of fisherman to pursuit fame, fisherman frustrated by the top down and retire from the world in order to divert fish to worries and fishing as a means to find joy.

诗词中以描写欣赏自然风光享受垂钓乐趣；借钓者为名钓取功名仕途；借钓者表失意落魄避世稳居以钓来解忧遣闷；和附庸钓者赏花钓鱼，以钓鱼作为寻欢乐的手段四种意象最为突出。

The administration center square, annotating the city image, is the ID card of the city.

城市行政中心广场作为城市的名片，诠释着城市的意象。

he administration center square, annotating the city image, is the ID card of the city.

城市行政中心广场作为城市的名片，诠释着城市的意象。

administration center square, annotating the city image, is the ID card of the city.

城市行政中心广场作为城市的名片，诠释着城市的意象。

The administration center square, annotating the city image, is the ID card of the city.

本文所讲述的是：摘要：城市行政中心广场作为城市的名片，诠释着城市的意象。

The immanent quality of musicality in poem is expressed as an object in time by language, so lapse of time can be apperceived just as melody in music, when dynamic images in poem form the rhythm.

只有当诗歌语言被用于呈现生命时间本身，诗歌才达到旋律的境界，声韵一变而为神韵。动态意象成就了诗歌的内在节奏，它使得体验者当下的时间音乐化了。律化时间片断的延续构成了生命过程本身，由此抵达诗歌的内在旋律。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。