意象

The poet was paid great attention to"grain, work, father and son"this one overall imago, and the country had built a earth country Eutopia , by praising the earth, to seek the nature of the spirit of tracking down hometown.

诗人紧紧围绕&粮食——劳作——父子&这一整体意象，营造了一个大地乡村乌托邦，通过歌咏大地乡村，追寻故乡精神本质。

Chapter 3 Western Hubei Tujia traditional graphic arts are analyzed as four groups : animal graphic arts, plants Graphic Arts, manufacturing and living graphic arts and graphic arts which shows favonian.

第3章将鄂西土家族传统图形艺术分成四类来展开分析：动物类图形艺术、植物类图形艺术、生产生活类图形艺术及意象吉祥类图形艺术。

Through their absorption of commodity-symbols spectacular subjects find themselves in a situation in which their fetishistic fascination for the dramatic, sensual, and expansive qualities of commodities transforms their horizon into an imagistic Being that practically blind them from the depletion of the earth's natural and human resources.

通过它们的吸收与商品符号壮观的主体发现自己的情况是，他们fetishistic魅力的戏剧性，感官，膨胀和商品质量的转变他们的视野成为意象存在，实际上他们从盲目枯竭的地球自然和人力资源。

Images of Garuda are usually in the form of a man with a hooked beak instead of a nose and sometimes wings, such as in this image.

意象的嘉鲁达通常，这样的形象，在这个形式，而不是一个男人与一个钩鼻子和嘴，有时翅膀。

This is an investigation in the basic aesthetic theory, concretely to say, an ontological study on the structure of aesthetic-image, so as to show the genesic mechanism and the essence of aesthetic activity, and to open a new aesthetic ontological horizon.

本论文从事的是美学基础理论的研究，具体说，是通过对审美意象结构的本体论层面的研究，揭示审美活动的发生机制及其本质之所在，并由此展示一种新的审美本体论视野的建构。

During the long history, writers and poets utilize various figures of speech as well as some graphological devices to create images.

在文学作品的历史长河中，作家和诗人运用各种各样的语言手段来创造意象：修辞手段，语相特征等。

The first part is Introduction: research overview for "feminine consciousness" of The Book of Songs; Chapter 1: See "feminine consciousness" of The Book of Songs from the content of the text. Chapter 1 is divided into five minor points of conducts. Section 1: The life makes open hypostatically- free equal consciousness; Section 2: The desire of the soul integrity - love consciousness; Section 3: The realistic expectation of the marriage mode- the consciousness of hoping to get married; Section 4: The morals of the ethical relations marriage pursue- the good wife consciousness; Section 5: The instinct of the life value assurance- the consciousness of growing. Chapter 2: See "feminine consciousness" of The Book of Songs from the art appearance characteristic. Chapter 2 is divided into two minor points of conducts, section 1: With the females eye view thing: Female taste of the idea choice; Section 2: With the female's a feeling of heart: Female thinking mode of the woman keeps in well mind ". Chapter 3: The social source of the "feminine

论文主要分为四部分，即绪论：《诗经》女性意识研究综述；第一章：从文本内容看《诗经》的女性意识，分为五小节，第一节：生命本质的张扬——自由平等意识；第二节：性灵完整的渴望——爱情意识；第三节：婚姻模式的现实期待——盼嫁意识；第四节：人伦婚姻的道德追求——贤妻意识；第五节：人生价值的本能确定——生育意识；第二章：从艺术形态特征看《诗经》的女性意识，分为两小节，第一节：意象选择的女性眼光；第二节：&女子善怀&的思维模式；第三章：《诗经》女性意识产生的社会根源，分为四小节，第一节：原始群婚风俗的残余；第二节：礼制初成时期女性的相对自由；第三节：尊男卑女的社会文化制度；第四节：战争徭役带来的男女失衡。

In addition to a detailed explanation of how Pound and Eisenstein construct two kinds of "imagism' out of the Chinese character, I also offer an "ideological" reading of their theories of "ideogrammic art.

除了详尽阐述庞德和艾森斯坦如何从中国文字中建构出两种「意象主义」，本文作者亦对他们的「表意符号艺术」提出了一种思想意识层面上的解读。

Although Imagism isolates objects through the use of what Ezra Pound called "luminous details", Pound's Ideogrammic Method of juxtaposing concrete instances to express an abstraction is similar to Cubism's manner of synthesizing multiple perspectives into a single image.

虽然意象物体分离通过使用什么庞德所谓的&发光的细节&，庞德的Ideogrammic方法并列具体事例表达一个抽象的类似立体的方式，多角度综合成一个单一的形象。

Hence we conclude that Dalian is able to be highly imagedas integration, and the most imageable areas are concentrated in the center of the city,plazas and beauty spots.

此外还运用均值比较检验及方差分析研究了年龄、性别、学历等属性对个人辨认照片数目及意象范围的影响。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。