意象

When examining a picture, forms and constructions such as figures' eyes, the directions of fingers, facial expressions, the twist of a body, continuously overlapping shapes, vague outlines, and slanting lines all suggest objects' movements and tension.

读图时，人物眼睛、手指方向、脸上表情、扭转身躯；连续重叠造形、模糊轮廓线、斜线设计……这些意象、构图皆暗示了物体的动作与张力。

This paper analyzes the conceits and imageries in his love poem-A Valediction:Forbidding Mourning,in order to explore the poet's underlying aim of the writing technique,with poet's view of love uncovered in the end.

本文通过分析奇喻和意象在他的爱情名诗——《告别辞：节哀》中的运用，旨在揭示这种表现手法所蕴藏的诗人的写作意图，从而进一步了解诗人爱情观。

In particular, the philosophical notion that Yi is always in excess of verbalization penetrates deeply into the classical Chinese poems, thus making them characteristic of "imagery representation."

其中"言不尽意"和"立象以尽意"等语言哲学观念深刻地反映在中国古典诗词作品中，使其呈现出强烈的"意象性"特征。

Calligraphy uses lines as the main expression of visual arts, and image expression is its main characteristic.

书法作为以线条为主要表达方式的造型艺术，意象表达是其主要特征。

Willow, become one of the most important image because of its beautiful.

杨柳，以其婀娜多姿而成为古典诗词中的最重要的意象之一。

This paper tries to discuss black women images created in Their Eyes Were Watching God and The Color Purple to express the idea that both writers create new women images in American literature. It also tries to explore the inheriting and developing relationship between the two novels by analyzing the symbolic meaning of the major images of mules, pear tree and the color purple, especially to explore the concrete reflection of womanist philosophy in the two novels.

本文分析了《他们眼望上苍》中对珍妮的形象塑造和《紫颜色》中西丽亚的形象塑造，探讨了赫斯顿和沃克如何在作品中塑造全新的黑人妇女形象，并通过对两部作品中的中心意象骡子、梨树和紫颜色的象征意义的分析，揭示两部作品之间的传承关系，特别是"妇女主义"思想在两部作品中的具体体现。

Through reading the contents we interpret Yangjiabu wood engraving picture, including its functions, significance and philosophy and world view.

在此基础上，对杨家埠木版年画及制作工艺从艺术学的角度进行了探讨；对杨家埠木版年画内容进行了意象解读，从年画符号的功能、意义和价值取向等方面对年画这一文化现象的多重内涵进行了试分析。

Structuralism – was the first approach to investigating psychology, pioneered by Wundt himself, who thought that the object of psychological investigation should be the conscious mind, and that it should be studied by introspection (looking inwards at one's own mental experience) in order to break it down into its component parts (such as images, sensations and feelings) like the science of chemistry had down with chemicals.

构造主义是由冯特倡导的第一个心理学流派。他主张，心理学的研究对象应该是意识，而且应该采用内省法（个体向内省察自身的意识经验）进行研究。之所以采用这种方法，为的是像化学这门自然科学对待化学物质那样将意识拆分为组成它的，诸如意象、感觉与情感等"成分"。

About the also sprach zarathustra, the writer took the literature style reading, and paid special attention to the significant imagery.

对《查拉图斯特拉如是说》一书，笔者采取了文学式的阅读，抓提其中重要的意象，以此映证之前关于虚无主义的几种论述、解释。

The writer of Black Record who was called Zhu Zi is just one of that kind of people.

打开书的内页，首先看到的就是这样一段具有意象的对V的诠释。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。