意象

With the comparison between Western and Chinese classical literatures , this paper points out that there is a fundamental difference between the two FIRE images. The FIRE image in western literature is featured by the obvious spirituality, whereas the FIRE image in Chinese literature is featured by secularity. But the traits of the both images of FIRE have changed more or less in the 20th century.

本文通过中西文学的经典对读，勾勒出中西文学中"火"意象的基本不同，认为西方文学中的"火"具有明显的形上色彩，而中国文学中的"火"则基本存在于现世经验范围之内，但在20世纪双方的情况都有所变化。

Their landscape poems,because of the poems in the flowers style, the sober words and the lucid artistic conception, showed the sense of freshness and gentleness. As bystanders, they lacked the real experience of the earthly lives but augment the Buddhist influence, which made them kind of free and easy and take things as they come. So their poets vestured in a kind of lustration and sedateness, all that reflected their tranquil and comfort living attitude. Their love poems were greatly appealing.

其写景词，由于花间范式的表达形式，也由于文字清丽，意象疏朗，词作表现出清丽温婉之美；旁观者的身份使得词僧缺乏俗世生活的真切体验，佛门的浸染也使他们多了一些随遇而安的透脱，故而作品笼罩着一股清净与恬适的气息，反映了他们清净闲适的生活情趣与心态。

On the poetics level, using a irrational female-genesis to self-explaining; using a "body-writing" as a self-domination, making a self-realization by ways of "dark","blood","death", such as those feminine imagination; making a self-represent ion by "monologue". On cultural consciousness level, takinga self-searching on reconsidering woman's status and ending in love; taking a self-awaking by showing what a mother had "done" for daughter in order to serve and maintain man society; introducing a self-remolding through recover and rebel the man ideology; be self-awakening and oppugning the man-centre society, within its cultural "make","assimilation" to female herself.

本文从两个方面来集中分析《女人》显示出的的"女性意识"：在诗学审美形态上，以非理性的女性"创世神话"题材来解释"自我"；以"躯体写作"的方式来支配"自我"；以"黑夜"、"血"、"死亡"等"阴性意象"来认识"自我"；以"独白"的方式来表达"自我"；在文化意识形态上，以对爱情中女性地位和结局的重新思考来寻找"自我"；以"母亲"对"女儿"的"塑造"来揭示"母亲"作为男权社会的"服务者"和"维护者"形象达到警醒"自我"；对男性文化意识形态的还原和反叛来解构男性中心文化并重铸"自我"；在辨认"自我"的觉醒中将质疑引向对男性中心社会及其所预置的文化秩序和"被造"、"被同化"的女性自身。

Detachment consciousness takes a quiet, care-free attitude, in the harmonious communion with nature by man, and in the self-forgetfulness of subject disappearing into the vast cosmic spirit, to enjoy life and the world as a dreamland, an aesthetic imagery in order to excel in its spirituality for eternal extrication.

逸品意识以冷静恬淡的心态，在人与自然的和谐交融中，在主观消失在天人合一的自我忘却中，把人生、世界作为一个梦境、一个审美意象来品味，从而在精神层面上超越出来，获得永恒的解脱。

There are three major techniques of self-hypnosis - visual imagery, eye fixation and progressive relaxation.

有三大技术自我催眠-视觉意象，眼睛固定和渐进缓和。

But ,we must to know exactly what the self-image?

但是，我们应该正确的认识到什么是自我意象？

When you feel others are more valuable, you can develop a better and proper self-image.

你觉得别人更有价值的时候，你就能发展一个更佳的、更合适的自我意象。

Chronic psychological condition characterized by self-induced weight loss and distorted bldy image from a loss of appetite.

慢性的心理学状况条件以自我感应的重量减少为特徵和扭曲的意象从胃口的缺乏上。

However, in the course of literary works translating, especially poetry translating, semantic equivalence should not be over emphasized at the expense of abandoning the images of the source language.

但是 ，对于文学作品的翻译，尤其是诗歌的翻译，则不能过分地强调意义对等而舍弃母语的文化意象

Third is taking the imagination as the knot, and the huge artistic senility.

三是以意象为纽结、充满动感的巨大艺术张力。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。