意象

According to the cognitive linguistics, spatial metaphor is an image schema metaphor, which occurs when a spatial structure mapping onto a non-spatial concept by giving the concept a spatial orientation.

认知语言学认为，空间隐喻是一种意象图式隐喻，它将作为源域的空间概念投射到抽象的目标域，是给一个概念空间意义。

In the paper, author combines the Western Folklore Motif and China Confucian culture, starting with patricide imago literature, to probe into Patricide Motif in the movie.

本文引入西方民间文学的母题概念，结合中国儒家文化的"家国"思想，从文学中"弑父"意象的分析入手，提炼出电影中的"弑父"母题作为研究对象。

Fascinating subjects and noble ideas come pell-mell, each with its appropriate imagery and expression.

极有吸引力的题目和崇高的思想纷至沓来，都伴有恰如其分的意象和措词。

Fascinating subjects and noble ideas come pell-mell, each with its appropriate imagery and expression.模拟试卷 haokaoshi.com

极有吸引力的主题和崇高的思想纷纷出现在脑海，随之而来的还有恰如其分的意象和措辞。

The artistic approach of Liu Yan's works lie between abstraction and expressionism. All of her paintings should be viewed as a whole, in which the composition are showed in alternation between imagery and abstractness, and never regularized in any pattern pictorially.

刘艳的画介于抽象与表现之间，她的作品应该是一个整体，表现的意象与抽象的构成总是相互穿插，不是固定在哪一个画面上。

The first chapter discusses how puppetry becomes the classic example of Taiwan image in order to understand the potential of puppetry and Pili puppetry cultures.

首先，第一章是以布袋戏成为台湾意象的典范为开端，目的了解布袋戏到霹雳布袋戏文化的可塑性。

Discard the common things, focus on the narrate of particular and aberrance things; Use the description of present and future tense to give us a feeling of reality which shows the irresistible of foreordination. Fully shows the theme of "Tragedy Foreordination "; Through the change of visual angle make the narrate naturally revealed; Use the nicety and pithiness image description impel reader's expand of emotion; Through the exactitude language to break the normal sense of emotion.

余华用重复与循环的结构去成就特殊的人物命运，抛弃现实常规事件，钟情于对非常规及变异事件的叙述；以一种现在式或过去将来式的时间描述带来身临其境的感觉，展示了宿命的不可抗拒绝性，充分体现了"悲剧宿命"的主题；通过变化的视角让叙述以最自然的形态展示出来；使用准确有力的意象描写，推动读者情感发展；通过精准的语言表达，突破常规情感体验。

Chapter 5 is the pivot of the study, and it is the specific application of the CIN.

第5章是研究的重点所在，运用概念整合理论和概念整合网络对唐诗中月之意象进行分析。

Planch, in water field to get much more Oxygen.

巫婆带 圆锥帽＝雨坡领圆锥巾冒＝雨山导圆锥毛生＝雨伞引圆锥草生＝雨线弓一圆锥草生＝雨线供几圆锥草生＝雨线供给圆锥草生＝雨线供给圆锥草生原来〔巫婆带圆锥帽〕之｛意象｝，也是一句〔鬼天道的鬼谜语〕，〔隐含的意思〕是说：〔雨线供给圆锥草生〕〔白话的意思〕是说：当〔雨线〕从天空落下的｛范围｝是呈｛圆锥形样｝时，这就表示｛该地区｝的〔天空无形水龙头〕已经被＜扭开＞了，这也表示｛该地区｝会＜定期下雨＞使〔水草〕＜润生＞了耤原来不论｛风｝再怎麼样的＜＜吹拂＞＞，由於〔氧分子〕的｛｛磁吸｝｝作用，〔氧分子〕还是会相互＜牵吸＞成｛柳树形样｝，而存留在｛该地区｝，而不会随风＜飞度＞〔玉门关〕耤原来我们从｛微波炉｝＜加热＞〔保鲜膜盖覆的食物〕得知：〔空气体积〕＜热胀冷缩＞是可以有相当大的｛倍数变化｝的！！

More than this,it is the important characteristic of the thinking model and plastic method of Chinese traditional art.

意象美是我国古代造型艺术的重要审美特征，也是传统艺术精神的最直接体现。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。