意象

Chapter Four makes a comparative study of Ishmael and Captain Ahab,and the different images representing them.

第四章对以实玛利和亚哈船长作了对比性的研究，比较了两者不同的意象特征。

However, the images are genuine and the man in the photographs is indeed Johan Lorbeer.

但这些意象的确是真的，照片中的人也的确是洛比尔本人。

This paper mainly explores the philosophical significance of John Donne's poems,and at the same time appreciate some of his excellent poems.

围绕邓恩最具代表性的奇喻"圆规"，"跳蚤"和"太阳"三个意象，可以分析约翰·邓恩的玄学诗中奇喻的哲学意味。

This study tries to break the limit of the anthropocentralist viewpoint, and to set up a dialectical relationship between the humanist spirit and the ecological consciousness. By the investigation of the natural imagery, the aim of the study is to arouse poetry readers feeling of the ecological consciousness, beside the aesthetic joviality, and to make this consciousness into the basic factor of the literary criticism, exerting a subtle influence on the morals and sensibilities of human beings.

反思 该研究力图打破人类中心主义思想的局限，反思人文精神，呼唤与生态意识，通过对中西诗歌作品中的自然意象的考察，旨在引起人们在诗歌的审美愉悦之外关注生态意识的形成，使之成为文学批评中的一个要素，对人们的道德情感产生潜移默化的熏陶和影响。

In the system of Jungian psychology, Anima and Animus are the important archetypal images.

在荣格的分析心理学体系中，阿尼玛、阿尼姆斯、人格面具、阴影，都是重要而具有意义的原型意象。

The use of juxtaposition and comparison are other characteristics of this poem.

这些鲜明的意象常常同时还有隐喻和转喻的特点。

This is the prelude of the juxtaposition of fish and bird imagery in Wei and Jin Poetry.

这是魏晋诗中鱼鸟意象对举的前响。

The first chapter focuses on the prototype image of 'Qingyi' (the Chang-er flies to the moon) and points out: The moon refers to a poetical while unreachable spiritual home. Chang-er implies an ivory-towered and irreconcilable soul driven by the clinging inner attitude. Qingyi symbolizes a sacred life ceremony that must be experienced in pursuing the ideal and the leading character Xiao Yanqiu fulfills her deep-rooted Chang-er complex through the Qingyi ceremony.

第一章谈作品的原型意象，提出：月亮在文本中指称一个诗意永恒而又难以企及的精神家园；嫦娥在文本中意味着一个被一份执著的内在态度所驱使并始终表现出脱离尘寰倾向的"不甘"的灵魂；青衣则象征着在追逐理想过程中所必须经验的一种神圣的生命仪式，剧中女主人公筱燕秋正是通过青衣仪式来实现自己根深蒂固的"嫦娥"心结。

The present essay gives an analysis of the effect of its textual discontinuity and its thematic unity achieved by leitmotiv. The purpose is to interprete the thematic meaning of the novel and to show the innovative value of -its modes for Joyce's later writings.

本文对小说文本的"不连贯"和它通过主题意象取得主题的"连贯"的手法进行了分析讨论，目的是揭示小说的主题意义并说明《肖像》表现手法对乔伊斯后期作品的开拓性价值。

As for the use of imagery, white, green and red express the poet's deepest emotions of delight, lightheartedness and enthusiasm, respectively; the allusions are succinct and rich in meaning; the syntactic and semantic structures are primarily inductive, deductive, antecedent-consequent and abstract-concrete, and involve the skillful organization of words.

其中＜浣溪沙＞五首词，在内容主旨方面，具现了苏轼在黄州的生活、情感及思想；在物材方面，偏好运用白、青、红三种颜色意象以呈显作者深层的情感；在事材方面，善於以典故表达丰富的义蕴；在章法结构方面，善用归纳、演绎、因果及虚实交迭的方式巧妙地组合文词。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。