意象

Group publication of work under the Imagist name appearing between 1914 and 1917 featured writing by many of the most significant figures in modernist poetry in English, as well as a number of other Modernist figures prominent in fields other than poetry.

出版集团下的工作意象的名字出现1914年和1917年间撰写了许多精选的最重要的人物在现代诗的英文，以及其他一些著名的现代派数字以外的其他领域中的诗歌。

T.S. Eliot, a great American poet in the twentieth century, is a spokesman of the Imagist Movement.

T.S。艾略特---20世纪美国著名的诗人，是意象派的代表人物之一。

The magazine was instrumental in launching the Imagist and Objectivist poetic movements.

该杂志是在发射和客观的意象诗运动。

The three famous imagist principles signaled the invention of a New Poetics.

这三条著名的意象主义原则标志了一种全新诗学的创造。

The open - style language of Taoist aesthetics and Chinese poetry led to the birth of Ezra Pound ' s imagist poems .

道家美学与中国诗的开放式的语言更直接导致了庞德领衔的美国意象派现代诗的诞生。

Pound's famous one-image poem "In a Station of the Metro" would serve as a typical example of the imagist ideas.

庞德的著名一形象诗句："在一个地铁车站"，将成为典型的意象思路。

This feature in traditional Chinese poetry and Imagist Poetry was perfectly expressed but less used in the painting, until a new concept of contemporary art, especially the concept of post-modernism proliferation, appeared in paintings.

这种特性在中国传统诗词歌赋和意象派诗歌中得到完美的表达，但较少在绘画中运用，直到当代艺术新观念，尤其是后现代主义观念的扩散，才在绘画中出现。

To the poetry, the innovation of imago is the most basis and substantial.

对诗歌而言，意象的创新是最基础、最实质性的。

We try to show a subject by imago contrast in movie.

我们试图通过片中的意象对比表现主题。

The flower is one of the very important imago in the Dhyana, as well as an very important aesthetic symbol.

花，是禅宗中一个极为重要的意象，也是中国文化传统中一个极为重要的审美象征。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。