意象

The artistic features are examined in terms of the influence of ideogram, the musicality of diction, the innovation of French words, the image hybrid etc.

本文还通过表意文字系统的影响、词语的音乐性、法语词汇的创新、诗歌中的意象杂糅、诗歌的结构与节奏特征等方面，指出程抱一法语诗歌形式艺术中对话与融合的特征。

It applies these two concepts to analyze four translated versions of Chun Xiao and focuses on the reproduction of the aesthetic constituents from the aspects of rhythm image and ideogram.

文章主要从韵律、意象和意境三个方面阐释了四种译文中美学元素的再现，并给出了笔者的期待视野。

Bright case is in " art and affection " in one book, not hesitate the treatise that writing ground has large space to " of " time image, its purpose is the characteristic that elaborates essence of sex of musical art idolum to the utmost extent not only, also be heavy entering a place to cut with musical art, expound theory of whole and artistic idolum more brightly, lucidly, clearly.

苏珊。朗格在《艺术和情感》一书中，不惜笔墨地对"时间意象"进行大篇幅的论述，其目的不仅是竭尽全力地阐述音乐艺术幻象性本质的特征，也是重在以音乐艺术为切入点，更鲜明、透彻、明晰地阐述整个艺术幻象理论。

I would like to explore the form of performing the imagery.

我要探究的是表现意象的形式。

But I found the imagery quite effective.

但我觉得意象满好的。。。

The economic process is not only "natural", but also of society. it is both real and imagery.

人类的经济过程既是"自然的"，也是社会的，既是实在的，又是意象的。

In the development of human civilization, the plant words are endowed with rich cultural imagery.

在人类文明发展进程中，植物词语被赋予了丰富的文化意象意义。

While the imagism in China has been playing an important role in its practice.

中国意象油画在油画本土化的实践中，扮演着重要的角色。

The dissertation can be divided into two parts: PartⅠ. Influence of Chinese classic poetry upon Imagism.

本论文的论题大体分为以下两个方面：第一，中国古典诗歌对英美意象派的影响。

The focus of this dissertation is the two-way influence of Imagism on Eastern and Western literature.

因此，本论文重点考察意象主义在东西方文学中的回返影响问题。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。