意象

Koolhaas sided with Le Corbusier in his attempt to address the issues of "cities of tomorrow". He sneered at every proponent, opponent, or revisionist of the "modern" doctrines, such as "Athens Chapter","urban image","genius loci", critical regionalism …. etc, and used the new Pacific Rim as the blueprint for future cities.

现代性和逐渐加剧的全球化进程造成了文化特征的丧失，库哈斯在试图讨论"明日城市"时与勒·柯布西耶站在了一边，他嘲讽一切对于现代主义教条的批判，支持或者修正例如《雅典宪章》（●Athens Chapter●）、《城市意象》（●Urban Image●）、《场所精神》（●Genius Loci●，图16）和批判地域主义，而将新的环太平洋地区作为未来城市的蓝图。

This system design should consider the image of entrance. illumination system and green belt system.

此系统设计必须考入口意象、照明系统及带系统。

Image and design element of every group sample.

以下分别针对4群样本的设计要素与期望意象加以讨论。

A style using subconscious mental activity as its subject matter, characterized by dreamlike, hallucinatory imagery.

将下意识的精神活动作为描写对象，多运用梦幻意象的艺术形式。

Using subconscious mental activity as its subject matter, characterized by dreamlike, hallucinatory imagery.

将下意识的精神活动作为描写对象，多运用梦幻意象的艺术形式。

Surrealism A style using subconscious mental activity as its subject matter, characterized by dreamlike, hallucinatory imagery.

将下意识的精神活动作为描写对象，多运用梦幻意象的艺术形式。

A style using subco cious mental activity as its subject matter, characterized by dreamlike, hallucinatory imagery.

将下意识的精神活动作为描写对象，多运用梦幻意象的艺术形式。

The essay contrasts Sui Sin Far's regionalism with "local color" representations of the Chinese in the writings of Bret Harte, and offers a linguistic reading of several stories in Mrs. Spring Fragrance -"Mrs. Spring Fragrance,""The Inferior Woman,""In the Land of the Free,""The Wisdom of the New,""The Americanizing of Pau Tsu," and "Its Wavering Image."

本文将水仙花的地域主义与哈特的书写里对中国人的「地方色彩」式的再现加以对比，并对《春香夫人》当中的数篇小说—「春香夫人」、「身分低下的女人」、「自由之土」、「新异的智慧」、「宝珠的美国化」、「摇摆的意象」－提供语言学式的阅读。

Cultural studies ; The Dream of Red Mansions ; translator's subject consciousness ; national culture ; religious images ; heterology

文化研究；《红楼梦》；翻译主体意识；民族文化；宗教意象

However, the final realization of histrionic discourse construction should rely on the switchs between images and language signs.

而戏剧性的话语建构的最终实现，必须依靠意象形象转换和语言符号转换才能完成。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。