意象

On the poet's choice, mainly be decided by two standards, one is the popularity and influences of works; two is the meaning of the creations development that it create for the whole colony. Owing to above two standards, the writer chooses seven writers to launch the treatise, they are Jidi Maja, Jimu Langge, Luwu Laqi, Ma Deqing, Aku Wuwu , Asu Yuer, Eni-Mushashijia. In discussing the process, the writer used the nationality and Poetics of the poem as the latent clues, emphasized to inquiry into three main roads and three main realms. On the article structure, the full text mainly is divided into two parts, one is the concrete imago analysis to each poet creations, two is upon the analytical foundation the integration of the theories, with this the treatise could be united into an organic whole. In regard to the conclusion, we educe the characteristics of the colony is deep consciousness to the nation culture, also extensive exploration and attention to poetics. The blemish is the inside emotion and sensibility is similar or duplicate and that the creation pattern is narrow. The main develop threads of the colony are upon the female clan culture the diverse poem skill investigation, its nation culture value tropism present the rising spiral type of return- leave- return again.

在研究方法上，本文以意象分析法为贯穿全文的主要方法，通过对意象的具体分析来透视凉山诗群的诗歌世界；在诗人的选择上以其作品的影响力及意义为标准，选择了这一诗群的七位诗人展开论述，他们分别是吉狄马加、吉木狼格、倮伍拉且、马德清、阿库乌雾、阿苏越尔、俄尼·牧莎斯加；在论述过程上，笔者以诗歌的民族性和诗性作为前后贯穿的潜在线索，着重探讨了这一诗群创作的三个主要倾向和三个主要领域，前者详论，后者略述，具体表现在对前三位诗人的论述以诗人论的形式详细展开，探讨他们所代表的凉山诗群发展过程中的三个主要创作倾向，即民族文化的深层开掘、诗艺的实验性探索和艺术哲学的尝试性建构，对后四位诗人的论述则以主题的方式展开，探讨他们所代表的凉山诗群在爱情诗、乡土诗和文化诗三个领域的探索；在文章结构上，全文主要分为两大板块，一是对各位诗人创作的具体意象分析，二是在前文分析的基础上进行理论的整合，以此将前面散珠似的论述贯穿成一个有机整体；在结论上，我们通过整合得出：1、凉山诗人群新时期以来诗歌创作的大致发展脉络：在母族文化的基质之上的多元诗艺探索，其民族文化价值取向呈现为回归—离去—再回归的螺旋式上升形态；2、新时期彝族凉山诗人群汉语诗歌创作的特点，即民族文化意识的深层自觉，对诗性的关注和探索；3、新时期彝族凉山诗人群汉语诗歌创作的缺陷，即情感意蕴的雷同和创作格局的狭小。

Analysis of antetype imago in the story revealed that the story of Cinderella controlled by paternity follows a set of gender orders. Gender power relations operate behind the set of orders gender, by which various imagoes are fixed in position.Through these imagoes some values are transmitted.The story of Cinderella belongs to some culture attribute, which women against the social background of paternity have to obey the male values and aesthetic ideal if wishing to improve their Social position .

通过对故事中原型意象的分析可以看出，在父权制操控下的"灰姑娘"型故事遵循着一套性别秩序，这套秩序背后有性别权力关系在运作，它为童话的各类意象安排好了固定的位置，并通过这类意象传达出一个价值观：灰姑娘型故事只不过是在父权社会背景下，女性希望改变自己的地位而不得不按照男性的价值观念和审美理想去塑造自己的文化属性。

In respect of image group, the thesis focuses on analysizing the philosophical implication and aesthetical connotation of the wildness, the grape garden, and the animal images; the thesis holds that those images express Zhang Wei's expectation of ideal life and his castigation of the unequitable reality. In respect of stylistic feature, the thesis focuses on elaborating the poetic style of narration; the thesis holds that the strong lyric flavor, the rich philosophical connotation, the conciseness and vividness in language, and the originality in conception are the key factors in making of the poetic traits. The thesis also points out the identical inclination in his novels in the respect of the art conception.

在意象群体方面，重点分析了野地、葡萄园和动物意象的哲理意味和美学内涵，本文认为这些意象更多寄托了作者对理想生活的期待和对不合理现实的鞭挞；在文体特征方面，重点阐述了"诗化"叙述方式，文章认为小说所具有的浓厚抒情色彩和哲理内涵以及语言上的凝练生动、构思上的推陈出新都是构成其"诗性"特征的重要因素，对作者在艺术构思上的雷同化倾向，本文也进行了揭示。

But the presentation of imagism is only an important profile of his narrative characteristics.

贾平凹在其长篇小说中创造了大量的自然意象，人、事意象和社会、文化和民俗意象。

It summarizes the practice of the image creating of the May 4th Literature in three aspects: 1.the ontic image creating of the May 4th Literature; 2.the core image creating of the May 4th Literature; 3. the background image creating of the May 4th Literature.

本文具体研究了五四文学理论建设、文学创作实践，并试图从以下三个方面概括五四文学意象创造的实际情况：一、五四文学本体意象的创造；二、五四文学核心意象的创造；三、五四文学背景意象的创造。

Style imagery of subjective aesthetic imagery is the highest level of aesthetic imagery of calligraphy as well as the integration of entitative imagery and formal imagery,and it represents the organic integration of aesthetic concept of an era and personal creativity of calligraphers.

主体美学意象之风格意象是书法美学意象的最高层面，是实体意象和形式意象的综合，代表了时代美学理念和书法家个体创造性的有机结合。

The paper approaches the images of women in modern Chinese and Western poetry from a feministic perspective as characterized by resistant-reading.

运用女权主义的&抗拒性阅读&的策略，从三个层面分析中西方现代主义诗歌中的女性意象：作为异化大众的女性意象；作为性和情爱对象的女性意象；作为叙述意识的女性意象。

Essential enhancement" belongs to the idea of internal spontaneity; it includes four features like"collection and transformance"on forms, active and passive"defense"and "a sense of security" in the spiritual layer; while "external protection" is an idea of protection which enhances itself by extra power; it achieves the purpose of protection through "regulation of law and morality"and "defense.

内容共包含以下四大部分：（1）首先透过保护具体事例之调查与分析，归纳出保护意象之概念结构。（2）接著依据所得之保护子概念寻求产生保护之原因，以萃取出对应之设计手法。（3）以随身碟之设计为例，依据各类设计手法设计样本，并实施保护意象测试，测试结果以主成分析法探讨保护意象与产品使用过程之对应关系。（4）探讨各类使用过程之保护意象与综合评价之因果关系。

The dissertation also establishes reconstruction concepts of urban imago, and the space elements, which include matrix, patch and propylaea.

论文提出了城市空间元素的意象构筑模式以及基本构成。归纳出城市意象的形成过程和意象图存在的特点以及五种城市意象空间格局。

Imagists have obtained the quintessence of classic Chinese verse—use of imagery and its linguistic style, but have not attained the aesthetic realm of Yijing owing to the cultural differences; on the other hand, they have not inherited the traditional western aesthetic principle.

中国古典诗歌对意象派诗歌的影响全面而深远，意象派汲取了中国古典诗歌中的精髓——意象的运用，借鉴了中国古典诗歌的语言风格，但由于文化的差异，意象派诗歌没有达到&意境&这一审美高度，同时也未能承袭传统西方诗歌的审美原则，所以虽开英美现代诗歌之先河却未能成为主流。

Singer Leona Lewis and former Led Zeppelin guitarist Jimmy Page emerged as the bus transformed into a grass-covered carnival float, and the pair combined for a rendition of "Whole Lotta Love".

歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车，和一双合并为一移交&整个lotta爱&。

This is Kate, and that's Erin.

这是凯特，那个是爱朗。