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But this was a Utopia which, drawing on the unconscious operations of Adam Smith's invisible hand, and in sharp contrast to the hyperconsciousness of the Utopian "intentional community", gambled everything on the unintentionality of its universal panacea, for which any number of populations around the globe proved unwilling to wait.

但这曾是一种乌托邦,依赖于亚当·斯密看不见的手的无意识的运作,它与乌托邦的"有意图的社会"的极度的意识明显不同,对它的普适性的灵丹妙药进行疯狂地赌博,而世界上大部分的人都急于获得这种灵丹妙药。

All of which means that this portrait of Mao conveys a genuine modernity, showing as it does a young man who is attaining a position of symbolic consciousness, already more dashing, expressive and steadfast than the average politician. He has broken the conventions of history, and even broken the conventions of history, and even broken the conventions of selfhood on the Long March. A new iconographic destiny has appeared on his face, that he himself had to re-identify with.

毛的这张肖像因此表现出一种真实的现代性,一个正在进入象征意识位置的最后的青年,他的帅气、眼神和坚定性已经越出一般政治家的气质,他已经走出了历史常规,甚至在长征中走出了自我常规,他的脸上产生了新的肖像学命相,这是他的自我都要重新去意识的

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著,历来受到较高评价。然而,作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数,主要可分为两大类:1是所谓的荡妇恶婆;2是所谓女英雄。作家在对这两类型女性的描写时,都因作者有意或无意的女性意识而走向极端化,实际上是走上了两个无法交汇的极端,使女性形象的塑造过于偏激,不是"淫恶"到极端,就是"男性化"到极点,写淫妇恶婆,写尽其淫,狠,毒;写女英雄,则写尽其行侠仗义,巾帼不让须眉。这种极端化的女性角色定位,既是作者男权意识的自然反映,又是男权社会男性话语权的必然呈现,说白了,出现在《水浒传》的女性不过是点缀和突出男性的生活,是为表现父权制男性英雄世界服务的。

In the first sphere it is an implicitly universal, self-identical spiritual being; in the second it is explicitly for itself and has become inwardly divided against itself, sacrificing and abandoning itself; in the third, which as self-consciousness is Subject, it possesses directly in its own self the force of Fire.

同样,内在的本质,或者说,具有自我意识的现实中的简单精神,作为一个统一的世界,也分解为象自然所分解的那样一些普遍的、但具有精神的元素或质体:其中第一种是自在普遍的、自身等同的精神本质;第二种是自为存在着的、已变得自身不等同了的、正在自我牺牲和自我献身的本质;第三种,作为自我意识,是一种本身直接具有火的力量的主体。

Enhancing on marketing perceive , China enterprises are catching up with advanced world level on product quality with develop of technology . But the yare still chained to traditional marketing methods , going through one-way communication channel to promote their product .

随着中国企业市场意识的提高和科技的发展,中国企业生产的产品从质量上正在和世界先进水平靠拢,然而,在营销方法的选择上,我们的企业仍然局限于传统的营销手段,通过单向的信息传播渠道宣传推广自己的产品,这显然无法满足消费者日益增长的消费预期和消费意识的转变。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著,历来受到较高评价。然而,作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数,主要可分为两大类:1是所谓的荡妇恶婆;2是所谓女英雄。作家在对这两类型女性的描写时,都因作者有意或无意的女性意识而走向极端化,实际上是走上了两个无法交汇的极端,使女性形象的塑造过于偏激,不是&淫恶&到极端,就是&男性化&到极点,写淫妇恶婆,写尽其淫,狠,毒;写女英雄,则写尽其行侠仗义,巾帼不让须眉。这种极端化的女性角色定位,既是作者男权意识的自然反映,又是男权社会男性话语权的必然呈现,说白了,出现在《水浒传》的女性不过是点缀和突出男性的生活,是为表现父权制男性英雄世界服务的。

When there is a manifestation of a psychic force, or an occult action, or phenomena, or activity in, upon, of or for, an individual, there is then the rolling back, as it were, or a portion of the physical consciousness - or that mental trained individual consciousness - has been rolled aside, or rolled back, and there is then a visioning - To what?

当一个精神力量显现时,或超自然的行动,或者现象,或在个体里的,个体上的,个体的或者为一个个体的活动,然后翻卷回来,好像它是身体意识的一部分—或心智培养出来的个体意识—已经被翻卷到一旁,或翻卷回来,多大程度上就产生幻觉了?

Cycle is the form of being and the condition of histoy.The cycle of being decidesthe cycle of consciousness.

循环是存在的方式、历史的状态,存在的循环决定了意识的循环,历史的循环决定了作为历史意识的历史解释理论的循环性。

Luxun's composition carried his point of self-introspect, decompression and personality sublimation. Furthermore, it reasoned the cause and feature of his self-reflection and considered that it was the combination of the basic law culture-composition, the personal temperament and his composition purpose to write for truth. So comparing to other writers such as the Creating-corporation, Luxun's consciousness of self-reflection has more embracers and will be vivid for a long time.

在此基础上,本文对鲁迅自我剖析意识的成因和特色进行了具体分析,认为其自剖意识是文学创作基本规律的具体表现和鲁迅个人独特精神气质、生活经历以及求真求实的文学创作观相结合的产物,与同时期创造社等作家的自我剖析作品相比,具有更为广泛的接受层面和更为长久的生命力。

The writing of townsmen literature with thick urban consciousness is of long standing and well established in China.

带有浓厚市井意识的市民文学创作在我国源远流长,池莉继承和发扬了我国市井风情小说的传统,站在市民的立场上来表现市井细民的日常生活,这构成了她小说中独有的敍述姿态、价值取向,谱写了中国当代社会的市井风情画,充满了浓郁的市井文化意识。

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