意识形态的

Such a problem implies that, we have to jump out of the analysis of essence of the art of Hollywood, or the motive of Hollywood being the Number One of the world as well as the judgments of the culture greed. We have to look for a wider background in the complicated entwining among the life style, art of entertainment and the way of culture. Based on this background, we can form a clear cultural field to the amusement power of the Hollywood movie, offering a completely way to analyze all the aspects of the entertainment art.

诸如此类的问题表明，我们首先必须跳出好莱坞娱乐艺术的叙事形式辨析抑或好莱坞称霸全球的意识形态动机和文化野心批判，在生活方式、娱乐艺术和文化道路的复杂缠绕中寻找一个更为广阔的阐释背景，依托这个背景，我们也许能够对好莱坞电影的娱乐力量形成一个比较清晰的文化整体视野，并从这个视野出发全面透析好莱坞娱乐艺术的方方面面。

Dunhuang populace have no longer limited to the national -- countryideology in unified dynasty time under the historical background that centralauthorities estranging from Dunhuang day by day,Guiyi Army being graduallyindependent and region religion and ethnic groups\' historical restructuring.Ethnicgroups of Dunhuang have progressively integrated into a community which was amulti-ethnic,multi-religious culture region through each other\' s marriage,language,custom belief and so on.The social groups have changed opposition eachother and sought the internal approval.

在中原王朝与敦煌地方日益疏远、归义军政权渐趋独立化、敦煌区域宗教与族群经历了历史重构的背景下，敦煌民众也不再局限于统一王朝时期的民族——国家的意识形态之中；各族群通过婚姻、语言、习俗信仰等多层面的交流与融合，已日渐聚合为一个融汇有多民族、多宗教文化的区域利益共同体，社会群体一改过去的彼此对立，努力寻求内部认同，显然是有效维护各个族群共同生存的地域利益与群体利益的必由之路。

In this way, the value form of capitalist modes of production is fetishized,and the real essence of exploitation of it is concealed. In addition, Marx pointed out the revolutionary road that is to change the defective reality, to utterly debunk ideology that shelters the truth and acquire the true knowledge about reality. The primary spirit of Marxism is to pursuit the dialectical unity of theory and practice.

马克思揭示了资本主义商品世界的宗教性质，说明商品拜物教及其理论表达是资本主义生产方式的必然产物，它用物际关系代替并掩盖了人际关系，把商品、货币、资本的社会属性归因于纯粹的物的属性，从而掩盖了资本主义生产方式的剥削本质，只有变革有缺陷的现实才能彻底祛除意识形态对现实的蒙蔽，达到对现实的真实认识。

Ongoing social structures include the means for their own reproduction—in the regularized repetition of social processes, in the perpetuation of conditions which require members' participation, in the genesis of legitimating ideologies and institutions, and in the psychological as well as physics reproduction of people to perform necessary roles.

现行的社会结构包含自我生产的方法——有规律地重复社会过程，形成成员参与的永恒条件，追溯正统的意识形态和社会制度的起源，还有通过再生产人们的心理和生理来履行必要的角色。

Lois tyson says beyond some relatively small and relatively short-lived communes, there had never been, as far as we knwo, a ture Marxist society on the face of the Earth.Communist societies, though they claim to be based on the principle developed by Karl Marx,have been, in reality , oligarchies in which a small group of leaders controls the money and the guns and force its polices on a pupulation keptinlinethrough physical intimidation.

其实马克思主义是为数不多的承认自己是ideology 的理论，是为数不多的没有压迫的理论，它教给人们如何摆脱种种束缚而寻求自由，早已习以为常的看待世界的方法的背后有可能就有一双不怀好意的手在操控，undesirable ideology，时间和一切会让种种意识形态，或者理论内化，而这种内化确是最可怕的。

It never had the complex meaning of symbolism, caricature and strangeness, but had the function of placating and satisfying. When watching did not need to guess and judge, what would harm our brain, the purity and imposing nature of the Chinese landscape, its image idea, and the distance caused by would share the quiet pleasure with us shortly.

中国山水&成了洪磊去意识形态，谋求假想中的隐逸和自我麻醉的媒材，它不再有象征、反讽与吊诡的复杂内涵，只具有安抚扣令人惬意的功能，当观看不再需要猜测和推断的智力耗损时，&中国山水以及它的影像表皮所透露出的单纯与凝固，与由此造成的距离感，才会同我们短暂地分享那种恬静的愉悦。

This part is important to point out the Practical Dialectics of revolution that the contents are perceptual activity of human, the critical object is the capital what is abstract entity. This part unmasks the critical double dimensions of the historical concept in Marx. This part not only critiques the"philosophical ideology"of"beyond history", but also critiques the eternal myth of capital society that is non-history. This part reveals the Spiritual Essence of"new materialism"that unified the philosophical critics in Marx and critics of social reality.

重点指出了马克思以&感性的人的活动&及其历史发展为内容、以&抽象的存在&——&资本&为批判对象的革命实践辩证法，彰显了马克思历史观的双重批判维度，既批判了&超历史&的&哲学意识形态&，又批判了资本主义社会&非历史的&的永恒神话，从而真实揭示了马克思哲学批判与社会现实批判相统一的&新唯物主义&精神实质。

In this disquisition, the ideology is a kind of social, historical and cultural entity of field, sometimes absents itself, and it sometimes presents a kind of great and intangible conditionality of power and controlling force; The "scientific" usually show a kind of scientific spirit and method of looking for rigorism and credibility of literary research and criticism which aims at forming systemic theory in favor of spreading knowledge of literary research and criticism.

其中&意识形态性&是一种社会历史性文化的场域性存在，是缺场的在场，往往呈现出一种大化无形的权力制约和控制力量。&科学性&则一般表现为力图寻找文学研究和批评的严格性和确定性的科学精神与科学方法，它旨在努力形成文学研究和批评的有利于学科传承的系统理论。

Now the humanities have become the Ottoman Empire of the academy, a sprawling, incoherent, and steadily declining congeries of disparate communities, each formed around one or another credal principle of ideology and identity, and each with its own complement of local sultans, khedives, and potentates.

现在人文科学已经变成了学术界的奥斯曼帝国，一个持续衰落的、不断蔓延扩张的，不连贯的团体的堆积，每个派别都形成一个或者又一个意识形态或者身份的信条，每个派别都有自己的本土苏丹、赫迪夫和君主。

Actually, the legacy of the fast-fading socialist ideology fading fast even in this last of the People's Paradises is less pervasive in the city than a surviving aura of the frenzied, sophisticated and doomed international society that flourished here between the world wars, when the Anglo-American International Settlement around the Bund, and the nearby French Concession, set the tone and the reputation of Shanghai.

事实上，社会主义意识形态在迅速消逝（即便在这个最后的人民天堂中它也在迅速消逝），在这座城市中，其遗留下来的影响力，不及那种遗留下来的狂热、复杂、注定融于国际社会的氛围。在两次世界大战期间，这种氛围颇为盛行，当时，外滩周围的美欧公共租界以及附近的法租界，定下了这种基调，并成为上海的声誉所在。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。