意识形态的

His writing kept reconciliation with Augustan rule ideas,so his work automatically served Augustan rule and confirmed the theoretical fou...

他的重构与奥古斯都试图论证他的统治是建立在罗马内在的传统之上这一统治理念相一致，从这点来看，李维的写作自觉地配合了奥古斯都的统治，为罗马对世界的统治构建了意识形态方面的依据。

In terms of the language form and the narrative adventure aimed at literature itself, vanguard novels not only recompose the definition of modern novels and literature itself but exalt the immanent essence of belles-lettres and the elevation of art, therefore bringing about the genuinely modern transformation of Chinese modern literature from sheer production to criticism.

但长期以来，先锋小说一直佩戴批评家授予的形式主义徽章，"叙事革命"所产生的广泛深远的影响并没有得到应有的阐释，人们大都从纯文学审美自律的视域出发，对先锋小说的形式探索作单向度的解读，形式实验与社会、历史和意识形态之间复杂互动的关联常常被遮蔽悬置。

With this the ideology of communitarianism and individualism will be more influential on world modern political practice, not only in the priority of subject issue in modern society but also in the future of political practice.

由此产生的共同体主义与个人主义的意识形态主张，对于当代世界政治生活的影响，绝对不止于面对当代社会应当优先处理的主体问题的先后秩序，而对于政治生活的未来构成，必将产生结构性的影响。

Fad through satisfying wants of market consumption offer more and more the sample of " beauty " and more and more captivating commitment to people. It clears up people's inherent surmounting and resisting linking degree, makes people lose the thought and depth, tries to escape reality in the culture pattern of complanation, indulges in material comfort. This is ruled by ideology of people's culture.

同时它又通过满足市场的消费欲求，利用时尚为人们提供越来越多的"美"的"标本"和越来越诱人的承诺，消解了人们内在的超越维度和反抗维度，使人们失去了思想和深度，在平面化的文化模式中逃避现实，沉溺于无思想的享乐，这便是大众文化的意识形态统治。

The macro-contextual analysis of this genre of discourse indicates that the macro cultural context of Chinese GPC results from the composition forces of traditional Confucianism, i.e.,"ren" and"li" theory, as well as the modern civilization and the culture by political system in socialist China.

研究表明，宏观的文化语境(指以"仁"、"礼"要义为主的中国儒家传统文化和社会主义制度下的现代文明与政治文化形成的"合力")形成我国政府新闻发布会话语建构与理解的"国家认同"，并从意识形态得以体现，其中表现在言语层面上的最典型的是"国"即"家"的概念隐喻。

Chapter one ,it researches the Tibetan women's social history status and real living status, expatiates on the distinctiveness ,contrariety and incomplex of the Tibetan women's social history status. Chapter two, according to the researches on the female characters in the movies of Tibetan theme ,it indicates the Tibetan women's tight corner in the scene ,The women are conquered by the male rights ,civilized by others tribes and told about by the male utterance. They not only encounter losing truth but also experience absence. Chapter three, it analyzes some movies of Tibetan theme. Through some under different regions and cultural backgrounds ,it proves the female's encounters under the main ideology and the male's utterance.

第一章，是对藏族女性社会历史状况和现实生活状况的研究，阐释了藏族女性社会地位特殊性、矛盾性和复杂性；第二章，是对藏族题材电影中的女性形象的研究，表明藏族女性在镜像中的困境，她们被男权政治、异族文化和男性话语的言说，她们既遭遇失真又经历缺席；第三章，是对部分藏族题材电影的个案分析，透过不同地域和文化背景下的藏族题材电影，实证主流意识形态和男权话语下的女性遭遇。

Noteworthily, in 'Zhou Meisen's phenomenon', the government oriented ideology and market oriented popular culture mix up which should be counteractant .

在"周梅森现象"中值得引起关注的是，原本应该是相互对抗的官方主导的意识形态话语和市场主导的大众文化特性糅合在一起，而他在一部部作品中逐渐深化的对中国改革各种矛盾深层原因的思考，又显示出他作为知识分子对中国现实的批判精神。

This paper, from the cross-cultural semantic perspective, analyzes the concept of images and discusses the construction of images in the translation of culture-bound words and phrases within the restriction of the relationship between the source culture and the target culture in order to identify the degree of image transference.

文化有广义与狭义之分，广义的文化是"人类在社会实践过程中所获得的物质、精神的生产能力和创造的物质、精神财富的总和"；狭义的文化则是"精神生产能力和精神产品，包括一切社会意识形态"。[1](P81)文化具有多重属性：①社会性———文化是通过社会习得的

Such concept on creation make the artist base on the context of globalization and more macroscopical level of human history development to deep criticize and analyze capitalism which is the most prevailing ideology and regime in human beings' current historical period. What are exposed in his works are omnipresent emptiness and absurdity existing beneath the gray curtain of the time and embedded in the modern society's genes.

这样的创作观念促使艺术家立足于全球化背景，站在人类历史发展的更为宏观的层面对资本主义这一人类当前历史时期最为主流的意识形态和社会制度进行深入的批判和剖析，在他的作品中所暴露的乃是存在于我们这个时代灰色帷幕之下，根植于现代社会基因之中无处不在的虚无和荒诞。

What's more, by a full Examination of Hayek's thought, this paper found that Hayek was not steadfast believer in endogenous order and he is Lamarckist rather than Darwinist. Nevertheless, because of his ideology and ultra-reaction to rationalistic practice, Hayek focus to excavate the tradition of latitudinarianism and evolutionism rooted in western society.

而且，本文通过对哈耶克思想作－整体性检视后发现，哈耶克并不是自发秩序的绝对信奉者，其自发秩序与其说是达尔文主义的，不如说是拉马克主义的；不过，由于哈耶克本人的意识形态取向以及对当时日益偏盛的理性实践的过激反应，导致了他集中主要精力去发掘西方社会中的自由演化传统。

Finally, according to market conditions and market products this article paper analyzes the trends in the development of camera technology, and designs a color night vision camera.

最后根据市场情况和市面上产品的情况分析了摄像机技术的发展趋势，并设计了一款彩色夜视摄像机。

Only person height weeds and the fierce looks stone idles were there.

只有半人深的荒草和龇牙咧嘴的神像。