意识形态的

Viewed from the perspective of modern history, this type of fiction was in the specious process firstly, and be given the role as a literary embodiment of enlightenment. It seems that country people were the "other" who was slept by the self-awareness of enlightenment. Villagers were signed as "country". This type of fiction actually incarnated the new culture ideology of May Four clerisy, therefore these enlightenment novels about "country" weren\'t "country literature", but "native literature" which didn\'t make effect of coming into country. However, their burden function and habit to ideology was inherited and extended by country novel.

单从对现代历史发展的镜像反映上看，它似乎最初曾被赋予了"启蒙"的文学载体的角色，好像乡村人是被启蒙的自我意识沉睡的"他者"，村民被符号化为"国民"，这种创作实际上体现的是五四知识分子的新文化意识形态，属于未对乡村发生参与效应的"乡土文学"，但是，它对意识形态的承载功能和习惯为乡村小说所接续并放大。

Practical Hermeneutics"plays an important role in the"theoreticalideology criticism, the occurrence of theoretical ideology criticism is mystification of the theory itself caused by theories without practice.

实践的解释学"对于"理论的"意识形态批判具有重要的作用，"理论的"意识形态的产生是理论脱离实践造成的理论自身的神秘化，理论成了没有来源的、先验的理论。"

The legitimacy was usually producedwhen the people gave the rulers,such as the kings,a positive assessment as"good"or"acceptable".Actually,this process involved with the accumulation of traditionalculture and the legal construction of the ideology of ruling class and reflected thatthe human being as the"ideological animal".But from a deeper sense,it was alsothe procedures of rational choice,interest expression and interest realization.

文章认为，人们依据一定的合法性评价标准和规范，对统治者作出"好的"或"可以接受的"等肯定性评判，从而导致合法性的产生，这一过程固然与传统文化的积淀以及统治阶级意识形态的合法化"建构"机制有关，固然反映出人作为"意识形态动物"的一面，但从更深层次上看，它又是某种理性选择和利益表达及利益实现的过程。

On the poetics level, using a irrational female-genesis to self-explaining; using a "body-writing" as a self-domination, making a self-realization by ways of "dark","blood","death", such as those feminine imagination; making a self-represent ion by "monologue". On cultural consciousness level, takinga self-searching on reconsidering woman's status and ending in love; taking a self-awaking by showing what a mother had "done" for daughter in order to serve and maintain man society; introducing a self-remolding through recover and rebel the man ideology; be self-awakening and oppugning the man-centre society, within its cultural "make","assimilation" to female herself.

本文从两个方面来集中分析《女人》显示出的的"女性意识"：在诗学审美形态上，以非理性的女性"创世神话"题材来解释"自我"；以"躯体写作"的方式来支配"自我"；以"黑夜"、"血"、"死亡"等"阴性意象"来认识"自我"；以"独白"的方式来表达"自我"；在文化意识形态上，以对爱情中女性地位和结局的重新思考来寻找"自我"；以"母亲"对"女儿"的"塑造"来揭示"母亲"作为男权社会的"服务者"和"维护者"形象达到警醒"自我"；对男性文化意识形态的还原和反叛来解构男性中心文化并重铸"自我"；在辨认"自我"的觉醒中将质疑引向对男性中心社会及其所预置的文化秩序和"被造"、"被同化"的女性自身。

Schmidt\'s understanding of Marx and Marxism emphasizes the social historical character of the concept of nature of Marx; And he argues that the philosophy of Marx aims at the criticism of "the second nature of nature" and the nonidentity of the subject and the object, because the biggest secret of the ideology lies in the identity, and in the philosophy the most core identity is the identity of the subject and the object, Schmidt reiterated ideology critique, which is the important subject of the Frankfurt school and even the entire West Marxism; He also elaborated the relation between Marx\'s natural view and the Marxian socialism theory.

他十分重视结合马克思的社会历史理论、经济理论来考察自然概念，充分强调马克思自然概念的社会历史特征；突出批判&第二自然&与坚持主客体非同一性问题，因为意识形态的最大秘密在于同一性，哲学上最核心的同一性就是主体与客体同一性，所以施密特重申了法兰克福学派乃至整个西方马克思主义的重要主题——意识形态批判；他阐述了马克思的自然观与马克思社会主义学说的关系，围绕人和自然的关系问题探讨了马克思和一切乌托邦的联系和区别。

It suggests therefore that people should follow their instinct and"man-as-consumer considers the experience of pleasure an obligation, like an enterprise of pleasure and satisfaction; one is obliged to be happy, to be in love, to be adulating/adulated, seducing/seduced, participating, euphoric, and dynamic"Baudrillard believes that the ideology of consumption is"presented under the guise of gratification, of a facilitated access to affluence, of a hedonistic mentality, and of'freedom from the old taboos of thrift" The Titan is Dreiser's representation and encouragement of hedonism and consumerism Here, women become a subject consuming as well as an object being consumed In The Financier, we see what is promised for Cowperwood is"a world of mansions, carriages, jewels, beauty, a vast metropolis outraged by the power of one man, a great State seething with indignation over a force it could not control, vast halls of priceless pictures, a palace unrivaled for its magnificence, a whole world reading with wonder, at times, of a given name"Throughout The Trilogy, Cowperwood indulges in his pursuit of women, mansions and art objects I think Dreiser's representation of the hero's pursuit of women, mansions, objects of art indicates the inherent ideology--consumerism.

消费文化旨在诱导或鼓励人们摆阔性的挥霍浪费。这种文化所倡导的道德标准是，有钱建豪宅，买昂贵服装，吸引和占有最美的女人在道德上就是正确，有价值的。这时的物品就象鲍德里拉所说的那样已经成为地位的象征，而不是仅仅满足基本的需要。因此，人们应该听从本能的驱使，&作为消费者的人将享乐看成是自己的义务，享乐和满足就象是一种事业&。鲍德里拉指出消费意识形态的欺骗性在于其&倡导的满足、富裕、享乐和'冲破节检的旧樊篱'&。德莱塞在《巨人》中正是表现了这种消费意识形态。妇女、服装和豪宅已成为地位和权力的象征。《金融家》所预示给柯帕乌的是&公寓、四轮马车、珠宝和美物；整个大都会都要被一个人的权力所激怒；一个伟大的国家也要因为一种不能控制的力量而愤怒填膺；充满了无价珍宝的大厅；无与伦比的豪华宫殿；整个世界都惊叹地阅读着一个熟悉的名字&。当然，在整部小说里我们很少发现柯帕乌有抽烟饮酒的嗜好，但他却始终沉溺于性乱交之中。

Although fiction assuredly springs from political circumstances, its authors react to those circumstances in ways other than ideological, and talking about novels and stories primarily as instruments of ideology circumvents much of the fictional enterprise.

虽然小说确实是源于政治环境，但作者反映这些环境的方法是非意识形态的，如把小说和故事的讨论作为意识形态的工具，则会忽视了许多小说的成就。

Although fiction assuredly springs from political circumstances, its authors react to those circumstances in ways other than ideological, and talking about novels and stories primarily as instruments of ideology circumvents much of the fictional enterprise.

虽然小说确实是源于政治环境，但作者反映這些环境的方法是非意识形态的，如把小说和故事的讨论作为意识形态的工具，则会忽视了许多小说的成就。

On the poetics level, using a irrational female-genesis to self-explaining; using a "body-writing" as a self-domination, making a self-realization by ways of "dark","blood","death", such as those feminine imagination; making a self-represent ion by "monologue". On cultural consciousness level, takinga self-searching on reconsidering woman's status and ending in love; taking a self-awaking by showing what a mother had "done" for daughter in order to serve and maintain man society; introducing a self-remolding through recover and rebel the man ideology; be self-awakening and oppugning the man-centre society, within its cultural "make","assimilation" to female herself.

本文从两个方面来集中分析《女人》显示出的的&女性意识&：在诗学审美形态上，以非理性的女性&创世神话&题材来解释&自我&；以&躯体写作&的方式来支配&自我&；以&黑夜&、&血&、&死亡&等&阴性意象&来认识&自我&；以&独白&的方式来表达&自我&；在文化意识形态上，以对爱情中女性地位和结局的重新思考来寻找&自我&；以&母亲&对&女儿&的&塑造&来揭示&母亲&作为男权社会的&服务者&和&维护者&形象达到警醒&自我&；对男性文化意识形态的还原和反叛来解构男性中心文化并重铸&自我&；在辨认&自我&的觉醒中将质疑引向对男性中心社会及其所预置的文化秩序和&被造&、&被同化&的女性自身。

But the reasons for the dilemma of the utterance are complicated. Apart from failure to be accustomed to the local cultural environment and the ideological rejection at the surface level, there have also been such reasons as the limit of the utterers' deep-structure thinking mode and their loss of epistemological principles so that the debates on cognitive perspectives have given way to the struggle of ideologies.

但造成&主义&本土言说困境的因由，除表层的文化水土不服、意识形态的挤兑之类外，更有言说者深层的思维方式局限和认识论原则丧失的原因，这使得认知视角的论争让位于意识形态的角力。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。