意识形态的

Without giving thought to from any angle looks, he will by without doubt delimit " successful Chinese businessman " that a flock of, but if be in earlier before, someone dare say he will make an ideological mark, use corroborant if businessman of this generation China can bring active gene for the body with this giant country, so OK and affirmative, the person that gives out this to say or state with certainty will be earlier than Ma Yun be surrounded to be in controversy.

不管从任何的角度看，他都将会被毫无疑问的划入"成功的中国商人"那一群，但如果在更早之前，有人敢说他将会成为一个意识形态的符号，用来确证这一代中国商人能够为这个国家庞大的躯体带来积极基因的话，那么可以肯定，发出这个断言的人会比马云更早的被包围在争议之中。

To most of domestic readers, the knowledge about Austrian economic school rests on a very general level which is all most misleading because of the dominated leftism, and the interpretations about the original literatures are very few.

长期以来，对奥地利经济学派的思想的研究深受极左的意识形态的干扰，国内普通读者对这一学派的了解大都停留在教科书的科普级别，对其经典文献和著作的解读少之又少。

The simple theme of the artist rising in the morning and walking around his apartment is rendered in such a way as to make us question our own perceptions as the scenes metamorphose into a series of revolving, virtual cubes.

艺术家简洁的表达了他清晨起床后，在房间四处走动的画面，这种意识形态的演变融入在一系列的旋转的虚拟方形之中，这让我们在探询自己的内在感受的同时，也对艺术作品产生了及大的好奇。

Law culture surface layer structure, as the expression of the laws culture deep structure, under the condition of the China s accession to the WTO, especially international globalization, alters fast and changes into the trends of the modern accession and becomes an important non-slighting nacreous section of the culture in the world laws culture system.

内容摘要：法律文化的表层结构，实质上作为法律文化深层结构的法律意识形态的外在化表现形态，在中国入世的条件下，尤其是在世界经济全球化的浪潮中，迅速转型和改变，演绎成为现代化进程的趋势，成为多元并存的世界法律文化体系中不可忽视的、具有光彩的一只重要文化。

Chinese writers have been marginalized over the past century in various ways; for mainland writers from 1949-1979, the marginalization resulted from ideology; for Chinese writers neglected in the canon of world literature, the cause was Western ethnocentricity; and for specific writers, the sanctions have resulted from the prejudice of Orientalism and of Occidentalism.

上个世纪以来，华人世界的许多作家们由于种种原因被社会边缘化了。比如说，中国大陆的作家在1949-1979年间，由于意识形态的政治原因，被边缘化了。由于西方文化中心主义的原因，中国的作家们被挡在了世界文学的大门之外。另外一些作家不幸沦为"东方主义"和"西方主义"辩论的牺牲品。

Aiqing"s compassion and devotion for the peasants" fate and hardness are explored from the aspects of his innate " complex for peasants", country background and his experience of the city. It is a climax of his creation. The second chapter: From Yanan to Beijing. The self-division of the inner world that is caused by the outer conflicts between the unique complex sense with the expressive way and the main opinions, and the confusion for the sticking the uniqueness are discussed.

第一章：行吟者的歌，从他与生俱来的"农人情结"和故土背景与他对都市的感受中，去论述艾青对民族命运及苦难的悲悯与献祭情怀，这一时期也是艾青创作的第一个高峰期；第二章：从延安到北京，主要论述这种独特的复杂感受和表达方式与主流意识形态的外在矛盾而导致诗人内心世界的自我分裂，也是艾青坚守个人独特性的困惑。

Aiqing's compassion and devotion for the peasants' fate and hardness are explored from the aspects of his innate " complex for peasants", country background and his experience of the city. It is a climax of his creation. The second chapter: From Yan'an to Beijing. The self-division of the inner world that is caused by the outer conflicts between the unique complex sense with the expressive way and the main opinions, and the confusion for the sticking the uniqueness are discussed.

第一章：行吟者的歌，从他与生俱来的"农人情结"和故土背景与他对都市的感受中，去论述艾青对民族命运及苦难的悲悯与献祭情怀，这一时期也是艾青创作的第一个高峰期；第二章：从延安到北京，主要论述这种独特的复杂感受和表达方式与主流意识形态的外在矛盾而导致诗人内心世界的自我分裂，也是艾青坚守个人独特性的困惑。

The author believes that, Narrating in Vogue, a representative urban cultural style,first appeared in Shanghai in the second vicenary of last century. Through fashionmagazines and public medias, this cultural style quickly occupied the mainstream,affected the philosophy and judgment of the mass, played a sub-ideology role insocial construction as a living politics.

笔者认为，&时尚叙事&是 20 世纪二三十年代出现于上海商业都市的一种时尚性的另类都市文化叙事，这类风格的叙事以时尚杂志或大众传媒手段为载体，借助时尚性、大众传播的传媒方式占领文化市场，直接驱入都市日常生活的各个时空，并且以生活政治的方式影响并左右着人们的思想行为和价值判断，在社会的现代化建设中发挥了亚意识形态的作用。

In an article first published in Foreign Affairs in 1993 and then expanded into a book, Huntington foresaw the shape of the post Cold War world. The war of ideologies would yield to a civilizational struggle of soil and blood. It would be the West versus the eight civilizations dividing the rest—Latin American, African, Islamic, Sinic, Hindu, Orthodox, Buddhist, and Japanese.

最初发表在1993年&外交事务&杂志上的一篇文章就是《文明的冲突》的雏形，而在那篇文章中亨廷顿已经预见到了后冷战时代的世界格局，意识形态的战争将导致一场&鲜血与祖国&（blood and soil，曾经的纳粹口号）的文明冲突，那将是西方世界与余下的其他8个文明的对抗----拉丁美洲、非洲、伊斯兰国家、中华、印度、东正教、佛教和日本。

The author believes that, Narrating in Vogue, a representative urban cultural style, first appeared in Shanghai in the second vicenary of last century.

笔者认为，&时尚叙事&是 20 世纪二三十年代出现于上海商业都市的一种时尚性的另类都市文化叙事，这类风格的叙事以时尚杂志或大众传媒手段为载体，借助时尚性、大众传播的传媒方式占领文化市场，直接驱入都市日常生活的各个时空，并且以生活政治的方式影响并左右着人们的思想行为和价值判断，在社会的现代化建设中发挥了亚意识形态的作用。

Finally, according to market conditions and market products this article paper analyzes the trends in the development of camera technology, and designs a color night vision camera.

最后根据市场情况和市面上产品的情况分析了摄像机技术的发展趋势，并设计了一款彩色夜视摄像机。

Only person height weeds and the fierce looks stone idles were there.

只有半人深的荒草和龇牙咧嘴的神像。