意识形态的

Through the static analysis, we think that traditional power is a protogenetic power; Tibetan Buddhism is a peculiar religion form that Indian Buddhism blended into the indigenous culture of Tibetan, it has doctrine, sandhana, ceremony and so on, and forms the religion power of worshipping living Buddha as base. The state power forms in the patriarchal clan system society, but it is thought political coercive power, even violence in the XunHua Tibetan area.

通过静态的分析，我们认为传统部落权力依靠循化藏区内对传统部落制度的文化价值认同的惯性得以维持和延续，是一种原生的权力形态；藏传佛教是印度佛教融入到藏族本土文化之中形成的一种独特的宗教形态，具有教义、修行到仪轨等一整套神秘主义的色彩和强化宗教认同的神圣化的意识形态，由此形成了以活佛崇拜为基础的宗教权力；王朝国家权力形成于以汉族为主体的宗法社会之中，它的强制力的一面依靠传统的宗法制度而被塑造成具有神权色彩的政治权威，然而在循化藏区由于文化认同的关系，王朝国家的政治权威被还原为政治强制力乃至于暴力。

The unilaterality shadowed the individual real life, immersed individual unique personality, and alienated individual colorful life.

本书分三部分对这一问题进行了剖析：在改革开放前----青少年价值观教育的经验总结中，回顾了新中国成立以来在强烈的意识形态下，在火热的阶级斗争中，在频繁的政治运动过程中，青少年价值观由&崇高理想&、&政治挂帅&到&主体迷失&的演变过程，指出这一时期价值观教育的片面性就在于以人的政治、阶级的一面否定和取代了人的其他的方面，尤其是人属于私己方面的追求和属于个人灵魂方面的事务，致使个人真正的生活被遮蔽、个人独特的个性被淹没、个人丰富多彩的生命被异化。

According to the historic viewpoint, this dissertation retrospect that development of adolescence value view from"sublime ideal""politics cored"to"lost of subject"since the new P. R. C. established under the strong ideology, within fiery class struggle, in the process of frequent political movement. It points out that unilaterality of value view education in this period negates and substitutes people's other aspects, especially personal pursuit and individual soul, by politic and class aspects. The unilaterality shadows the individual real life, immerses individual unique personality, and alienates individual colorful life.

论文分两部分对这一问题进行了剖析，在历史的返观中，回顾了新中国成立以来在强烈的意识形态下，在火热的阶级斗争中，在频繁的政治运动过程中，青少年价值观由&崇高理想&、&政治挂帅&到&主体迷失&的演变过程，指出这一时期价值观教育的片面性就在于以人的政治、阶级的一面否定和取代了人的其他的方面，尤其是人属于私己方面的追求和属于个人灵魂方面的事务，致使个人真正的生活被遮蔽、个人独特的个性被淹没、个人丰富多彩的生命被异化。

Therefore,Helene Cixous put up the deconstruction strategy-"Body Writing",with a body language to express the women's all experience of overall resistance to logocenterism.In the 1990s, Chen Ran and Lin Bai,two representative of a group of women writers,and boldly to women has long been accumulated in the body and suppress all taboos in the end of the discourse on the aesthetic.They fully tap the female body revolutionary and let the body writing become an important trend in female literary writing,extended to the beginning of the 21st century now,until it became a kind of fashion writing.Under the consumptive culture erosion,the body writing has exhausted any ideological resistance in female body and eventually became the most tempting symbol of consumption and consumption strategy in consumer society.

埃莱娜·西苏因此提出&身体写作&的解构策略，用一种身体的语言去表达妇女整体的，反抗逻各斯中心主义的全部体验。20世纪90年代，以陈染和林白为代表的一批中国女性作家，大胆地把长久以来积淀在女性躯体上的所有禁忌和压抑终结在了审美的叙事话语上，充分地挖掘了女性躯体的革命性，成为后来者从事女性写作绕不过的经验，同时也让身体写作成为一股女性文学的重要潮流，延续到21世纪初的现在，直至它成为一种写作的时尚，在消费文化的侵蚀下，耗尽了女性躯体所包蕴的任何意识形态反抗性，最终沦为消费社会最具诱惑性的消费符号和消费策略。

To be brief, the English romanticism on the one hand further pushes ahead the project of modernity in the artistic or aesthetic field, but on the other hand it also launches a vehement aesthetic critique of modernity, thus resulting in the birth of aesthetic modernity; the Chinese romantic movement represented by the Creation Society is characterized by a different Janus'face: like English romanticism, it is a significant artistic articulation of the principle of subjectivity (which is the kernel of modernity) in its initial stage, yet influenced by the interaction of individual enlightenment and the national salvation, a pair of conflicting themes typical of China's modernity project, the Creation Society gradually turns to the left and consequently not only radically politicizes its romantic spirit but also ironically suppresses the search of modernity.

简言之，英国浪漫主义思潮一方面在艺术和审美领域内进一步推进了现代性工程，而另一方面又反戈一击，对现代性工程进行了猛烈的审美批判，从而催生了现代性之另一对立性形态——审美现代性的最早萌芽，并因此而造成了现代性的分裂；以创造社为代表性个案的五四新文学中的浪漫主义思潮在中国的现代性语境下则又呈现出另一种两面性：一方面，创造社的初期也象英国浪漫派一样，通过在艺术和审美领域内竭力弘扬现代性的主体性原则，从而积极地推进了新文化运动所致力构建的现代性工程，但另一方面，个体启蒙和民族救亡两大中国现代性主题的纠结使得创造社在后期逐渐将其前期的启蒙浪漫主义进行了民族主义化和意识形态化，从而放弃了对现代性作更深入的追求。本文在结构上总共分为八章三部分。

To develop socialist commodity economy we must eliminate social ideological balks on the planning and the market.

本文认为，坚持改革开放的正确方向，必须坚持以经济建设为中心，不断排除以阶级斗争为纲的干扰；必须坚持生产力标准，克服历史唯心主义；必须坚持发展社会主义商品经济，消除计划和市场上的意识形态障碍；必须坚持改革开放为发展服务，使我们的国民经济每隔几年就上一个新台阶，在两种社会制度的竞争中，赢得人群众对社会主义在支持和拥护；必须正确处理改革开放中的倾向性问题，不要随便贴标笺，扣帽子；必须坚持反丑恶、反腐败的斗争，警惕出现以权钱交易为特征的贿赂经济，必须坚持德才兼备的干部标准，选拔坚持党的改革开放路线，并有政绩的人去领导改革开放；必须十分讲究政策策略，团结和依靠广大干部和群众与我们一道进行改革开放，防止把群众推到改革的对立面。

This paper analyses three tendency of network pioneer poem,"Sensual Composition","Breakage" and "Ant- elevation"."Sensual Composition" give a hard shock on current poem which had a aged character, but it also interflows with the utility of commercial society."Breakage" brings a valiant tidal current in poem composition, also forms a wild style."Ant- elevation" lead poem to the ground, hoist the flag of criticizing social problem, but it can also fall poem into trap of politics.

论文重点分析了先锋诗学中出现的&肉身化&、&破坏性&、&崇低&等三大倾向，认为&肉身化&写作对当下诗歌写作中陈腐的&中老年&特征进行了一次重大冲击，但客观上也迎合了&消费社会&的功利性；&破坏性&力量带来了一股强悍的诗歌写作潮流，解构、反讽、审丑、怪诞等写作手法形成了一种粗暴的美学风格，但也引发了诗歌写作新一轮的戏噱和狂欢；&崇低&将诗歌写作再度引向&地面&，重举批判现实的大旗，拆解虚伪的假面，但其借助网络所强调的&政治性批判&和对写作&政治禁区&的突破正让它面临沦为意识形态工具的危险。

The article especially investigates in the original literatures the contradiction between the claimed universality in "the Law of peoples" and local legal practices and the reason of it. It reveals the Roman legists' efforts in using a common ideology to unify a diversified empire under the concept of"the law of peoples". The contradiction between legal ideality and legal...

为了对万民法有一个全景的勾画，离不开对原始文献中万民法规范被宣称的普世性与实际运作的有关法律规范的地方性的矛盾及其原因的揭示；古典时期的罗马法学家们力图在万民法概念下以一种共同的意识形态整合一个充满个别性的大帝国的苦心，反映了这一时期罗马帝国的法律理想与法律现实的矛盾。

The emotional relationship with Mao envisioned in Yin Zhaoyang's painting reflects the ideological influence of his portrait during the childhoods of the post-revolutionary generation. This influence was strongest in visual impact after 1949 when Mao's portrait saturated the media and was seen everywhere.. The portrait visually invaded the self image of a generation and formed an emotional aesthetics that is also one of the roots of modern youth.

在尹朝阳的绘画中，和毛的想象性的情感关系，体现为肖像在后革命一代成长初期的一种意识形态影响，在这种影响中，肖像的视觉影响即毛在1949年之后大量肖像的扩散所产生的形象无处不在的大众传播，一种肖像对于一代人自我想象的视觉侵入所产生的情感美学，实际上构成了一种青春的现代性根源。

China contemporary appear in the art of relevant draw lessons from of landscape picture with transfer, probably Be not and only proceed from turning respond to of slogan and inspiration to the oil painting race, also not is to tradition Chinese painting art of reform build sex, their emergence probably is according to 1 kind from society sense of vision experience cause of reality pass shine on with with oneself consciousness appearance in the mind background relevant of heart claim, they just use landscape painting concept and the outer shell of appearance and arouse reality disaster within society consciousness with refer to the content of humanities spirit.

中国当代艺术中出现的有关山水图像的借鉴和挪用，可能并非仅仅是出于对油画民族化口号的响应和感召，也并非是对传统国画艺术的革新造性，它们的出现或许是基于一种由社会视觉经验所引起的现实关照和与自身意识形态心里背景有关的内心诉求，它们只是借用山水画概念和形态的外壳，去唤起现实社会中的忧患意识和指涉人文精神的内涵。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。