意欲的

Everybody knew that the network is hypothesized is not The real on-line joyful world is only in the spiritual homeland surfer only thinks with ease, although This kind of so-called relaxedness is short actually can also take to a soul respite the space to look for for the exhausted body and mind Relaxation corner However I am not good at before the human revealing my emotion on-line actually not to want to wrap from Oneself always hoped that could find a speech the space to let sentimental the pulse swing along with the network hypothesized metre Unloaded an all accidental click unexpectedly to become in my heart's stories and the sentimental one kind captures Clicked however from the network to the dear friend meets always such carelessly unexpectedly had in the unconscious center Hope worrying with lovesickness On-line sentiment hypothesized also is very by no means real regarding me The emotion really will also seize Will make person unexpectedly to worry and to believe that one will not be the human who understood very much Meets your my heart to fly upwards is being unable to know in advance What is joyful perhaps painful but I has been thinking.

大家都知道，网络是虚拟，是不是真正上线欢乐的世界，只有在精神家园冲浪者认为，只有与安心，虽然这一种所谓relaxedness很短，其实也可以采取一个民族的灵魂，喘息空间，以期待为，为疲惫的身体和心理放松的角落，但我并不善于前人类揭示了我的情感上线，其实并不想打下来，从自己一直希望能找到一个讲话的空间，让感性的脉搏摆动随网络虚拟米卸下一切偶然点击出人意料地成为在我心中的故事和情感上的一种捕捉点击然而，从网络到亲爱的朋友会见总是这样的不小心竟然在无意识中心希望与忧虑思上线意欲假设，也是非常决不是真正的关于我的情绪，真的也将抓住将使人出人意料地担心，并相信到一个不会被人理解的人很满足了您我的心飞向上是无法预先知道是什么欢乐的，也许痛苦，但我一直的想法。

The shoes also had a two-tone effect, and the swell of celestial voices in David Motion's "Buoyancy" on the soundtrack underscored the twisted religiosity. The bi-collar was a foretaste of what can only be described as a male bikini, which combined a bib front with what appeared to be a visible jockstrap (or maybe male garter belt?) and closed at the back like a waistcoat. Wags instantly dubbed the look "wedgie chic," but it was more disturbing than that—as if traditional concepts of masculinity had been turned inside out. Of course, this is something Miuccia's talked about for years, but it was still striking to see it rendered so graphically. Even more so when a couple of back-buttoning blouses walked past—male vulnerability wrapped up in a shirt.

这是本季男装戏谑趣味又颠覆传统的其一；仿似神职人员的double小领结及以两种色调呈现的皮鞋、再搭上伦敦著名作曲配乐家David Motion综合了圣乐与电子节拍的秀场主题曲"Buoyancy"，成功的带出Miuccia意欲传递给大家的矛盾和滑稽；更夸张傻眼的紧接而来：儿童使用的围兜（也很像中国古代女人的性感肚兜）配上男运动员专用的弹性下体护身、穿在合身的双领衬衫外，就活像是男性比基尼的外穿，然后转过身来，我们更看到，肚兜上衣的背后或交叉缕空的有如女人的性感马甲、或呈排扣有如女性内衣。

The shoes also had a two-tone effect, and the swell of celestial voices in David Motion's "Buoyancy" on the soundtrack underscored the twisted religiosity. The bi-collar was a foretaste of what can only be described as a male bikini, which combined a bib front with what appeared to be a visible jockstrap (or maybe male garter belt?) and closed at the back like a waistcoat. Wags instantly dubbed the look "wedgie chic," but it was more disturbing than that—as if traditional concepts of masculinity had been turned inside out. Of course, this is something Miuccia's talked about for years, but it was still striking to see it rendered so graphically. Even more so when a couple of back-buttoning blouses walked past—male vulnerability wrapped up in a shirt.

这是本季男装戏谑趣味又颠覆传统的其一；仿似神职人员的double小领结及以两种色调呈现的皮鞋、再搭上伦敦著名作曲配乐家David Motion综合了圣乐与电子节拍的秀场主题曲&Buoyancy&，成功的带出Miuccia意欲传递给大家的矛盾和滑稽；更夸张傻眼的紧接而来：儿童使用的围兜（也很像中国古代女人的性感肚兜）配上男运动员专用的弹性下体护身、穿在合身的双领衬衫外，就活像是男性比基尼的外穿，然后转过身来，我们更看到，肚兜上衣的背后或交叉缕空的有如女人的性感马甲、或呈排扣有如女性内衣。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。