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意大利精神

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A romance set in Italy, the book is concerned about the dark aberrations of the human spirit.

爱情定在意大利,这本书是关注人类精神的黑暗畸变。

What formerly was segregated as pornography, as the exercise of extreme sadomasochistic longings - as in Pier Paolo Pasolini's last, near-unwatchable film,"Salo"(1975), depicting orgies of torture in the Fascist redoubt in northern Italy at the end of the Mussolini era - is now being normalized, by some, as high-spirited play or venting.

曾被作为极端施虐受虐欲的实践而分离出来的色情影像──比如帕索里尼最后一部几乎不堪入目的影片《萨罗》(Salo,1975),描绘了墨索里尼时代末期,意大利北部法西斯军事堡垒里的纵欲酷刑──现在正被常规化,并被某些人奉为高级精神运动或情感宣泄途径。

Writers such as Franois Rabelais , Pierre de Ronsard , Joachim du Bellay and Michel de Montaigne , painters such as Jean Clouet and musicians such as Jean Mouton also borrowed from the spirit of the Italian Renaissance.

法国作家拉伯雷、德龙沙、杜·贝莱(英语: Joachim du Bellay )和蒙田,画家让·克卢埃(英语: Jean Clouet )以及音乐家让·穆东(英语: Jean Mouton )等人都借鉴了意大利的文艺复兴精神。

The influence of Boethius' philosophy, Italian Renaissance humanism, and Chaucer's own concern of man's fate in relation to Providence together brought about Chaucer's concept of tragedy, which revived the spirit of tragedy in Europe. Chaucer also created a series of poetic works with tragic spirit and contributed to the flourishing of tragedy in the Elizabethan period.

受波伊提乌哲学思想启发的乔叟对意大利文艺复兴时期人文主义思想的影响以及对天道和命运的长期思考,促使悲剧精神在欧洲得以复活,他本人创作了一批具有悲剧色彩的作品,为悲剧文学在伊丽莎白时代的繁荣做出了贡献。

Therefore, this thesis tends to adopt the angle of "returning to the spiritual home" to analyze the value of preserving of the Italian humanistic awareness, artistic experience, dance types and instrumental music types in Scarlatti"s works as well as tends to grasp and study the composer"s purpose and cultural connotation in his music creation from a macro angle in a way of philosophical thinking and arguing.

所以,本文拟从&回归精神家园&这一视角入手,去解析斯卡拉蒂作品中意大利的人文意识、艺术体验以及舞蹈体裁和器乐体裁的留存意义;并以哲学思辩的方式,宏观地把握、研究作曲家的创作意向和文化内涵。

In the second half of the 15th century, the spirit of the age spread to Germany and the Low Countries , where the development of the printing press (ca. 1450) and early Renaissance artists like the painters Jan van Eyck (1395-1441) and Hieronymus Bosch (1450-1516) and the composers Johannes Ockeghem (1410-1497), Jacob Obrecht (1457-1505) and Josquin des Prez (1455-1521), predated the influence from Italy.

15世纪后半叶,时代精神传播到德国和低地国家,在这些地方印刷机与文艺复兴早期艺术家,如画家扬·范·艾克,希罗尼穆斯·博斯,作曲家约翰内斯·奥克冈,若斯坎·德普雷,雅各布·奥布雷赫特的发展早于来自意大利的影响。

In the second half of the 15th century, the spirit of the age spread to Germany and the Low Countries , where the development of the printing press (ca. 1450) and early Renaissance artists like the painters Jan van Eyck (1395-1441) and Hieronymus Bosch (1450-1516) and the composers Johannes Ockeghem (1410-1497), Jacob Obrecht (1457-1505) and Josquin des Prez (1455-1521), predated the influence from Italy.

15世纪后半叶,时代精神传播到德国和低地国家,在这些地方印刷机与文艺复兴早期艺术家,如画家扬·范·艾克,希罗尼穆斯·博斯,作曲家约翰内斯·奥克冈,若斯坎·德普雷,雅各布·奥布雷赫特的发展早於来自意大利的影响。

Benitez says opposite number Carlo Ancelotti is doing a good job at Stamford Bridge, but warned him of the spirit of Liverpool which the Italian witnessed first hand in the 2005 UEFA Champions League final in Istanbul - which the Reds dramatically came back to win against Ancelotti's AC Milan.

贝尼特斯称对手安切诺蒂在斯坦福桥干的不错,但同时警告对手利物浦惊人的精神——意大利人亲身在05年伊斯坦布尔的欧冠决赛中领教了,利物浦戏剧性逆转当时由安切诺蒂领军的AC米兰。

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