惹

You're losing it big-time, man.

你会惹上大麻烦

I'm having second thoughts. That insufferable bigot riled me, made me want to get to him.

我原本想三思而后行，不想被他那些难听的话惹着了，当时我只想损他一顿。

I open mailbox monthly, a pill of bill in it. Tap water, electricity, Gas, telephone and broadbone internet, moble phone,and so on. These fees usually was well controlled, not be a trouble matter. But the housing loan and credit card loan is the most in my life.Every month I controlled the credit card spending. I am furtunate that I can endure the figures of credit card bill. I paid off the bill, no debts.

昨天做了一个很奇怪的梦，梦见我又回到尚飞，辛苦的做了一天，周志麟跑过来问我情况怎么样，我说我明天不做了，回家了，这小子不满意用拳头打我，我也不是好惹的，一顿暴打，这小子被我打的口吐白沫，倒地抽搐，没想到表面上貌似很强悍的Mattew其实不经打，三拳两拳就趴下了。

Once I was being my bitchy self again and made you very angry.

有一天我又无理取闹，惹了你很生气。

He was blithely unaware of the trouble he'd caused.

他漫不经心，丝毫没有察觉他惹的麻烦。

Your body is just like a Bo Tree , your heart is just like a bright mirror table.

身是菩提树，心如明镜台。时时勤拂拭，莫使惹尘埃。

And, as we floundered on, my companion wearied me with constant reproaches that I had not brought a pilgrim's staff: telling me that I could never get into the house without one, and boastfully flourishing a heavy-headed cudgel, which I understood to be so denominated.

在我们挣扎着向前走的时候，我的同伴不停地责备我，惹得我心烦。他骂我不带一根朝山进香的拐杖，告诉我不带拐杖就永远也进不了家，还得意地舞动着一根大头棍棒，我明白这就是所谓的拐杖了。

There is no Bodhi tree, mirror nor stand, originally no one, where can the dust alight.

菩提本无树，明镜亦非台，本来无一物，何处惹尘埃。

He was a booger when he was a child.

他童年的时候是个惹人厌的家伙。

It's bothersome,Torre said.

那是很惹人讨厌的情形。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。