惹

To make matter worse, I was in foul trouble and it was the reason why I only played 24 minutes; the refs have not been to kind on me.

更糟的是，我还惹上了犯规的麻烦，所以我仅仅打了24分钟。裁判对我一直比较严格。

I was very upset to find out that I'd apparently been annoying him without realising it.

我非常沮丧地发现，我显然一直都惹他讨厌，自己却没有意识到。

Jacques Chirac dismissed the planned meeting of the 18 ratifiers ("I don't know why it has received so much public attention"). Jan Peter Balkenende, the Dutch prime minister, ruled out any follow-up meeting of the non-ratifiers.

雅克希拉克取消了一个筹备已久的会议——这个会议的参加者是已经批准条约的18国成员领导人（我不知道为什么取消一个会议会如此惹众人关注）荷兰首相巴尔克嫩德也证实，不会与那些反对批准国的领导人举行这种类似的会晤。

Miss Scatcherd is hasty -- you must take care not to offend her; Madame Pierrot is not a bad sort of person.

&斯卡查德小姐性子很急，你可得小心，别惹她生气；皮埃罗太太倒是不坏的。&

To me a lush carpet of pine needles or spongy grass is more welcome than the most luxurious Persian

对我来说，满地厚厚的松针和松软的草坪比奢华的波斯地毯更惹人喜爱。

To me a lush carpet of pine needles or spongy grass is more welcomethan the most luxurious Persian rug.

对我来说，满地厚厚的松针和松软的草坪比奢华的波斯地毯更惹人喜爱。

To me a lush carpet of pine needles or spongy grass is more welcome than the most luxurious Persian rug.

对我去说，满地厚厚的松针和松软的草坪比奢华的波斯地毯更惹人喜爱。

To me a lush carpet of pine needles or spongy grass is more welcome than the most luxurious Persian rug.

对我来说，满地厚厚的松针和坚实的草坪比奢华的波斯地毯更惹人喜欢。

To me a lush carpet of pine needles or spongy grass is more welcome than the most luxurious Persian rug.

对我来说，满地厚厚的紧针和紧软的草坪比豪华的波斯地毯更惹人喜爱。

To me a lush carpet of pine needles or spongy grass is more welcome than the most luxurious Persian rug.

对我来说，谦地薄薄的松针和松软的草坪比豪华的波斯地毯更惹人喜爱。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。