惹

It is her countenance that is so attractive.

惹人爱的是她的容貌。

At the same time, we also did not dare to stay, so finally, we walked back creepily from the anger dogs.

问题是我们根本看不见，却听到连绵不断的"汪汪汪汪往往汪……"吓得我们想跑不敢想留亦不敢，灰溜溜往回走，免惹犬愤。

In the dining-room, a long and superb gallery which was situated on the ground-floor and opened on the gardens, M. Henri Puget had entertained in state, on July 29, 1714, My Lords Charles Brulart de Genlis, archbishop; Prince d'Embrun; Antoine de Mesgrigny, the capuchin, Bishop of Grasse; Philippe de Vendome, Grand Prior of France, Abbe of Saint Honore de Lerins; Francois de Berton de Crillon, bishop, Baron de Vence; Cesar de Sabran de Forcalquier, bishop, Seignor of Glandeve; and Jean Soanen, Priest of the Oratory, preacher in ordinary to the king, bishop, Seignor of Senez.

楼下朝花园的一面，有间富丽堂皇的游廊式的长厅，一七一四年七月二十九日，主教亨利·彼惹曾在那餐厅里公宴过这些要人：昂布伦亲王——大主教查理·勃吕拉·德·让利斯；嘉布遣会修士——格拉斯主教安东尼·德·梅吉尼；法兰西祈祷大师——雷兰群岛圣奥诺雷修院院长菲力浦·德·旺多姆；梵斯男爵——主教佛朗沙·德·白东·德·格利翁；格朗代夫贵人——主教凯撒·德·沙白朗·德·福高尔吉尔；经堂神甫——御前普通宣道士——塞内士贵人——主教让·沙阿兰。

Crony 1:.Crazy old Maurice. He's always good for a laugh!

老头1：莫利斯这个老疯子，他总是惹人笑话。

At our company if you cross him he'll fire you right away.

在我们公司，如果你惹到他，他立马就开除你。

At our company if you cross him he will fire you right away.

在我们公司如果你惹了老板，他会立刻把你炒了。

26Lt;2%26gt;At our company if you cross him he will fire you right away.

在我们公司假如你惹了老板，他会马上把你炒了。

People who know me well know I am not easy to be crossed.

认识我的人都知道我不是个很好惹的。

Fun -- do not offend cube sugar get round flows on the network.

Fun——别惹方糖》在网络上流传开来。

This can be taken as evidence that they are soft and cuddly and don't want to actually drive Detroit out of business.

这可以作为证据，证明他们是软的，不想惹人，其实驾驶底特律出业务。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。