惟妙惟肖

The brand to appeal to international trends,while specifically has created anumber of European mixes of fashion;design amore lifelike,South Korea Bassie willing to work with colleagues in all walks of life to join hands together to build anew realm of clothing,flying life style.

该品牌在吸纳国际潮流的同时，特地创新了一些欧洲流行服饰的搭配，设计得更加惟妙惟肖，韩国Bassie愿与各界同仁携手共同打造服装新境界，飞扬生活的风采。

The entire movie puppy part is the honorable person dubs, lifelike, lovable extremely

整部电影小狗对话部分是真人配音，惟妙惟肖，非常的可爱！

Now there is someone who has been supping too deeply from the cup of governmental control in Beijing.

现在，英国政府也有人学北京的政府控制腔调和手段，而且学得惟妙惟肖。

When we try to repress awareness of anything, we activate a mind imp that zeroes in on every memory, every sense impression, every experience related to the forbidden subject.

它具有一个简直惟妙惟肖的缩写：imp英文中也有&小鬼&的含义）当人们试图抑制住对任何一样事情的觉察，我们就会激活一个思维&小鬼&。

The Aphrodite of Milos is made of marble and represents vividly the goddess Aphrodite.

&米洛的阿芙洛狄特&是由大理石制成的，惟妙惟肖地刻画了女神阿芙洛狄特。

Venus de Milos The Aphrodite of Melos is made of[1] marble and represents vivdly the goddess Aphrodite.

&米洛的阿芙洛狄特&是由大理石制成的，惟妙惟肖地刻画了女神阿芙洛狄特。

Venus de Milos The Aphrodite of Melos is made of[1] marble and represents vivdly the goddess Aphrodite.

米洛的维纳斯&米洛的阿芙洛狄特&是由大理石制成的，惟妙惟肖地刻画了女神阿芙洛狄特。

Milos , VenusThe Aphrodite of Melos is made of[1] marble and represents vivdly the goddess Aphrodite.

&米洛的阿芙洛狄特&是由大理石制成的，惟妙惟肖地刻画了女神阿芙洛狄特。

Milos , Venus Milos , VenusThe Aphrodite of Melos is made of[1] marble and represents vivdly the goddess Aphrodite.

&米洛的阿芙洛狄特&是由大理石制成的，惟妙惟肖地刻画了女神阿芙洛狄特。

He mimicked his uncle's voice and gestures perfectly.

他把叔叔的声音和姿态模仿得惟妙惟肖。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。