情感的

Xu forged his art of writing prose by seekin g creation of three forms of beauty: graceful beauty which harmorizes, comforts and delights, magnifiscent beauty which stirs a feeling of ascending, tragic beauty which inspires, stimulates, tempers and elevates man with sorrow, sympathy, respect and extolment.

他把三种美感形态的创造作为散文重要的艺术追求：柔美，能让人感到和谐、情意缠绵及轻松愉快；壮美，能引起人一种奋发向上的情感；悲壮美，能使人在沉痛、怜悯、崇敬和赞美等精神反应中得到美好情感的激励、振奋、陶冶和提高。

Langer's emotion theory and exploration to humanity spirit greatly elevate the value of humanity emotion.

朗格的情感理论和她对人类心灵的探索，极大地提升了人的品位和人类情感的价值。

Tolstoy discussed that feeling is the nature of art from the perspectives of sincerity, infection and religiousness.

托尔斯泰主要从情感的真挚性、感染性和宗教性等方面探讨情感作为艺术的本质，也谈到了他对艺术形式的要求和对未来艺术的设想。

dance is an art, it is a kind of emotional communication, and self feelings of rendering, can the body language of the spirit world level.

舞蹈是一门艺术，它是一种情感交流的方式，也是自我情感的渲染，能用身体语言把人物的精神世界有层次的展现出来。

Chapter 4: Rationalism. It will explore the aesthetic feeling connotation in his poems of mystical excursion. The concrete contents are as following: exceeding the poems of mystical excursion of Qin and Han dynasties spiritedly; longing for living contention and rationally grasping life's value.

第四章 理性精神这部分主要是对曹操游仙诗审美情感的探讨，从三个方面分析了其情感蕴含，即对秦汉游仙诗的精神超越，对生命自足的潜在渴望，以及对生命价值的理性把握。

In the suitableness or unsuitableness, in the proportion or disproportion which the affection seems to bear to the cause or object which excites it, consists the propriety or impropriety, the decency or ungracefulness of the consequent action.

情感给激发出情感的原因、对象产生出的适当性、不适当性，成比例性、不成比例性，包含了正确性或不正确性，结果的得体性或不得体性。

The novel shows the rich and complex emotions,and some of them take the main positions,which are: sorrowness,unrestrainedness and resentment.

由此推及，一部文学作品只有充满了浓郁的情感，它才真正具备了打动人心的力量。而情感的来源就是作者。

What you said is so good. Everyone has emotions, but there are thousands of ways to express emotions, which depend on the thickness of true feelings and the superficialness of falsity.

朱健甫：你说得太好了，情感这东西人人都有，而情感的表达却是千千万万，取决于真情的厚积与虚假的浅浮。

The strong bent of nature is seen in the proportion which this topic of personal relations usurps in the conversation of society.

关于私人情感的话题在社交谈话中占据了相当的比例，人性对情感的强烈倾向由此可见一斑。

The humanities spirit is the spirit that is a person, be the spirit that people make track for and guard above-mentioned value and the humanities emotion actively, be people to the value and the humanities emotion of self-conscious.

人文精神就是做人的精神，就是人们主动地去追寻和守护上述价值观和人文情感的精神，就是人们对价值观和人文情感的自觉。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。