情感的

We propose that convergence occurs through cognitive, affective, and behavioral mechanisms, including social influence, anthropomorphization, personalization, affect transfer, and behavioral sensemaking.

我们通过考察具有下属—管理者角色关系的下属的认同与下属的组织认同如何趋于一致来说明我们的论点，我们认为趋同是通过认知的，情感的和行为的机制发生，包括社会影响，人格化，个性化，影响的转移和行为的释意。

A lot of frustrated scholars join it in painting, fond of the black, it is black-and-white two colors to sort out the nature rich in variety maximally, displaying limitlessly abundant multifarious world with " dividing the five colors blackly", it is refined to look at black, it is vulgar to regard color as, indulge in water to be black, is it forget colorful color world, one infringement human vision physiology and special feeling, to the black special phenomenon, can be with the application, assurance , controlling with very flexible need of the subject emotion, there is strong symbol that means with strong eastern artistic characteristics.

许多失意文人参于绘画，喜好墨色，把万紫千红的自然界最大限度的归类为黑白两色，以"墨分五彩"表现无限丰富的万千世界，视墨为雅，视色为俗，沉溺水墨，忘记了五彩缤纷的色彩世界，是一种违反人类视觉生理而专情于墨色的特殊现象，墨色的应用可以随着主体情感的需要非常灵活的把握、控制，具有强烈的象征意味与浓郁的东方艺术特色。

Through the comparison over the space between history and reality, emphasizes on releasing the limitation of some cultural factors in existent cogitate style such as obsolete knowledge structure, confused value concept and outdated cogitate method, to seek efficacious culture ways and forms of changing the existent cogitate style for example, creativity in knowledge, broaden in cogitate horizon, set up of the reasonable senses and the curing of establishing emotions and so on.

通过历史与现实的跨时空比较，着重揭示了现存思维方式中知识结构陈旧、价值观念混乱和思维方法落后等一些文化要素的局限性，并在一些非理性实践活动和传统思维方式中，探寻现存思维方式产生局限性的根本原因，从而找到一条变革现存思维方式的有效的文化途径与方式，比如知识的创新、思维眼界的扩宽、合理价值观念的确立和建立情感的养成等等。

Music is a bridge of communication between human souls is the crystallization of love and friendship is through feelings of autumn is the leaves on the root of the complex is a birdie on the blue sky of the longing, the pursuit of a stream of the sea ...... music to the people's happiness and well-being of life, so that the soul can make a good and healthy emotional up moisture.

音乐是人与人心灵沟通的桥梁，是爱与友谊的结晶，是走过秋季的感情，是绿叶对根的情意，是小鸟对蓝天的向往，是小溪对大海的追求……音乐给了人一生的快乐和幸福，这样，使人的心灵可以因得到美好情感的滋润而健康起来。

After analysing others' research results, the dissertation systematically reveals the basic learning style elements, including physiological, psychological (cognitive, affective, and conative), and social elcments, then introduces their relative measuring instruments and methods.

在分析了前人有关学习风格要素的研究后，本文对学习风格的基本要素作了较为系统的归纳，包括生理的、心理的（认知的、情感的和意动的）和社会的三个层面五大部分，并介绍了有关的测试工具和测试方法。

About the aspect of the speaker , the thesis begins with the expression style due to the sexual distinction and finds the particular discourse style:murmuring. About the aspect of expression content, the thesis sums up 3 main themes , that is , the carding of matrilineal descent and new regards of the mother-daughter-relation; the complex of the electra and murdering of ones father; the bold expression of the homosexuality. About the receiver , the thesis , from the angles of the reception under femalevision , male vision and bisexual vision , finds all the 3 visions have a reception with positive and negative views toward the female novels , then the particular literatural value of the female novels , though there also exists some limitation in the creation.

表达者这方面，本文主要从性别意识使然的女性话语的表达形式入手，发现其特殊的话浯形式——独语；表达内容方面，本文归纳出几大主题，即对于母亲谱系的梳理和母女关系的重新言况，恋父和杀父情结，杀夫情结，同性情感的大胆表达；接受者方面，本文从女性视野、男性视野及两性视野下的社会接受几个角度发现其对女性小说皆存在着正反两种观点的接受，从而发现女性小说既有其独特的文学价值所在，当然也还存在着创作上的一些局限。

The sea was roaring hollowly in the distance , the fields were bare and sere , scarfed with golden rod , the brook valley below Green Gables overflowed with asters of ethereal purple , and the Lake of Shining Waters was blue-blue-blue not the changeful blue of spring , nor the pale azure of summer , but a clear , steadfast , serene blue , as if the water were past all moods and tenses of emotion and had settled down to a tranquility unbroken by fickle dreams .

大海在远处咆哮空洞，田野裸露和水生植物，与戈尔登勒德斜切，下面格林盖布尔布鲁克瓦利洋溢着空灵紫菀的紫色，以及夏宁沃特斯湖是蓝色的，蓝色的蓝色；不是多变蓝春，夏季也不是蔚蓝的苍白，而是一个明确的，坚定，平静的蓝色，因为如果水是过去的一切情绪和情感的时态，并定居下来到安宁由善变梦想从未间断。

While West's contemporary John Steinbeck may have held an equally dour view of the purported American Dream—the belief that anyone could rise in social and economic standing—Steinbeck's writing is peopled with compassionate characters, such as the Joad family in The Grapes of Wrath, who provide emotional hope in a time of economic scarcity.

虽然西方的当代斯坦贝克可能已经举行了一次同样严厉鉴于所谓美国梦，相信任何人都可以引起的社会和经济地位，斯坦贝克的写作是，这里的富于同情心的字符，如Joad家庭在愤怒的葡萄，谁提供情感的希望的时候，经济匮乏。

Hong Hao's own peculiar experience that is sensitive and sharp, should be put into attention, as well as his reflectiveness and critical spirit. He has not only recorded the spiritual and sensational history, but also demonstrated the cultural characteristics of this epoch with a new point of view and way.

艺术家的敏感、锐利和积淀的独特而奇异的经验，他的反思和批判精神是值得关注的，他不仅为时代记录了精神的和情感的历史，更在于用一种新的视觉观念和方式表现了时代的文化特征。

These three are among his greatest:"La Ronde"(1950), a delicately sweet and sour roundelay of chance meetings, secret trysts, hopeless courtships and cuckolded lovers;"Le Plaisir"(1952), a trilogy of romantic tales told with a mix of sweet generosity and a wistful sense of regret; and "The Earrings of Madame de ...", a melancholy waltz of romantic tragedy where the irrationality of emotion shatters the social illusion of perfection and breaks the rules of the game.

这三部是他最伟大的作品："La Ronde"（1950），一段偶尔相遇，优美酸甜的圆舞曲，进而私下幽会，却是无望的恋爱期，结果给情人戴了绿帽子； Le Plaisir"(1952)，浪漫情怀三部曲，甜蜜的慷慨、后悔的惆怅，让我们心里不知道是滋味；伯爵夫人的耳环"讲述了一段悲伤的华尔兹，罗曼蒂克式的悲剧，这里情感的不合理性粉碎了社会至善至美的假象，打破了游戏的规则。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。