情感的

In Forever Sweet , Sun Guojuan becomes more direct. She covers her body with white sugar, symbolising sweetness, and takes photographs in the style of classical portraits, suggesting quietness and sorrow, self-compassion and pain, so as to express middle-aged women's nostalgia for their fading beauty and sweet emotions, but also to question esthetic criteria decreed by men, always for the sole purpose of consuming feminine beauty.

永远甜蜜》孙国娟更为直接地将象征甜蜜的白糖涂满自己的身体，拍成类似古典肖像的照片，沉静而忧伤，自怜而悲哀，表达出中年女性对正在逝去的年轻容貌和甜蜜情感的怀恋，对依然以消费女性美丽为主导的男性化审美的质疑。

For this series, entitled "Erosion", Sun Furong talked about the enjoyment she gained from the process of making the clothes and the catharsis she then reached from using the very same scissors to tear the clothes. This self-creating, self-destroying process reveals the truths that the artist has perceived about life.

以"蚕食"为名的这个系列作品，孙芙蓉谈到自己在制作衣服过程中体会到的劳作的快感，以及之后用同样是创作这些衣服的剪刀来绞破衣服时情感的宣泄，在这自生自灭的过程中流露出作者对生活所感受到的真实。

Besides, this thesis considers that James's sense of non-identity and crisis can be regarded as his modern feelings and they roots in his troublous times and his self-exiled life as an artist.

本文认为詹姆斯的身份缺失和危机意识可以被看作是詹姆斯的现代情感的体现，它主要源于作者所处于的变动不居的时代和自我流放的艺术家生活。

At this point, bounce my melodious tweedle, fiddle with my emotional guitar, so I became an illusion wizard, Chequ white wings, to weave the love of you looking forward to the sprinkling, soothing played - you have to me a timeless legend.

此时，弹起我悠扬的琴声，拨弄我情感的吉他，于是，我变成一个幻化的精灵，扯去洁白的羽翼，把织成的情网洒向翘首期盼的你，天籁之音奏响——你成了我一个永恒的传说。

Modern neuroscience has taken many directions, and this survey will not attempt to look at all of them. Instead, it will concentrate on four areas that may shed light on individual identity: the study of the emotions; the nature of memory; the ways that brains interact with each other; and the vexed question of what, exactly, consciouness is.

现代神经科学有很多研究方向，并且这种调查研究不会兼顾到所有的方向，所以我们只专注于四个可能阐明个体特性的研究领域：情感的的研究；记忆的本质；大脑之间的交流方法以及让人头疼的意识是什么这四个研究领域。

Emerson rejected both the formal religion of the churches and the Deistic philosophy; instead he based his religion on an intuitive belief in an ultimate unity, which he called the "over-soul." Emerson and other Transcendentalists believed that there should be an emotional communication between an individual soul and the universal "over-soul," since the over-soul is an alt-pervading power from which all things come from and of which all are a part.

爱默生双方正式拒绝了教会和宗教哲学的自然神论；而根据他的宗教，他就直觉的信念最终统一，这是他所谓的&超灵&爱默生等transcendentalists相信应该有一个个人心灵的沟通和情感的普遍性&过于灵魂&由于过度低价竞标灵魂-溥权力来自于所有事情，都是其中的一部分。

Since mankind are first the people make the printing of inside emotion the vestige the manual labor to stay on the stone wall of the solute hole and afterwards of the mud mold, different from emergence that technical skill adapt to the different people according to the every kind of style, mode, norm, historied to art true meaning of comprehension of the tradition's material with explain.

自人类先民把劳作中情感的印迹留在了溶洞石壁以及后来的泥土捏塑上以来，传统的材料和技艺相依存，历史上各种风格、样式、规范的出现适应了不同的人们对艺术真谛的不同理解和诠释。

And express the content to the other members. Other members guess it, one successful guess gets one mark. Member expressing the motion written on the paper using nonvocal language is not allowed to make any noise.

我们来做一个无声语言和有声语言的游戏，我的手中有些写有表示情感的词语的纸片，我将大家分成两大组，每组派一个代表上台，分别用语言提示和动作提示的方式表达纸片上的内容，其他组员猜测，猜对一个得一分。

Dialectically speaking, it could be generalized into five "harmonization", which is defines as the harmonization of moral logos and spirit geist, internality and externality, group benefit and individual sacrifice, social rifeness and individual independence and the harmonization of stability and variability.

以辩证的视角看，道德情感的特征可概括为五个&统一&即道德理性与心灵感性的统一，内蕴性与外显性的统一，群体功利性与个人牺牲性的统一，社会普遍性与个人独特性的统一，稳定性与变易性的统一。

There is every practical advice given to deal with the racial, mental-emotional, social, cultural and economic aspects of illness therapeutically.

这是一个实用的，针对种族的、智力——情感的、社会的、文化的和经济的方面疾患的方法。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。