情感的

The second phase is from 1935 to 1936. During this period, Li Jianwu contributed to his first master of piece,"Ju Hua Volume". At the same time, he usually actively took part in the literary group named as "Jing Group". Therefore, he was regarded as the chief of delegates. Basically Li Jianwu holds the literary view of "Jing Group". For instance, he emphasizes the literary consciousness and aesthetic nature; he highlights the harmoniousness of writing and continency of author's sensibility. These are also reflected in the comparison between "Flaubert Comment Biography" and "Ju Hua Volume".

第二阶段从1935年到1936年，李健吾贡献出其批评的第一束奇葩--《咀华集》，这一时期李健吾基本上活跃在"京派"文人圈子中，因而一般被视为"京派"批评的首席代表，从《福楼拜评传》和《咀华集》的对照阅读中亦可以看出李健吾基本上持有"京派"文学观，比如说强调文学的自觉与审美性，强调作品的"和谐"与作家情感的"节制"。

Interior Design: A Survey,Corky,Binggeli Get a comprehensive introduction to the profession of interior design. Today s interior designer is a...

追查到"室内设计"这个称呼的来源，Interior design 是个有趣的表达，它可以理解为"基于情绪上的、内部的、情感的、细腻的设计"，是以人的内部情绪表现作为界定。。。

In addressing the system he is struggling against, Chia Hua dexterously seeks to deconstruct it.

在他展出的作品，一反过去的那大幅以他内在稳健所作情感的发泄挥洒升华到一种「画到无声」的境界，初看似某种特定流派形式，细读之后，发现那只是他经历中得一种「现象」的「对象」，正是他所对抗的体制。

It showed a kind of thought that was ponderous and helpless from the wide representation of people and things in the world, presented a kind of environment that was refreshing, quiet and so far away from the description of the distinguished spirit of ghost in the other world, the dwindling spirit character and effeminacy from the description of existence state, thoughts and feelings of the famous people and knowledgable people.

作品从对尘世人情世态的广泛展示中，透露出沉重无奈的思想意绪；从对异域世界花妖狐魅灵秀不俗的生命内核的抒写中，呈现出清幽飘渺的情调氛围；从对世间名士生存状态和思想情感的描绘中，表现出他们精神气质的萎缩与柔弱。

Based on site character, genius loci distills human minds and sentiments from which the site owns.

场所精神，则是根植于场地自然特征之上的，对其包含及可能包含的人文思想与情感的提取与注入，是一个时间与空间、与自然、世与历史纠缠在一起的，留有着人的思想、情烙印的"心理化地图"。

In well filled-Out Figure, Mo Yan has kept his historical scene and fallen heir to the national psychology of worship of maternity, warm and quiet maternity are described in the history of fierce wars and horrification of death to express the eagerness for maternal feelings in his

莫言继续游走于历史场景之中，在《丰乳肥臀》里，他传承了民族的母神崇拜心理，在烽火连天的战争背景下、在充满死亡气息的阴冷恐怖的历史之中安置了一个温暖祥和的女性世界，表达了内心深处对母性情感的渴求。

With Caccini's abilities as a singer, instrumentalist, and composer added to the mix of intellects and talents, the Camerata developed the concept of monody —an emotionally affective solo vocal line, accompanied by relatively simple chordal harmony on one or more instruments—which was a revolutionary departure from the polyphonic practice of the late Renaissance.

作为一名歌手，乐器卡奇尼的能力，和作曲家增加了智力和人才结构，在萨尔斯堡发展了 monody 概念，情绪情感的独唱歌手的，相对简单的一个或多个文书，这是一个弦和谐的陪同下革命背离了文艺复兴晚期和弦的做法。

Its rich color, bright lightness and the characteristic of rareness meets the demand of human beings' desire, which becomes sustenance of personal emotional and the symbol of expressing oneself.

他们丰富的色彩、璀璨的的光芒以及珍贵稀有的特质满足了世人的种种热望，成为个人情感的寄托、表达自我的标志。

The study, led by UC Irvine psychologist Roxane Cohen Silver, looked at the relationship between immediate expression after a traumatic event and mental and physical well-being over time among a nationally representative sample. Study participants were questioned following the terrorist attacks of Sept.

这项以加州大学欧文分校心理学家Roxane Cohen Silver 为首的课题小组，以一项全国性的代表样本，来研究创伤性事件后情感的立即表达与长期随诊所观察的精神和肉体的健康之间的关系。2001年9月11日恐怖袭击后的亲历者，在此研究中接受质询。

Wei tang's acting is very good the way she plays the character is of femme fatale and is full of the subtle emotions lots of side glances and meaningful stares that of the era of silent films i just wished she conveyed more range in her character when she wasn't playing the part of the seductress.

唐伟代理很好的方式，她扮演的性质是蛇蝎美人，是情感的微妙侧了一下眼色，许多有意义的目光充满了i的无声电影时代，只是希望她转达她的性格更加广泛，她绿帽'吨扮演了勾引的一部分。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。