情感的

There has even appeared a so-called "zero-emotion" and muckraking attitude, which has its own reason for existence but a perverse negative effect.

在近20年的历史题材小说创作中，还出现了所谓&零度情感&的叙述姿态和对大量丑恶社会现象的描写。这类文学现象的出现，既有其合理性，但也必须注意到它可能带来的负面效应。

Seems Winehouse, who was reportedly hospitalized last week for pain related to her oversized breast implants, informed her recidivist former spouse about the change in her affections and nixed plans for him to move into her new digs in her old London stomping grounds of Camden.

豪斯上周据说住院了，因为超大的乳房植入物引起的疼痛，并告诉她的惯犯前配偶，有关她情感的变化。

Historical Ode refers to the poesies in which the poets express their emotions and remarks on their contemporary matters through directly paying attribute to historical themes. Being a unique school, Historical Ode differs itself from Allusion in its history-orientation.

在题材的选择和表现手法上，咏史诗和咏怀诗、怀古诗有某些相似之处，但也存在明显的区别：咏史诗以吟咏对象和主观情感的寄寓方式区别于咏怀诗，以触发吟咏的依托点区别于怀古诗。

In some ways it may be Mr. von Trier's most emotionally exposed film, one in which he relinquishes his formal mastery and habits of control to enter uncharted and uncensored territory.

某方面而言可能是冯提尔流露最多情感的一部电影，他扬弃正规的制作方式和控制的习惯，进入前所未知，百无禁忌的领域。

The Hungarian Rhapsodies occupied an important position in Liszt's piano works, which representative the composer's inner deep national feeling. The works showed the good example of combined composition technique and performance skill and created after the composer's splendid performance career.

内容提要：《匈牙利狂想曲》在李斯特钢琴音乐创作中占有重要的地位，是作者在经历了辉煌演奏生涯后创作的一套体现其作曲技法和演奏技巧相结合，又凝聚其内心深深的民族情感的钢琴作品。

Then it breeds in its votaries affections and exaggerations, as it did with the Brahmins in the time of the decadence of Indian civilisation, when the perception of the higher truth fell away and superstitions grew up unchecked.

正如印度文明衰落时期的婆罗门教，它被无限夸大，成了反人类情感的温床，那个时期的人们渐渐丧失了对真理的追求，封建迷信乘虚而入。

Acrobatics is also a performing arts, actors, also create a certain role, but it did not focus on the performance of dance, character emotional development process in general does not have the plot events, but through the very difficult skill performance, showing a broad and courage, perseverance, wisdom, strength of character.

杂技也是一种表演艺术，演员也塑造一定的角色，但是它不像舞蹈那样着重表现人物情感的发展过程，一般不具有情节事件，而是通过高难度的技巧表演，表现出一种概括性的勇敢、坚毅、智慧的品格力量。

Among these schools are the tradition of practical reason extending from Aristotle through Kant to Habermas , which asserts that they can, and the tradition of emotivism , which maintains that they are merely expression_rs of emotions and have no rational content.

这些学派中一种是从亚里士多德开始，经康德再到哈贝马斯的实践理性传统——他们声称规范性陈述的理性论辩是可能的，还有一种是情绪主义传统——他们坚持认为那些仅仅是情感的表达而没有任何理性内容。

And even then, on the rare occasions when something opens within, and the music enters, what we mainly hear, or hear corroborated, are personal, private, vanishing evocations

即使难得有打开了心扉、让音乐流人心田的时候，我们主要所听的，或者说听而有所共鸣的，也无非是些能勾起个人心底行将消逝的情感的东西。

As most of her colleagues, she does figurative oil painting, although the subject of her works looks a bit more intimist.

fish比她的几个朋友看上去更熟悉这里的环境，但是一些小细节依然表明她的工作室还没完工。fish创作油画，从她作品的主题看她更像个描写个人情感的画家。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。