情感的

The limbic association area integrates information relating to affect, motivation, and emotion.

额叶区域显然是涉及有关运动输出更高的作用，但颞的枕骨壁联动是涉及口说与书写语言的作用，边缘的联动区域整合关于情感的讯息。

This directly contrasts with behaviorism which neglects human thoughts and emotions and focuses only on observable behavior.

这与只注重可观测到的行为而忽略人的思想和情感的行为主义形成了鲜明的对比。

The historical background, Brahms' personal experience and disposition all play an important role in the formation of this introspective style.

他所处的时代背景、个人经历及性格特点对他的歌曲中的内省情感的形成有着重要的影响

In the change of the distance of voice between the author's and the character's, it is found that the author hides himself from the text and changes his feelings to the character, which is the motive force of the story.

从作者与作品人物的声音距离的变化中，发现了作者的隐退及其情感的转变，并探索到其推动故事发展的动力性因素。

The quotation suggesting that emotional detachment and planning ("cold blooded") are best for taking revenge.

该句子的意思是说，不带任何情感的，及有计划的对复仇来说是最好的。

There is a mutual communion of delight between God's Israel and Israel's God.

以色列的上帝与祂所拣选的民之间，有一种相互的沟通与情感的交流。

Dependance is the inevitable corollary and not something to be shed as possible but the expression of strong family bonds of affection.

依赖是不可避免的自然结果。它不可能是那些可能被舍弃的东西，而是联结伟大亲情的一种情感的表达。

DEATH** This dream's analysis depends on the emotional content -- if you awoke with a dreadful sense of real death, it could be a true death-dream and you have sensed someone's passing.

死亡。对这个梦境的分析取决与情感的内容--如果你被真正死亡的可怕感觉惊醒的话，这可能真的是一个死亡的梦，你已经感觉到了某些人的去世。

Emotionalism and introspection to extrapolation were two important characteristics of pre-Qin Dynasties Confucians' Thought.

对源于亲情的真实情感的极端重视和通过对道德原则的不断切身反省从而得到落实是先秦儒家思想的两大特色。

Ethics is an essential factor in literature aesthetic characteristics. Both literature and ethics are rooted in social life. Ethics embodied in literature is the need of both human beings and the society. Literature is the "emotionalization" of ethics, and ethics is the content of emotion.

认为道德关怀是文学审美品格中不可缺少的因素，文学与道德以社会生活为基础；文学表现道德是人类自身和社会的需要；文学描写生活离不开表现道德，文学是道德的"情化"，道德是情感的内容。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。