情感的

That is to say, the research should aim at the study of English LDs affective characteristics.

第二部分概述了情感的概念、类型，情感与认知的关系，情感在英语学习中的作用。

Daniel Goleman explains in his book "Emotional Intelligence" that rapport "stems from emotional attunement, from the capacity for empathy."

Daniel Goleman在他的《情感智能》一书中解释，和谐"来自于情感的协调，来自于沟通情感的能力"。

Certe, quidem do not have the brevity and the harmony of the Spanish, Italian, and Portuguese si and the French si , when the latter substitutes for oui in the most expressive sentences; si in singing, a musical note, an arpeggio of the flute, a bird's trill, noble and good for melody, for rhythm, for dreaming, for love: more for the protest and impetus, for the paroxysm, for wrath, for anathema, for dry fulminating hate, like the scratching of a ray of light, the no is far better, the rude, bitter O vast, like a roar, round and ardent like a chaos producer of life through the conflagration of all the forces of the abyss.

拉丁语中的肯定回答"Certe quidem"不如西班牙语、义大利语、葡萄牙语和法语中的肯定回答"si"那麼简洁和谐。法语中的"si"在最富有情感的情况下取代了"oui"，表示"是的"。"si"在音乐中是音符"7"，是长笛的琶音，乌的颤音，极适用於美妙的音乐、韵律、梦幻和爱情的表达。而要表达抗议、冲动、情感的突然发作、愤怒、诅咒、憎恨这一类像划火柴点火那样瞬间爆发的情感，否定回答"No"要比肯定回答适用得多。"No"中的"o"粗鲁、嘹亮、热烈，像怒吼，像给世界造成大乱的深藏在地底下的雷霆万钧之力突然爆发。

The combination of morality and feeling makes of moral feeling, which is the hinge on the moral development.

道德与情感的结合，生成了道德情感。

One who can control own affections is own master,one who was controled by affections is the slaver of them.

能控制自己情感的人才是自己的主人，受情感支配的人是情感的奴隶。

The more an affect arises from a number of causes concurring together, the greater it is.

同时凑合起来以激起一个情感的原因愈多，则这个情感将必愈大。

Rothbard and Wilk wanted to advance other researchers' findings on forms of "emotional contagion"-- occasions when one person's mood influences another's "through a process of observation, mimicry, and synchronization."

Rothbard和Wilk想知道其他研究员在情感蔓延方式方面的发现－－通过一系列的观察、模拟和同步，一个人的情感影响其他人的情感的场合。

But it was not confined to this sphere, and permeated just as strongly his theories of motivation, action, and morality. In a famous sentence in the Treatise, Hume circumscribes reason's role in the production of action: Reason is, and ought only to be the slave of the passions, and can never pretend to any other office than to serve and obey them.

但是还不限于这个领域，这种思想同样明显地渗透在他的动机、行动和道德理论中，在《人性论》的著名表述中，休谟限制了理性在导致行动中的作用：理性是而且应该仅仅是情感的奴隶，除了为情感服务并服从情感之外，不能佯装任何其他东西。

In brief, Cao Xueqin proffers a canon: a writer can intrude into his works and "tell" emotion, in which, however, he should bring us to believe that every emotion word for telling is arranged rationally, and able to express the uniqueness or the universality of emotion.

总之，曹雪芹为我们提供了这样的典范：作家可以闯入作品，情感可以讲述，只是，他必须使我们相信，每一个情感讲述语词的运用都是经过合理安排的，都能充分地表现情感的独特性或普遍性。

Authentic emotion and artistic conception are safeguard of improving Erhu aret charm.

为了实现二胡演奏艺术中技术与情感的统一，首先要熟练掌握二胡的演奏技术，这是准确表现乐曲情感内涵的基础；其次要博采姐妹演奏艺术众长，以服务不同地域乐曲的风格；再次要深刻领悟乐曲内在情感，以实现提升二胡演奏的艺术魅力。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。