情感地

The result showed that students with good interpersonal relationship use question Solution, emotion expression, and help-seeking most frequently as emotional regulation strategy. While in the student group of poor interpersonal relationship, the only most frequently used emotional regulation strategy was emotional abreaction.

结果发现：受欢迎的学生能多样化地使用问题解决、情绪表露、情感求助等多种情绪调节方式；被拒绝的学生的情绪调节方式单一，对情绪发泄这种消极的情绪调节方式使用最多。

Standard' can never be 'interesting', nor 'thought-provoking', because what the standard tries to establish is a conclusion about value orientation. There's nothing could be discussed, nor any emotion or intelligence be raised. One should accept everything simply and absorbedly without any doubts if he wants to pursue the standard.

"标准的"肯定不是"有趣的"，因而也一定不是"耐人寻味的"，因为标准企图树立的就是价值取向方面的定论，没有什么可以商量的余地，也不应该令人产生太多情感和智力波动，想追求标准，就应该把所有怀疑抛开，一心一意、简简单单地学会接受。

Mr. Harris, more than matching his tumultuous performance in ''Pollock,'' creates a wrenching, incendiary portrait of a man ravaged with illness, who thrashes with rage and bitterness, his emotions burning out of control like a torched oil slick on a contaminated lake.

诗人病魔缠身，一点点地被吞噬。暴怒，痛苦抽打着他，内心的情感猛烈地燃烧最终难以自制，犹如污染的湖面上漂浮的一层油膜。本片中Harris的演出远胜于他在''Pollock''一片里喧闹的表演。

Watson, always a standout as Hermione, has become a breathtaking screen presence in her own right, and she no longer relies upon her eyebrows and scrunched forehead to help in getting her emotions across.

沃森一如既往地出色地扮演了赫敏，凭借自身能力完成了惊人的银幕表演，而且她不再依靠她的眉毛和皱起前额来帮助她表现强烈的情感了。

You're comfortable sniffling and dabbing at your eyes during a sad movie (or a commercial, for that matter) and rather - no, extremely - proud of your ability to sense what's wrong with a loved one before they even realize it themselves.

在看完一部悲情的影片后能酣畅淋漓地大哭一场会让你觉得很舒服。你还会为自己能敏锐地感觉到爱人情感的变化而骄傲。那么，最让你怒不可遏的事就是有人告诉说你&感情过于丰富&了。

You're comfortable sniffling and dabbing at your eyes during a sad movie (or a commercial, for that matter) and rather— no, extremely — proud of your ability to sense what's wrong with a loved one before they even realize it themselves.

在看完一部悲情的影片后能酣畅淋漓地大哭一场会让你觉得很舒服。你还会为自己能敏锐地感觉到爱人情感的变化而骄傲。

The sum impression which one gains of her is of a crystalline transparency, as if she is the sort of woman who can offer a man no companionship but the platonic kind, and her broad, unclouded forehead is expressive of a subtle intelligence; but when, lost in sentimental reverie, she breaks into a sudden smile of happiness, or when, at the sight of someone dear to her, a flush of pleasure suffuses her face and dimples appear on her cheeks, one feels for the first time that it would be possible to love her and that she does indeed deserve to be loved－one realizes, in fact, that she is a woman after all, a woman no different from all the others.

整个地来看她，她似乎是一个水晶，只能给男人精神的安慰，她的明亮的前额表现出深沉的理解；但是当她陷于情感的冥想中，忽然愉快地笑着；当她见着她所爱的，快乐的红晕散布在脸上，两颊的笑涡也显露出来的时节，你才觉得出她是能被人爱的，应当被人爱的，你才知道她到底是一个女人，跟一切年轻的女人一样。

I want to know if you have touched the center of your own sorrow, and if you have been opened by life's betrayals or have become shriveled and closed from fear of further pain.

无风不起浪，那么风又是如何吹来的。是我，是我自己对不对。好想好想不顾一切地把你留下，可我还是控制住了自己的情感，眼睁睁地看着你消失在夜色中。

First of all, Chinese unique geographical surroundings result in cultivation civilization, in which people's living and production were utterly influenced or even controlled by sun and such disasters as floods and droughts caused by sun made our ancestors much more dread and hate the moon. On the contrary, in the view of our ancestors, moon not only is beneficial to the growth of crops, but brings about brightness, coolness and enjoyment, which in turn makes moon much more popular than sun. As a carrier of national emotion, mythology also contributes to the development of "valuing moon above sun"in that the collective unconscious of hating sun but loving moon reflected in mythologies such as "Hou Yi Shot the suns"and "Chang E's fly to moon"easily finds its expression in the course of selecting poetic images. Philosophically,"masculine"and "feminine"are realized in many aspects of social life, but the trinity of sun, monarchy and father, which is identical with "masculine"dominates the political and ethical field while the trinity of moon, mother and daughter, which represents "feminine", plays a leading part in culture and art. So far as poetry is concerned, the image of moon has an overwhelming superiority. Aesthetically speaking, the moon spirit has been embodied in several ways. Moon is both the origin and the summit of such aesthetic standards as softy, sweetness and clearness, so it is reasonable that the image of moon has been regarded as aesthetic object in poetry much more frequently than the image of sun.

中华民族所处的独特的地理环境孕育出了农耕文明，在农业社会中，太阳对人们的生产生活具有绝对的控制与影响，因日而起的水旱灾害更加深了先民对太阳的畏惧与仇恨；而月亮在先民心中，不仅能促进农作物的生长，而且带来了与太阳相反的皎洁、清凉、闲适，所以月亮比太阳受到更多的欢迎；神话是是民族情感的载体，&后羿射日&与&嫦娥奔月&所映射的恨日爱月的集体无意识，在诗歌意象的选取中自然地流露出来，有助于&重月轻日&现象的形成；哲学上的&阴&&阳&范畴在人们社会生活的多个方面均有体现，但与&阳&直接同一的&日—君—父&三位一体控制了政治、伦理领域；而代表&阴&的&月—母—女&则在文化、艺术领域占据了突出地位，具体到诗歌中，则是月亮意象完全压倒日意象；审美上的月神精神，在月亮意象上得到了多方面的反映，月亮既是阴柔美、恬静美、澄澈美等艺术审美准则的来源，也是其最高体现，月亮意象自然比日意象更多地进入诗歌审美领域，成为审美对象。

But, when love achieved wishes, after two people smiled entered the marriage assembly hall happily, when two person's shortcomings successively expose took in everything at a glance, the life flavor likely destroys hundred taste bottles, any taste had, the daily necessities basic kitchen necessities tea's puzzle, estranged you once for a while the emotion, guided your thought differentiation to have the misunderstanding.

但是，当爱情如愿以偿，两个人微笑甜蜜地走进结婚礼堂后，当两个人的缺点先后暴露一览无遗的时候，生活的味道就像打碎的百味瓶，什么滋味都有，柴米油盐酱醋茶的困扰，时不时地离间你们的情感，引导你们的思想分化产生误解。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。