情感地

You'll also want to take note of how all these intense emotional states you meander through so effortlessly are taking a toll on your joie de vivre…that's "joy of life" in French. Just to bring the concept home.

你想记录这些强烈的情感状态，你漫步其中，如此消极，任其给你的生活乐趣带来损失（本处使用法语词，意为&生活乐趣&），你务必要清楚地意识到这些状况。

C Consulting astrologers are careful to avoid manipulation of their client's feelings and emotions.

咨询占星家都小心地避免操纵其客户的情感。

C consulting astrologers are careful to avoid manipulation of their clients feelings and emotions.

咨询占星家都小心地避免操纵其客户的情感。

I may, however, be pardoned for not suppressing the sympathy with which my heart is full in the rich reward he enjoys in the benedictions of a beloved country, gratefully bestowed or exalted talents zealously devoted through a long career to the advancement of its highest interest and happiness .

但是，我也许会得到谅解而不去压制我内心充满的感情，这是在他享受所爱国家之祝福时为他带来回报的情感，被慷慨赋予的或受赞扬的天资热情地投入到一个旨在提高它的最高利益和幸福的漫长事业中。

The results of research on how much knowledge the students acquire and on what listening strategies they often use show that listening strategies,especially the strategies of directed attention,selective attention,self-management,self-evaluation,elaboration,transfer,note-taking,contextualisation,keyword-using and self-talk,often play a major role in students' achievements of listening comprehension.

特别是元认知策略中的集中注意策略、选择注意策略、自我管理策略和自我评价策略，认知策略中的联想策略、迁移策略、简记策略、借助上下文策略和利用关键词策略以及社会情感策略中的自我交谈策略非常明显地影响着非英语专业大学生的英语听力能力。

The 'arrival' of Sisyphus means that he has to employ 'pathetic fallacy' to personify the stone as signifying man's desire and mental burden – the stone lying at the roadside has been changed and elevated to a symbolic level, which incorporates the myth with heroic spirit and becomes the objective equivalent to that of desire, anxiety, and pressure. In essence, the physical features are drowned and from between to express the natural physical features or the ideas, he chooses the latter. This means that there is disjoint between what originally moved him and what he would like to express, but he is acutely aware of it – the 'danger of illustration'. We can see that these series of paintings are finally presented to us, the physical features of the objects still remains and are expressed to some extent. Among them some directly depict the stones in their own part about their pleats and points, desolateness and heaviness; at the meantime, nobody appears in the pictures.

西西弗斯的&到来&，意味着他不得不采用感情误置的方式，将石头进行拟人化的处理，用以指称人的欲望和精神负担——那块路边的石头已经不复它本来的面目，它被提升到一个象征的位置上，与神话和英雄的精神题旨迅速结合在一起，成为人性之中欲望、焦虑、压力等情感的客观对应物，从本质上来说，物自身的特性被淹没了，在表现物的自然特性和表现理念这两者之间，他选择了后者，这意味着，在感动他的最初事实与他要表现的事实之间就有了一种脱节，但他敏感地意识到了这种脱节，这种&图解的危险&，我们可以看到，当这组画最终呈现在我们面前的时候，物的自然特性得到了很大程度的挽留和表现，其中有一些画作直接描绘了岩石本身，它本身的褶皱和棱角、苍凉和沉重，同时，并没有人出现在这样的画面上。

Wukong If you do not give up his most favorite ****, then the cachet of the most lovestruck Zijin will be desperate for love alone, and was forced cattle devil, suffering life or leave this world, but Goku does not know that Zijin most sincere feelings of the most pure, not to live in so that the identity of lost gods Zijin into self-blame in an unhappy marriage.

悟空如果不放弃****，那么最爱他的最纯情最痴情的紫霞将在对爱情的绝望中孤单，并被牛魔王逼婚，痛苦地生活或者离开这个世界，而悟空也不会知道紫霞最真最纯的情感，更不会生活在让失去神仙身份的紫霞走进不幸婚姻的自责中。

Strangely, we do not fairly know it well, especially the specific relationship between affect and IB.

奇怪地是，我们对它并不十分了解，尤其是情感与冲动性购买之间的具体关系。

When we make withdrawals from the emotional Bank Account, we need to apologize and we need to do it sincerely

当我们从情感账户提取存款时我们需要道歉，而且我们要真诚地表示歉意。

On the one hand, it points to the feelings of cultural identity; on the other hand, it mixes the consumption and constr...

它一方面指向身份认同的情感归属，一方面与消费主义混杂一隅，不断地在城市的消费空间中构建某种&视觉拟像&，这一后现代景观现已成为上海新都市文化空间的奇特一景。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。