情感地

Through the poetic analysis of some of his lyrics to Gonne and with the guidance of...

接着文章以文体学理论为指引，具体从叶芝特别用来指代Gonne 的几个象征符号入手进行讨论和规律性总结，并从韵律，重复及措辞三方面对这些抒情诗进行特征分析，让读者更好地理解情感起伏与诗作风格的内在联系，领会叶芝及其给Maud Gonne 抒情诗的独有魅力。

Saint Thomas, Stephen smiling said, whose gorbellied works I enjoy reading in the original, writing of incest from a standpoint different from that of the new Viennese school Mr Magee spoke of, likens it in his wise and curious way to an avarice of the emotions.

341&圣托马斯……&斯蒂芬笑眯眯地说，那部卷帙繁多的书，我是从原文披阅并赞赏的。他是站在不同于马吉先生所提到的新维也纳学派的立场上，来谈乱伦的问题的。他以他持有的睿智而奇待的方法，把乱伦比作在情感方面的贪得无厌。

He entered with her silence a castle, in order to heating, they find intoxicating liquor, ignited炉火, reserved and melancholy seems to be never-Linna charming as it is now, she seems to be drunk, she told Anzheluo : Lauren her husband who was over 60 years of age, she was found in the river was shot in the chest Lauren, as a doctor's daughter in a poor, kind-hearted, she will be brought home Lauren medical treatment, day and night care until rehabilitation, then became his wife, that she was only 17-year-old…… Anzheluo after listening to her story, but only said that one: You have security, I went to Italy to the…… Hucho taimen restraint stung deeply love her heart, she could not help but loudly crying at the moment, embedded in the heart with feelings out: You do not love me…….

他与她闯进了一幢死寂的城堡，为了取暖，他们找出烈酒，点燃炉火，矜持而忧郁的宝琳娜似乎从未像现在这样迷人，她似乎醉了，她告诉安哲罗：她的丈夫罗伦侯爵是六十多岁的人，她是在河边发现胸部中弹的罗伦，作为一个贫穷医生的女儿、心地善良的她，将罗伦带到家中医治，夜以继日地护理直至康复，于是就成了他的妻子，那年她才十七岁……安哲罗听完她的故事，却只是说了一句：你已经安全了，我该回意大利去了……安哲罗克制的爱情深深刺痛她的心，此刻她忍不住大声哭泣，蕴藏在心里的情感併发而出：&你不爱我……&。

With an unfocused visual treatment, artist put actress on semi-transparent, illusional surface just like fading ancient mural paintings; the emotion is intensive, sentimental and fragile.

传统图式中戏子的脂粉红颜和秋波明眸在永恒弥坚的山水之间朦胧动人，紧张、绚丽、刻意的聚焦不清晰、图像化倾向与作品中戏剧化情感的极度张力相结合，贴切、恰当地隐寓古典精神如镜花水月般的憔悴凋零，是经典沦落的伤情挽歌。

In the light of Kant\' s philosophy of reason and symbolism philosophy on culture of his successors-Cassirer and his student Langer, both of which were major representatives of new Kantism, and with an academic framework and logic axis of the interactive relationships between two major literary elements: the reason and the feeling, this paper systemically examines general styles and features of revolutionary war literature of the period 1950-1966so-called the 17-year period after foundation of PRO , its essential laws of the literary text production and commercial circulation as well as the possible controlling mechanism over the literature which may be dominated by the reason.

本文以康德理性哲学及其当代新康德主义的主要代表卡西尔和苏珊·朗格的文化符号哲学为主要理论依据，以理性与情感两大文学创作要素的辩证互作运动关系为学理框架和逻辑主轴，全面系统地考察了建国17年时期的革命战争文学的总体风貌和生产传播规律，在此基础上对制约文学创作的理性因素进行了深刻反思。

The development of "the Belief of Zheng Cheng Gong" in Taiwan society has surpassed the emotions of kindredness, has combined regional consciousness and ethnocentrism; it has become to one of the poplar beliefs in the emigrant society of Taiwan.

&郑成功信仰&在台湾汉人社会中的发展，超越了乡土的情感和地域的观念，统合宗族性、地线性、民族性等，而成为台湾此一移民社会的共同信仰，并因地区而异，尚且发展出相关之祭祀圈或信仰圈。

Analyzing Zhou's statement,"Naturalization of Ethics" as well as "Achievement of Morals," which were supplemented by geographical feelings consisting of "localness" and "foreignness," and probing into his seemingly paradoxical identity, this essay hopes to provide an other reading point and response to the eternal life issue-to accept and refuse whenever and wherever one is.

本文欲藉其「伦理自然化」与「道义事功化」的主张，佐以「在地」与「异域」共构的地缘情感，梳理周作人看似吊诡的认同情结，提供一个或有新意的阅读观点：「儒而近墨的周作人」；并回应：人无论处身任何时空下，此一恒在的，取舍去就的生命议题。

The paper focuses on the theme of nature and childhood as well as its social significance in the 19 th century British Romantic literature.The theme signifies that in a modern society dominated by mechanical civilization,humanity seems inevitably to be metamorphosed materialistically,utilitarianistically,and pragmatistically,and separated altogether from the world of freedom,kind-heartedness,grand imagination,pure curiosity and emotional intensity.

本文着重论述了英国 19世纪浪漫主义文学的自然与童心主题及其深刻的社会历史意义，认为在大机器文明主宰下的现代社会里，人性不可避免地趋向物化、实用主义和功利主义化，丧失了原本在自然状态下充分拥有的自由和善良的意志、崇高的想象力、纯真的好奇心和强烈的情感世界，使人变得封闭、迟钝和缺乏创造力，而这将导致整个人类文明的匮乏与衰退。

The infiltration for the cross-culture into teaching in order to make the content multiplicate and integrated.

本文通过对多元文化与中学音乐教学的关系进行分析和深入研究，将多元文化融入于中学的音乐教学当中，形成一种全新的多元化音乐教学模式，促使中学音乐的教学内容和教学形式多元化、综合化，同时使学生可以更好地通过音乐这个窗口，学习到各个历史时期、国家、民族以及各种形式、风格的音乐，了解相关的文化，从而拓宽视野、感悟生活，并且通过音乐在一形式来体现一种人与人、人与自然、人与社会的和谐关系，体会人类蕴涵于音乐中的情感。

Lizards live longer if they obsessively acquire more food, shelter, and mates, and if they expect predators to jump them at any moment. Sadly, however, reptiles are blind to nondefensive emotions; to the glow of love, the tickle of amusement.

如果过分地获得更多食物、庇护和配偶，如果时刻都期待着有捕食者跳到它们面前，那么蜥蜴就能活得更长；不过，令人悲哀的是，蜥蜴对防御性情感之外是一无所知；如：对爱，令人发笑的一刻。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。