情感地

That might explain why Luo is enchanted by specimen. He staged a scene of a museum that displays the pieces of his memories and mental pictures through the laying out and reconstituting the cross-sections of rocks. The procedures only exist in a momentary flash on the canvas. Though there are similarities between Luo's themes and those of Japanese photographer Sugimoto Hiroshi, Luo's objects are at greater ease than Hiroshi's. This is the reflection of Luo's sentiment, an attitude of self-complacent that elder Chinese literati had.

这也就不难解释罗荃木对于标本的偏好，并将场景直接地自博物陈列中撷取，这拼凑自艺术家记忆或相片的过程正如将摊平剖析过后再度构造出的山石，成为了只存在于画布中某个过去的瞬间；但有趣的是，这些标本都存在着一种自在，这份感觉是无法在杉本博司摄影中看到－这是艺术家自己对于外在世界情感的写照，超然幽淡的生活状态，并可呼应宋时以写生观察自然、寄情自然的文人思维。

By learning how to use your thoughts, feelings and imagination through the dramatic new approach to self-hypnosis presented for the first time in this book, you can become more fully alive—and make your life and yourself what you want them to be.

学习如何使用您的想法，情感和丰富的想象力，通过戏剧性的新方法自我催眠介绍了首次在这本书中，你可以更充分地活着，让你的生活和你，你希望他们得到。

The only indication of sentience from it is it's ability to control its surges, which never seems to actually strike any it would call friend.

唯一能判断出它有情感的依据，就是它能够精准地控制它的电流不去伤害那些它称做朋友的人。

You will see the child practicing both Thinking and Feeling as they settle down into their preferred function.

你会看到他们会反复地操练思考与情感功能，直至在更喜欢的那个功能上安顿下来。

Besides some readers' prurient but natural expectations of what may "happen" to these pretty virgins, what apparently contributed to the sexualization of this "psychological" aspect of the gothic fiction was the narrative conventions of the newly booming "sentimental novel," from which the gothic romance drew heavily in theme and characterization.

某些读者对於这些美貌处女会「发生」什麼事很自然就有些窥淫方面的期待，但促成惊悚叙事其心理层面描写的性色趋向者，当属新近流行的「情感小说」，其主题与角色刻画的成规惊悚传奇叙事也大量地援引挪借。

Johnson, meanwhile explained to Johnson, how Aba the orchestra is simultaneously does catch two completely different age community's affection, because their song already had this kind to suit the young people, to fill likely smart-alecky and naive "Dear" as well as "Dance party Empress", also had is maturer, the extreme resonsideration, the emotion rich song, for example "Victor and "Understood Me for King" To understand You", therefore Klemmer firmly believed that in the Aba orchestra's song itself contained one to be able to attract several generation of person's stories.

约翰逊简要地概述了一下自己的要求，同时还对约翰逊解释了一下，阿巴乐队是如何同时捕获两个完全不同的年龄群体的喜爱的，因为他们的歌既有像这种适合年轻人、充满了俏皮和天真的《亲爱的》以及《舞会皇后》，也有更加成熟、极度反思、情感丰富的歌曲，比如说《胜者为王》和《懂我懂你》，所以克莱默坚持认为，阿巴乐队的歌曲里本身就蕴含了一个能够吸引几代人的故事。

The picture express the emotions among family members vividly with humor, It presents harmony in society, an outstanding snap shot.

评议作品幽默而生动地传达出一家人相互之间的感情，表现了一种社会和谐的美好情感。

As soon as passes through contacts Mo Yan's novel, we are very easy to discover ""the Gaomi northeast township"" this specific hypothesized space has nearly become the writer novel world pronoun, if again the deep level carries on to it inquires, we can discover William Faulkner, Yasunari Kawabata, Garcia de and so on the multitudinous western master's shadow; However accumulates speaking of writer's culture, any writers all not impossible completely to get rid of the native place culture influence which he grows, he inevitably must derive the folk tradition, inherits the most candid narrative spirit; Moreover, the writer own childhood experience had decided he has the unique emotion tendency, and has the profound influence to the writer unique esthetic consciousness way.

一经接触莫言的小说，我们很容易发现"高密东北乡"这一特定的虚拟空间几乎成为了莫言小说世界的代名词，如果再深层次地对其进行探询，福克纳、马尔克斯等众多西方大师的影子将会一一闪现；然而就作家的文化积淀而言，任何作家都不可能完全摆脱生长于斯的本土文化的影响，他必然要汲取民间传统，承继最本真的叙事精神；另外，作家自身的童年经验又决定了其独特的情感倾向，对作家独特的审美知觉方式有着深刻的影响。接下来，论文从叙事学角度对莫言叙事艺术的具体特征进行了归纳与总结。

Delving into the nuanced complexities of attachment and alienation, guilt and loss, with a strange idiosyncratic spareness of style that seemed both modernist and unique to contemporaries, he revisited the subject obsessively.

他以一种既具现代主义特征，又自成一派不拘一格的文风，仔细研究那微妙错综的依恋和疏离、负疚与失落等复杂情感，反复地以爱玛为主题做诗。

We are not deeply aware of ourselves; our thoughts and feelings are stereotyped, automatic.

我们对自己并没有深入地觉察；我们的思维和情感是机械化的，一成不变的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。