情感上的

Xiao Qian pursue the fighting and the sociality in his novel creation, but the melancholy temperament of individual, the tragedy of novel content make Xiao Qian"s novel formed melancholy keynote in whole; lyrics in the art, the psychology distance of create aesthetic, the feelings of writing are controlled and objective, it make his novel write sober; construction the image of poetry and interweave with feeling, symbolism and the poetry of language make Xiao Qian"s novel formed poetry.

指出萧乾在创作中追求小说的社会性、战斗性与艺术性的和谐，由于个体的忧郁气质，小说内容的悲剧性使萧乾小说在整体上形成忧郁的基调；艺术上的抒情写意，创作审美的心理距离的运用，书写的情感节制，让萧乾的小说叙写上冷静客观；诗意意象的塑造，并与情感相交织，象征手法的运用以及语言的诗意质感使其小说具有诗意美。

This paper agrees that emotionalism is significant in the sense of when it explains the idea of Good ,but not the way to explain concepts of Right and Justice.It is necessary to have the concept of Justice defined reasonably

本文承认情感主义在善观念解释上的重大意义，但认为在正当或正义观念上持情感主义是不可取的，为使社会获得某种稳定的基础，一种合理解释的正义观念是必须的。

It was like old times to me, like homely deja vu, to come across a street brawl not far from People's Square, the ceremonial centre of the city – one of those Mediterranean-style brawls that never come to anything either, but erupt and subside, flare and fade, break sporadically into fisticuffs and peter out in rude gestures to the disappointment of all observers, especially me.

她们演奏的是多情的爱尔兰传统音乐，弹奏手法娴熟。但当我站在那儿的时候，才意识到她们的诠释几乎都是程式化的节奏，不再是温柔的舒缓音调，也没有情感上的震撼，就好像她们被毫无感情的内心节拍器控制着一样。

The self-restrained or self-dissipated art transformation has touched a kind of emotional or psychological trueness, such as isolated feelings and self-respected attitude.

而那种自我抑制或自我放纵的艺术转化，触及了一种情感上或者心理上的真实，就像孤绝的情感和自我尊重的态度。

To use an example from Seneca,"very often even the bravest man grows pale as he puts on his armor" On anger 2.3.3 (translated by Sorabji on 96. As Sorabji notes, the concept of the pre-emotion allows Stoics to set aside objections to their intellectualistic theory of emotions: when their opponents contended that the brave man's pallor proves the non-cognitiveness of emotions, Stoics were able to deflect such criticisms on the grounds that such phenomena are but preludes to true emotions.

引用一个塞雷卡的例子：&即使最勇敢的人在穿上盔甲时也会脸色苍白&（《论愤怒》2.3.3，Sorabji翻译，第96页），正如Sorabji指出的，前情感的概念使得斯多葛主义这能够逃避对他们惟智主义情感理论的反驳：当对手提出勇敢的人的恐惧证明了情感的非认识性，斯多葛主义者就能够把这一驳斥转换到一个新的基础上，主张这一现象只是真实情感的前奏。

The great achievement of the socialist construction of the SovietUnion had set up an example for the chinese people;The fighting between the United statesand China had increased the Chinese people's emotional repelment to capitalism;The Partythought that the establishment of socialist ownership is the completion of the transition to so-cialism;The party and Mao Tse-Tung had an unduly serious estimation on the passive in-fluence of the capitalist economy during the period of the national economy's reconstruction;the"pauseless revolution theory"which was laways being advocated by Mao Tse-Tung andsome uncertainties and unmaturations of the New-Democratic Society Theory Were the mainCauses that the Party and Mao Tse-Tung proposed the soclalist transformation.

苏联社会主义建设的巨大成就给中国人民树立了榜样，美国与中国的军事较量，加剧了中国人民对资本主义在情感上的拒斥；党认为社会主义所有制的建立，就是完成了向社会主义的过渡；资本主义经济消极面在国民经济恢复时期的表现，以及党和毛泽东对此的过重估量；毛泽东一贯倡导的&不断革命论&及新民主主义社会理论某些方面的不确定和不完全成熟等因素是党和毛泽东提出社会主义改造的主要原因。

People could see some new features during this period such as images going with events.Part Three probes into the themes and philosophy in Historical Ode. The diversity of poets" ideologies has resulted in complicated themes and intricate philosophy in their works. Generally speaking, themes and philosophy among the poems were expressed in three forms: Chanting in the Wind, that is, the poets give voice to their ambitions and concerns among the words with optimistic attitudes; Bitter of Lofty Ideal Frustrated: poems of this kind usually take up pessimistic themes expressing poets" bitter suffering and their failed ambitions and among these poems signing for the misfortunes of some female has taken a large portion; Detached Stance toward Fame and Wealth: Secluding from the world and seeking political ambitions are two opposing elements in an antimony which have coined the peculiarity of ancient literati.

第三章：咏史诗的主题哲思诗人带着对历史的主观感悟进行咏史诗创作，使咏史诗的主题哲思呈现纷繁复杂的现象，汉魏六朝咏史诗的主题哲思主要有：长啸清风—英雄抱负的乐章：在传统儒学熏陶下形成的历史责任感和积极入世心态往往使文人将其对国家、民族的关怀和对自身建功立业的渴望流露在他们所寄托的文学作品中；世事迪遣—壮志难酬的苦闷：入世受阻后诗人往往从对英雄的追慕转向对不幸人物的同情，悲情主题是咏史诗中较多的一种，表现作者壮志难酬的苦闷和怀才不遇的伤感的形式是多样的，其中又以对不幸女性的吟咏居多，这主要是因为诗人和悲剧女性命运和情感上的类同使然；遗荣守真—无与外物的逸响：遗荣守真的隐逸思想和政治关怀的入世态度作为一组对立面共同构筑古代士人的理想情趣，&仕&与&隐&的抉择冲突作为文人生活中不断上演的主旋律，常常通过咏史诗体现出来。

The vision sensiblilty vocabulory of xiangxi folk raiment pattern are enrich, apperceive folk mind configuration raiment pattern reflect the pattern of folk raiment has particularity meaning, the culture of folk raiment pattern has a long history and renew from Chinese traditional concept and aesthetic. China yinyan taiji philosophical traditional china folk custom.

在此基础上研究湘西少数民族服饰路图案文化的视觉情感语义传达，捕捉民族服饰图案情感语言的独特表达方式，以及通过其造型、色彩、材料等呈现出来的浓烈、粗犷、直白、简朴、纯真等特有的性格，多视点、多视向反映潜在的情感意蕴。

Furthermore, the burals have represented the mental satisfaction reached by the medium of direct psychological imagination.

各种石器体现出原始祖先对形式的美感从单纯的功利意识逐渐向审美层面过度和靠近；而他们的墓葬形式则显示了他们以自己的主观心理想象为媒介而获得的情感上的满足，即在想象中被赋予的生命意味。

The opening voiceover undermines the documentary qualities of the sequence by evoking the colour of objects and furnishings which, since the film is in black and white, the viewer cannot see. By contrast, the stylisation of the later scenes does not preclude an emotional response: the scenes where the prison officers re-enact the now amnesiac protagonist's upbringing and crime to remind him of his guilt are grimly hilarious.

开篇部分的画外音通过再现观影者原本由于影片的黑白色调而无法看到的、物品与室内陈设的颜色，使得这一段落的纪录片特质受到了削弱；相反，之后场景中的程式化也没有排除情感上的反应：那些监狱看守通过再现这位如今已经失去记忆的主角的幼年经历和所犯罪行、令他回忆起自身罪孽的场景，是一幕幕狰狞的喧闹景象。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。