情感上的

Historical Ode refers to the poesies in which the poets express their emotions and remarks on their contemporary matters through directly paying attribute to historical themes. Being a unique school, Historical Ode differs itself from Allusion in its history-orientation.

在题材的选择和表现手法上，咏史诗和咏怀诗、怀古诗有某些相似之处，但也存在明显的区别：咏史诗以吟咏对象和主观情感的寄寓方式区别于咏怀诗，以触发吟咏的依托点区别于怀古诗。

A shuttlecock is meant to be kicked; consequently, these shuttlecocks carry modules, as it were, of the energy that has transformed the space in which they have been placed.

在儿时大家共有的踢毽子记忆中，毽子也像一种记忆的启动装置，在半毁屋区的棋盘上，召唤著以往空间中温柔的甜蜜的情感。

By means of the natural and unrestrained language, the free and loose structure, unconventional works constructed informal style of writing, smashed the trammels of aesthetic traditional conceptions, also displayed exciting vehemence and power, with unpurified feelings as the center of expression, unbosoming and pouring out the hearts as the lyric fundamental method.

疏放&型作品以未曾净化的情感为表现中心，以宣泄与倾诉为基本抒情手段，以自然、恣肆的语言和自由、松散的结构构建了随意的文体，在审美方式上打破了传统审美观念的束缚，显示出了激动人心的气势和力量。&

Marvelous form, sober frame and intellectual emotion were the feature of this period in art.

雄伟的形式、冷静的构思、理智的情感都是这一时期在艺术上所表达出来的思想。

Once you are fully aware of your body, switch your focus onto the feelings or sensations that pass through your body; not necessarily emotional problems, but rather the overall tone of your feeling of the moment.

一旦你把所有的注意力都放在身体上，转换你的注意力到触觉或感觉所胡身边所经过的一切。没有必要有情感困惑，而是适合你此刻全部气氛的感觉。

Li Gu of one singing always is can the linear characteristic; that utmost ground highlights melody tone change to combine is right the adornment of word sound makes original melody more beautiful, more the need that accords with case of zephyr of mood dialect and vocal content expression, affection, she is multi-purpose on skill the opera bites word law.

李谷一的演唱总是能够最大限度地突出旋律乐音变化组合的线性特征；对字音的装饰使原来的曲调更美、更符合语气语调和歌唱内容表达、情感和风格的需要，技巧上她多用戏曲咬字法。

Lyn Gallacher: The implications of that, then, for also time, are astonishing, that that shame means that we have to also turn up and behave in this sort of way, and we are in fact becoming mechanised individuals with pre-programmed emotional responses to things.

林恩？加拉赫：其寓意是惊人的，当然也包括时间上。它暗示，那样羞辱意味着我们得以这样的方式行为，我们因此实际上等于变成了机器化了的个体，对事物的情感反应已被预先程序化了。

The "aesthetic emotion" springs from an intellectual triumph, from overcoming barriers of word-bound thought and achieving insight into literally "unspeakable" realities

&审美情感&来源于智力的胜利，从克服障碍的字面的方向的思想来实现洞察字面上&无法形容&的现实。

But after a scene in which one person was in earnest and the other a perfect performer---after the tenderest caresses, the most pathetic tears, the smelling bottle, and some of the very best feelings of the heart, had been called into requisition---Rebecca and Amelia parted, the former vowing to love her friend for ever and ever and ever.

在这一幕里，一个人是真心实意的，另一个却演了一场精彩的假戏——最温存的拥抱，最悲伤的眼泪，嗅盐瓶，还有最亲切依恋的情感，都使用上了——然后，丽贝卡和爱米利亚分别了。

But after a scene in which one person was in earnest and the other a perfect performer---after the tenderest caresses, the most pathetic tears, the smelling bottle, and some of the very best feelings of the heart, had been called into requisition---Rebecca and Amelia parted, the former vowing to love her friend for ever and ever and ever.

在这一幕里，一个人是真心实意的，另一个却演了一场精彩的假戏——最温存的拥抱，最悲伤的眼泪，嗅盐瓶，还有最亲切依恋的情感，都使用上了——然后，丽贝卡和爱米利亚分别了。丽贝卡发誓要永远永远永远爱她的朋友。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。