情感

I will exhaust all the feelings I love you.

我会用尽我的所有情感去爱你。

However,I have to find an exit since feelings,emotion,seens and thoughts have filled my mind so well.

因为我的心中已经有了许多的感受、情感和思想，我必须要找到一个切入点来谈谈爱情。

To create worry, humans elongate fear with anticipation and memory, expand it in imagination and fuel it with emotion.

要制造忧虑，人类其实是预估将来在加上经验的记忆，把恐惧延续，再用想像力加情感来加盐加醋。

In conjunction with personal aesthetic feeling, emotion, and experience, articles about table delicacies, not just general cooking recipes, have driven relevant economic benefits of "cooking culture."

中文摘要近年来快速兴盛的「饮食文学」风潮令众人趋之若鹜，除了一般食谱之外还有许多与个人美感、情感经验结合的美食著作，带动了一系列与「饮食文化」相关的经济效益。

Secondly, we should explore the features and approaches of experiential emotional education based on practices.

其次，探索建立在实践基础上的体验式情感教育的特点和方式。

"Expressionism" is a kind of art that expresses feelings and thoughts.

表现形式'是一种表达情感和想法的艺术。

Expressionism is a kind of art that expresses feelings and thoughts.

表现主义是表达情感和思想的一种艺术。

He employs mechanisms more commonly associated with lavish "motion picture" productions for cinema: notably his trompe l'oeil cinematographic vision, manifested in elaborate chiaroscuro combinations of light and half-light; tight control of changes in perspective and arrangement of the cast in majestic tableaux vivants; and a miniaturist's hypersensitivity in committing human emotions to film, his precise handling of the camera capturing the subtleties of sadness, melancholy, and grief as well as of prolonged expressionlessness and impassivity.

他使用了奢华的"电影"更普遍采用的影院制作机制：精心设计出明暗对照的光线组合所产生的电影错视画面；严格控制视角的变化和场面宏伟的活动画面中演员走位的安排；正如一个微图画家般的超敏性，将人类情感赋予电影，通过他对摄影的准确把握，捕捉悲伤、忧郁和哀痛，长时间的沉默和平静的细微差异。

Unfortunately, they often don't have the volume to project that expressiveness.

不幸的是，她们常常没有足够的音量来表达她们的"情感"。

In fact, these three kinds of sentimentality are the externality of authors inside world.

另外，在这一部分的最后，还考察了这种感伤情感特征的形成原因。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。