情感

"I like the emotion of the scenes, but technically the duels were dreadful," Gillard admits. It may have been wrong of me but I didn't look at Peter Diamond's (original trilogy master choreographer) work which was mostly written in Epee style.

"我喜欢场景中的情感，但从技术角度讲那些决斗很糟糕，"吉拉德承认，我这样也许是错的，不过我没有看彼特-戴蒙（原三部曲的主要武打设计）的工作，那主要属于重剑风格。

I chose the paper for the ephemerality and the fragility of it. The paper was like a sheet of carbon which revealed the feelings I had at the time. Like something my body needed to reject.

考虑的理由是它的脆弱性和短暂性；纸张是一个很好的素材让你流露当下的情感，有种身体上的反动迫使我去挑战与对抗。

As far as social ethics were concerned Eustacia approached the savage state, though in emotion she was all the while an epicure

游苔莎这个人，在习俗的道德一方面，很近乎野蛮，但是在个人的情感一方面，却又是位精致细腻的人。

The Lucretian version of Epicureanism distinguishes between animus and anima: the latter only is soul in the biological sense, the former is the higher, directing principle in the Stoic terminology, whose seat is the heart, the centre of the cognitive and emotional life.

该版本的享乐主义Lucretian区分阿尼姆斯和灵魂：后者不仅是企业的灵魂在生物意义上说，前者是高，指导原则（以hegemonikon ）在斯多葛术语，其座位的心脏，该中心的认知和情感生活。

With it the epitaph of an emotion.

理智是情感的墓志铭。

In the first part, it introduces the origin and development of EQ,.

本文在此探讨的重点是如何培养和提高中专学生的情感智商。

Equid Emotions and Laterality: Is there a Connection?

Equid情感和偏侧：是否有连接？

Forgiveness is not only divine-- it's also the act of erasing an emotional debt.

宽恕不仅是神圣的，而且也是清除情感债务的行为。

Modern Eros is concerned with the modern transformation of human reason, emotion and biological instinct.

现代性爱涉及到人的理性、情感、生理本能的现代转型，因此其在20年代现代人形象变化的过程中起到了极其重要的作用。

The Taiwanese eroticism is not easy to understand.

台湾人的情欲是不容易了解的，人们不善於表现情感。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。